Product Description

Krzysztof Kieslowski’s international breakthrough remains one of his most beloved films, a ravishing, mysterious rumination on identity, love, and human intuition. Irène Jacob is incandescent as both Weronika, a Polish choir soprano, and her double, Véronique, a French music teacher. Though unknown to each other, the two women share an enigmatic, purely emotional bond, which Kieslowski details in gorgeous reflections, colors, and movements. Aided by Slawomir Idziak’s shimmering cinematography and Zbigniew Preisner’s haunting, operatic score, Kieslowski creates one of cinema’s most purely metaphysical works: The Double Life of Véronique is an unforgettable symphony of feeling.

Product Details

• Amazon Sales Rank: #16500 in DVD
• Brand: Image Entertainment
• Released on: 2006-11-21
• Rating: R (Restricted)
• Aspect ratio: 1.66:1
• Formats: Color, Dolby, DVD, Subtitled, Widescreen, NTSC
• Original language: French, Italian, Polish
• Subtitled in: English
• Number of discs: 2
• Dimensions: .75 pounds
• Running time: 98 minutes

Customer Reviews

"Double Life," twice the beauty
One of Krzysztof Kieslowski's finest films is "The Double Life of Veronique" ("La Double vie de Véronique"). It's not just a philosophical, arty film, but a subtle and unique tale full of Kieslowski's directorial magic, and gives Irène Jacob a chance to shine in her most challenging role.

There are two women, the Polish Weronika and the French Veronique (both played by Irène Jacob). They have never met, never spoken, and do not know that the other exists. They share the same losses and the same health. Weronika is a singer, and Veronique is taking singing lessons. But their lives and souls are bound together, and their personalities are yin-yang opposites, one practical and one a stargazer.

What is more, each has the strange feeling that she is, somehow, not alone in the world. One night, Weronika dies onstage while singing. Suddenly in France, Veronique is stricken with a strange feeling, and stops taking her lessons. Weronika has died, but she still lives. Soon she begins to explore, searching for the truth about her double life, and a strange puppeteer who somehow is a link between both girls.

"Double Life of Veronique" is one of those rare films that just begs to be analyzed. Is it about being puppets in some enormous scheme of things? About fate? Sacrifice? Love? One woman's soul in two bodies? Political symbolism? Or is it simply about some mysterious dimension of the spiritual? The symbols and metaphors can be unwound any which way, and in the end they all work. Even the ending is ambiguous -- is it happy, or sad?

Krzysztof Kieslowski's direction is impeccable. His use of light and shadow, and the atmospheric music, make "Double Life" practically a work of art. He dots "Double Life" with plenty of little hints about the inner states of the characters. The stars and leaves, for example, hint at the personalities of Weronika and Veronique -- one a dreamer, one down-to-earth. Kieslowski also used a minimalist approach to dialogue, often using pauses and silence that speak louder than the ordinary words.

At times this film seems like a love letter on film to Irène Jacob. Not only is she followed constantly by the camera, but her character is difficult but rewarding. Jacob shines without really seeming to, with the emotion and wonder of a small child in an adult body. Philippe Volter's aura of mystery adds to his excellent acting in his too-brief scenes. Unfortunately, few of the other characters are given much dimension -- the whole focus is on Weronika and Veronique.

This bewitching tale of love, loss, and interconnected souls winds a spell around this film. Interpret it as you will. Kieslowski's "Double Life of Veronique" is exquisite.

Stunning and haunting movie!
The Double Life of Veronique is an absolutely stunning film. The director, whose work includes Decalogue and the superb Three Colors Trilogy (Blue, White, and Red), displays a confident tone in his deliberate pacing and the subtle way in which he establishes the mood of this picture. In Irene Jacob (also the star of Red), he finds the perfect leading lady, who has an innocent yet mysterious and beautiful aura which works so well with the tone of this film.

There isn't really a plotline in this movie, but in general, it concerns the lives of two women (Veronique and Veronikka, both played by Irene Jacob) born on the same day but in different countries. Though they lead separate lives, there are parallels drawn in their existence, and their paths cross ever so briefly as the story of one woman dissolves into the story of the second. There is a distinct dreamlike quality to this film, and certainly, mood rather than narrative is the dominant driving force to the film.

Most Americans will consider this film to be a typical European "art house" film. If that is not your cup of tea, then you probably will not like this film, for it is decidedly a non-Hollywood production. Don't even bother trying to compare this film with the recent and remarkably inferior Demi Moore Hollywood film about two similar women living on separate continents; the films are nothing alike. "La double vie de veronique" is an excellent film for those who admire director Kieslowski's films or who have the patience to try something different and enlightening.

BEAUTIFUL AND HAUNTING
Irene Jacob stars in the dual role of Veronika, a Polish singer with a heart condition, and Veronique, a French puppeteer, who has some inexplicable connection this Polish version of herself. It is an interesting exploration of Veronique's life after Veronika dies, and of how Veronique feels a profound sense of loss at the death of her twin. This film was directed by Polish director Krzysztof Kieslowski just before he made his Bleu, Blanc, Rouge trilogy. While this film is a bit oblique and hard to follow at times, it is worthwhile for its dark and fascinating subject matter and the sensual treatment of the scenery and characters. Also notable is the gorgeous soundtrack by frequent Kieslowski collaborator Zbigniew Preisner.