Product Description

A small, exclusive college in upstate New York is nestled along the frozen shores of Lake Mohiga . . . and directly across from a maximum-security prison. The two institutions manage to coexist peacefully, until 10,000 prisoners break out and head directly for the college. "Sharp-toothed satire . . . absurd humor."--San Francisco Chronicle. HC: Putnam.

Product Details

• Amazon Sales Rank: #333664 in Books
• Published on: 1991-11-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 336 pages

Features

• ISBN13: 9780425130216
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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From Publishers Weekly
While awaiting trial for an initially unspecified crime, Vietnam vet and college professor Eugene Debs Hartke realizes that he has killed exactly as many people as he has had sex with, a coincidence that causes him to doubt his atheism. According to PW , "The cumulative power of the novel is considerable, revealing Vonnegut at his fanciful and playful best."
Copyright 1991 Reed Business Information, Inc.

About the Author
Kurt Vonnegut, whose dark comic talent and urgent moral vision in novels like Slaughterhouse-Five, Cat’s Cradle, and Hocus Pocus, caught the temper of his times and the imagination of a generation, died in 2007 at the age of 84.

Customer Reviews

In the shadow of Musket Mountain
This is probably my favorite of all of Vonnegut's works. It's the story of an ex-military man who becomes a teacher at a school for learning-disabled rich kids. He eventually is fired from the school for telling the students what an embarrassment it is to be an American, and he is hired by the prison across the lake. The story only gets more cynical and more sentimental from there. As each character dies, and so it goes, they are buried in the shadow of Musket Mountain when the sun goes down, a nice, poetic touch on this deeply sarcastic look at the American ruling class. I loved the alternative history lesson provided in this book, it's nice to see the positive side of American socialism and the potential it once held way back at the start of the 20th century. Hocus Pocus is one of those books I go back to ever couple of years and re-read...I like it that much.

Not for the Uninitiated Vonnegut Reader, but Great for Fans
Unlike the other Vonnegut novels that I have read, "Hocus Pocus" seems to come dangerously close to biting off more than it can chew -- and for the first half of the book it does. It takes a full hundred-and-fifty pages or so for Vonnegut to get a handle on all of the disparate themes that have crammed their way into this novel: racial strife, economic strife, the state of education in America, the follies of elitism, the de-humanizing effects of war (a Vonnegut favorite), love, sex, marriage, alcoholism, pride, honor, television, genetics and heredity, the outsourcing of American businesses, prison overcrowding, cultural identity ... believe it or not, I could go on. "Hocus Pocus" is too much of a hodge-podge, and it doesn't seem to know what it is trying to say or where it is drawing your attention at first. Thank goodness the second half of the book is a marked improvement. It actually ends up being enjoyable and says a lot of intelligent (if typically Vonnegut) things.

Still, there are some other problems with "HP" that could potentially turn a reader off -- particularly if they are not accustomed to Vonnegut's unique brand of storytelling. Eugene Debs Hartke is not a compelling Vonnegut protagonist; he has the quirky personality, the jaded outlook that comes with experience and the moral ambiguity, but he is surprisingly boring when you consider that he's an ex-soldier renowned for his deft and brutal technique, a sex addict and married to an insane woman to boot. He just doesn't resonate the way a Billy Pilgrim, Kilgore Trout (who makes a sort-of appearance here when one of his short stories turns up, for all you tried and true Vonnegut fans out there), or Howard W. Campbell, Jr. do in their respective stories. And the main themes that Vonnegut is expounding here have been done better elsewhere in his ouevre. God Bless You, Mr. Rosewater tackled elitism and greed in a more resonant way, Slaughterhouse-Five dealt with war in a more profound story, Mother Night also features a protagonist literally on trial for his moral ambiguity but delved deeper, and the deliciously madcap Breakfast of Champions is a freight train to disaster that is much more compelling than "HP"'s central prison break.

Having said that, Vonnegut devotees like myself will undoubtedly enjoy this novel anyway -- particularly the last half. But for anyone who is not already enchanted by Vonnegut's quirks as a novelist would do better to start elsewhere (I'd suggest checking out one of the novels I just mentioned in the last paragraph instead).
Grade: B- (but give it a C if you aren't already a Vonnegut fan)

Great Book (And refutation to some reviws)
Let me first tell you that this is by far one of Vonnegut's best. The social commentary that is diguised in the form of satire is rather tremendous and poignant. It has definitely an anti-war flavor to it, but it never overshadows the real substance of the author's witticism. It's a funny book, but not "hillarious" as the back cover of this volume attests. From a different point of view, it's a rather sad book if you understand the implications of the subject matter. A very good book and would recommend to any one interested in modern and post-modern American prose.

Refutations:

* Vonnegut is a post-modernist, which implies that the book (or any work of art) can and more likely be free of classical rigidity. So, complaining that he jumps back and forth through time and places is not a good criterion to undermine this work.

* Repudiating this work because of Vonnegut's anti-war passages is as unfair as doing the same for say, Hemingway, O'Brian, Dalai Lama.

* This is a quinteseential post-moder work, and as said above, it should and does not need to conform to the cannonical rules of plot flow, time flow, and characater development. You could even call this book a Cubist work due to its subdivisions within chapters.

* This book goes much more than just war. It goes into love, sex, selling of American enterprises (and hence America) to foreign investors, race, class consciousness, and the attempt to keep the status quo by those who are ver well-off.

* This book is completely well structured. Your could easily read just one chapter and be as happy as reading the whole book. The chapters are self-sufficient and self-contained. The further chapters are elaborations of thing, characters and bits from preceding chapters.

* This is a GOOD book!