Product Description

"The intricate forms of living things bespeak design, and thus a creator: nearly 150 years after Darwin's theory of natural selection called this argument into question, we still speak of life in terms of design--the function of the eye, the purpose of the webbed foot, the design of the fins. Why is the ""argument from design"" so tenacious, and does Darwinism--itself still evolving after all these years--necessarily undo it?

The definitive work on these contentious questions, Darwin and Design surveys the argument from design from its introduction by the Greeks, through the coming of Darwinism, down to the present day. In clear, non-technical language Michael Ruse, a well-known authority on the history and philosophy of Darwinism, offers a full and fair assessment of the status of the argument from design in light of both the advances of modern evolutionary biology and the thinking of today's philosophers--with special attention given to the supporters and critics of ""intelligent design.""

The first comprehensive history and exposition of Western thought about design in the natural world, this important work suggests directions for our thinking as we move into the twenty-first century. A thoroughgoing guide to a perennially controversial issue, the book makes its own substantial contribution to the ongoing debate about the relationship between science and religion, and between evolution and its religious critics."

Product Details

• Amazon Sales Rank: #949596 in Books
• Published on: 2004-09-30
• Original language: English
• Number of items: 1
• Binding: Paperback
• 384 pages

Review
Anyone who is interested in the 'science wars' controversy or the history of evolutionary thought will find this book fascinating and rewarding. The prose is masterfill--relaxed, colloquial, rich in information, and suffused with flashes of malicious wit and delicious historical tidbits. -- Matt Cartmill "Reports of the National Center for Science Education"

Review
Ruse examines the concept of 'design' in nature, explaining why it still remains a strong influence despite the scientific revolution, and historically, how it dominated Western thought from ancient Greece (Plato) to the advent and predominance of Christianity...A rich and compelling book.
--J. S. Schwartz (Choice 20031101)

Anyone who is interested in the 'science wars' controversy or the history of evolutionary thought will find this book fascinating and rewarding. The prose is masterfill--relaxed, colloquial, rich in information, and suffused with flashes of malicious wit and delicious historical tidbits.
--Matt Cartmill (Reports of the National Center for Science Education )

To anyone interested in the evolution of evolution, I recommend this book.
--John Tyler Bonner (Natural History )

This has to be the best of Ruse's many books, and it is hard to imagine how a better one could be written on this subject. With an understanding erudition spiced with good-natured wit and occasional sly ribaldry, Ruse moves easily and assuredly among biology, philosophy, history, and theology.
--Robert T. Pennock (Science )

Michael Ruse's latest book, Darwin and Design, is an intellectual history of the design argument and its Darwinian solution...His story is a fascinating one, enlivened especially by his accounts of various imaginative attempts before Darwin to solve the design problem without recourse to a deity.
--Daniel W. McShea (American Scientist )

About the Author
Michael Ruse is Lucyle T. Werkmeister Professor of Philosophy and Director of the Program in the History and Philosophy of Science, Florida State University. He is the founder and editor of the journal Biology and Philosophy, and has appeared on “Quirks and Quarks” and the Discovery Channel.

Customer Reviews

Blueprints or blundering?
Darwin's great insight was the discovery that Nature isn't operating to a plan. For over two millennia, Western European thinkers, whether secular or religious, had contended otherwise. Nature, they claimed, whether divinely guided or not, exhibited the effect of instituted, unwavering patterns - the result of "design". Eyes, hands, the arrangement of flower petals were too complex to have occurred by chance, it was thought. Christian monotheists enshrined this view within religious dogma. Darwin's revolutionary Idea challenged that concept at its roots, thus toppling all established opinion. The Idea, refuting theologians and philosophers alike, became Dangerous. As Ruse points out, the traditional argument is still being used to contest Darwin's great insight into the driving force of life.

In this superbly conceived and crafted survey of the traditions and their overthrow, Ruse again proves his worth both as a scholar and a writer. From Plato through Kant, from Descartes to Darwin, we are provided a tour of how humans have viewed Nature over many centuries. The examples are endless - the eye, the hand, the awesome variety of flowering plants all seem to exhibit something behind their structure. Ruse examines the result of "new" science challenging old dogmas during the Enlightenment. He shows how the reconciliation of evidence with faith became known as "natural theology". In other words, nature's wonders were evidence of the god's plan. Ruse follows the course of the reasoning of the adherents of "nature by design" up to the present. The opening chapters of this book are presented so skillfully it seems he is endorsing the traditional view. Nothing could be more mistaken. In one stroke, Darwin overthrew those dogmas and Ruse can present Darwin's impact like few others.

Darwin demonstrated that what we see around us is a "snapshot" of natural history. Our view sees the result of ages of natural selection. Even with this great insight, Darwin lacked the information explaining the mechanics of natural selection. How did "modification with descent" [Darwin's preferred usage] work down the generations. Although natural selection underwent a brief regression with the re-discovery of Mendel's genetics, it revived with enhanced force in the 1930s. Ronald Fisher's mathematical analysis demonstrated how to integrate natural selection with genetics to found what is now known as "neo-Darwinism". The revelation of DNA's structure consolidated that merger, leaving natural selection stronger than ever.

The idea of "design" in nature retains a rearguard force of snipers still asserting an "intelligent designer". Ruse presents the ideas of Behe, Dembski and Johnson in their assault on natural selection. He delicately analyses their arguments and logic. Then, he gently but firmly consigns their ill-founded proposals to the historical rubbish heap. They, unlike Kant or Descartes, have the evidence before them, either discounting or avoiding it. Ruse's sense of decency restrains his judgment where others have been more scathing in their denunciation of the delusions of the ID mob. He's to be commended for his articulate restraint.

Although a running theme of this book is something termed Natural Theology", the attempt to merge nature with a divinity, Ruse proposes something different in conclusion. He wants us to adopt a more reverent approach to the wonders of nature. A fresh look at what nature can offer us all leads him to suggest a "theology of nature". The similarity of terms mustn't blind the reader in recognizing that "nature" is the object of worship here. It's a fitting proposal from a man who has built a reputation for linking science and philosophy. A series of books has established his outlook, and this one is his finest work. [stephen a. haines - Ottawa, Canada]

Good Synthesis
Another interesting and well written book by Michael Ruse. In this book, Ruse explores the nature and role of teleological thinking about the natural world in the development of evolutionary theory. As well, he investigates the status of teleological thinking related to the natural world in relation to theology. In a shorthand way, this is concise history and commentary on the famous argument from design, one of the classis 'proofs' of the existence of a beneficient deity. Ruse decomposes the argument from design into 2 components, the argument to complexity and the argument to design. The former is a conclusion that aspects of the biological world have elements of goal directed function, analogous to conscious design. The latter argument is then that the existence of purposeful complexity is evidence for a deity.
Ruse provides a nice, concise history of different aspects of these arguments, starting with Plato and Aristotle, and moving through major Christian theologians. He then moves into the major skeptical assaults on the argument from design using Hume as the paradigmatic thinker, and the responses of a variety of thinkers, including the English theologian Paley and Kant.
Ruse provides a nice analysis of how concerns with the argument to complexity and the complete argument from design informed and inspired the search for greater understanding of the living world. This culminates, somewhat ironically, in Darwin and Wallace's discovery of the ideas of evolution and selective forces driving evolution. Not surprisingly, given Ruse's stature as an excellent historian of biology, he provides a really nice concise history of the development of Darwin's ideas and carries the story of the ups and downs of the importance of selectionist ideas into the 20th century. This is very well done. Ruse is also particularly good on some aspects of 19th century philosophy of science and theology, particularly Anglican theology, which are intertwined with the development of evolutionary theory in interesting ways.
Ruse ends up with a fairly orthodox, Darwin based view of the argument from design. The argument to complexity is affirmed based on natural selection but the argument to design is firmly but gently thrown into the garbage.
The book concludes with a section on the reconciliation of Christion (or theistic beliefs in general) with a scientifically valid view of nature. Ruse's usually solid grasp of logic slips here somewhat. It is not particularly convincing, and unlike most of his work, is not written clearly.

Informative and fun to read
This is a well written book, and it has plenty of fascinating material. Ruse begins with a discussion of what "purpose" is. That means understanding that causes precede effects. And it means understanding that objects can have purposes: a watch can have a purpose, namely to tell time. A bread knife can have a purpose, namely to cut bread. And so on.

But what is the purpose of, um, the planet Jupiter? Or of Niagara Falls? We soon see that inanimate objects can be purposeless. And when we look at animate objects, such as eyes or entire creatures, we see that these can fail to have any overall purpose in a Darwinian world.

Ruse then gets to the issue of complexity. Does apparent complexity of some entities show that they have purposes? No. And he shows how Hume argued that apparent complexity in the world may be deceptive.

I wish that Ruse had spent some time on the following argument against design: who designed god? If god didn't need to be designed, why did the observed universe need to be designed? If god needed a designer, was that designer bigger, tougher, and more complex than god or weaker and simpler? And who designed the designer that designed god? But Ruse spares us what I think is actually a good set of questions here.

Ruse then discusses Darwinian evolution and adaptation. And we see some interesting examples. There's a fine discussion of male-to-female ratios at birth and the connection to survival and reproduction. "High ranking" females of some species have more male offspring (consistent with the idea that such offspring will do well in competing for mates) while "low ranking" females have more female offspring (consistent with the idea that almost all females will reproduce).

We also get to read about behavior that seems only partially adaptive, such as the breeding of dunnocks, as well as the tomography of some square-shaped bacteria in saline pools in the Sinai.

Those of us who read books about evolution often see design used as a metaphor. Ruse discusses this. It isn't so much that we're using the language of Design. That's fine if such language is appropriate. But is it? And in some cases, it certainly makes sense.

The book concludes with a chapter on "Intelligent Design." Ruse politely demolishes some of the arguments made by some of the modern proponents of this outdated idea. And he also talks about Dawkins, who claims that Darwinism is a major challenge to religious belief. Is Dawkins right? Well, yes, he is. It is indeed a challenge to religious belief. And Ruse makes the point that one can argue in favor of religious belief anyway, but not by arbitrarily dismissing either Darwin or Dawkins.

I enjoyed reading this book, and I recommend it.