Product Description

Over the course of his long directing career, Woody Allen has portrayed contemporary American life with an unmistakable mixture of irony, neurotic obsession, and humor. Woody Allen on Woody Allen is a unique self-portrait of this uncompromising filmmaker that offers a revealing account of his life and work. In a series of rare, in-depth interviews, Allen brings us onto the sets and behind the scenes of all his films. Since its original publication, Woody Allen on Woody Allen has been the primary source of Allen's own thoughts on his work, childhood, favorite films, and inspirations. Now updated with one hundred pages of new material that brings us up to his Hollywood Ending, Woody Allen on Woody Allen is a required addition to any cinephile's library.

Product Details

• Amazon Sales Rank: #92406 in Books
• Published on: 2005-07-10
• Original language: English
• Number of items: 1
• Binding: Paperback
• 376 pages

Features

• ISBN13: 9780802142030
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
Fans of Woody Allen have long waited to hear him tell us in his own words about his life, his tastes, and his films, but until recently he has been reluctant to give lengthy interviews. This book is the conversation we've been waiting for, a dialogue with Stig Bjorkman in which Allen speaks openly about himself and his art. Bjorkman invites the writer/director to talk at length about his lesser-known movies as well as his famous ones. We also learn about Allen's filmmaking technique, his feelings about his stock company of actors, his influences, and why Stardust Memories and The Purple Rose of Cairo are his two personal favorites.

From Publishers Weekly
In this collection of interviews with Bjorkman, a Swedish filmmaker, Allen emerges as a disciplined worker, far different from his famed persona as self-pitying and neurotic. The book will delight-and relieve-his fans. Allen discusses his craft and ouevre, with a chapter devoted to each film in chronological order from Take the Money and Run to Manhattan Murder Mystery. He recommends "Socratic" learning rather than film school and reveals that he once did many takes but now, with increased confidence, infrequently reshoots scenes. He defends his portrayals of blacks against criticism from African American groups that he casts them only as menial characters, explains that his temperament determines the length of his films ("Scorsese's body rhythm is longer") and knocks American movie reviewers who "gush tremendously over populist junk films." There's virtually nothing here about his recently turbulent personal life, though Allen comments that, "one must be very lucky" to achieve a deep, lasting relationship. Photos.
Copyright 1994 Reed Business Information, Inc.

From Booklist
Swedish filmmaker Bj{™}orkman compiled this volume from several weeks of interviews, conducted over a six-month period, in which he led Allen through a film-by-film discussion of his quarter century as director, actor, and writer. Allen's thoughtful examination of his career should come as no surprise, since his neurotic, nebbishy film persona has long since been supplanted by that of the serious, reflective artist. Although the tone is rather too conversational (Bj{™}orkman seems to have enjoyed his time with Allen too much to ask many critical, probing questions) and questions of proportion arise (less than 4 pages devoted to Hannah and Her Sisters but 15 to the turgid September), the conversation is rich in anecdotes, trivia (Allen's first choice for the Marshall McLuhan cameo in Annie Hall was Fellini), and insight into Allen's surprisingly loose approach to filmmaking. Despite recent personal and professional downturns, Allen retains a loyal cadre of fans eager to read what he has to say in this worthwhile supplement to the various Allen biographies. Gordon Flagg

Customer Reviews

Frank and enlightening discussion
A very relaxed and interesting discussion regarding the development of Allen's style and indivisual films that is very entertaining. This is an excellent companion to his earlier films. Bjorkman asks excellent questions that keep the discussion flowing in a chronological sense yet allow for Woody Allen to address many interssting topics related to his work.
The focus here is really the body of work and not Allen's personal life. Like sitting with a bottle of wine and talking to two intelligent filmmakers about their craft.

Simply Amazing!!
The only reason that I didn't give this book 5 stars in because it only goes up to Husbands & Wives. For anyone who loves Woody and wants to hear him speak in detail about his films, other films and his ideas, this book does not disapoint. I have many other books by or about filmmakers and this is certainly up there with the best. Woody talks about Bergman, Godard, Fellini, Truffaut, Hitchcock and many other filmmakers and films he likes. He discussed in depth each of his films from What's New Pussycat? to Husbands and Wives. This book is a must for fans of Woody Allen and for fans of film.

A must for any film friend
This book simply is a must for people who are interested in film!

Whether you love or hate Woody Allen's work, there is a great deal to learn on film history from this book.

Stig Björkman knows so much about all aspects of film and therefore delivers an outrageously professional interview. But still, the interviewer stays humble, asking questions showing a profound knowledge of the subject. Since Woody Allen is very good at answering in a direct but well thought about way, it never gets boring and never seems primitive that the book is written simply in direct dialogue.

What I personally appreciate as well is that the talk is purely about film and about Woody Allen as an artist - his private life does not enter unless it is closely related to the discussed subjects. So you get a very relevant view to Woody Allen's career. Because of Stig Björkman's high professionalism, and because of Woody Allen's conversation talent and open mind.

It never gets too intellectual either. In fact, it makes you want to watch the Woody Allen movies you haven't had the opportunity to watch yet.

The only minus is that the book is some years old so that it does not contain discussions on his recent very interesting films.

But as it is an unrejectable document on film history, "Woody Allen On Woody Allen" does belong on any film friends' bookshelf!