Product Description

“They didn’t ask to be remembered,” Pulitzer Prize-winning author Laurel Ulrich wrote in 1976 about the pious women of colonial New England. And then she added a phrase that has since gained widespread currency: “Well-behaved women seldom make history.” Today those words appear almost everywhere—on T-shirts, mugs, bumper stickers, plaques, greeting cards, and more. But what do they really mean? In this engrossing volume, Laurel Ulrich goes far beyond the slogan she inadvertently created and explores what it means to make history.

Her volume ranges over centuries and cultures, from the fifteenth-century writer Christine de Pizan, who imagined a world in which women achieved power and influence, to the writings of nineteenth-century suffragist Elizabeth Cady Stanton and twentieth-century novelist Virginia Woolf. Ulrich updates de Pizan’s Amazons with stories about women warriors from other times and places. She contrasts Woolf’s imagined story about Shakespeare’s sister with biographies of actual women who were Shakespeare’s contemporaries. She turns Stanton’s encounter with a runaway slave upside down, asking how the story would change if the slave rather than the white suffragist were at the center. She uses daybook illustrations to look at women who weren’t trying to make history, but did. Throughout, she shows how the feminist wave of the 1970s created a generation of historians who by challenging traditional accounts of both men’s and women’s histories stimulated more vibrant and better-documented accounts of the past.

Well-Behaved Women Seldom Make History celebrates a renaissance in history inspired by amateurs, activists, and professional historians. It is a tribute to history and to those who make it.


From the Hardcover edition.

Product Details

• Amazon Sales Rank: #385279 in Books
• Published on: 2008-09-23
• Released on: 2008-09-23
• Original language: English
• Number of items: 1
• Binding: Paperback
• 320 pages

Features

• ISBN13: 9781400075270
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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From Publishers Weekly
In 1976, graduate student Ulrich asserted in an obscure scholarly article that well-behaved women seldom make history. But Ulrich, now at Harvard, made history, winning the Pulitzer and the Bancroft Prizes for A Midwife's Tale—and her slogan did, too: it began popping up on T-shirts, greeting cards and buttons. Why the appeal, Ulrich wondered? And what makes a woman qualify as well-behaved or rebellious? Several chapters of this accessible and beautifully written study are brilliant. In one, Ulrich follows the lead of Virginia Woolf (who invented an ill-fated fictional sister of Shakespeare) by digging into what we know—and don't know—about the women in the Bard's family. In another, she offers a piercing analysis of four 19th-century Harriets—ex-slaves Tubman, Jacobs and Powell, and novelist Stowe—to uncover the interplay of race and gender in questions of liberation. And in a third, richly illustrated chapter, she utilizes a medieval book of days as a window into women's labor through the ages. If other chapters, such as a wide-ranging exploration of the Amazon myth and a rumination on second-wave feminism, don't cohere as tightly or showcase Ulrich's strengths as an extraordinary interpreter of ordinary records, this can be forgiven in a work that is so often sharp and insightful. 26 illus. (Sept. 7)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The Washington Post
Reviewed by Michael Dirda

At the beginning of her career as a historian of early America, Laurel Thatcher Ulrich published an article entitled "Virtuous Women Found: New England Ministerial Literature, 1668-1735." Could anything sound more narrowly academic than that -- a scholarly examination of a small subset of Puritan funeral sermons? But Ulrich's paper was destined to have a long history. It opened this way:

"Cotton Mather called them 'the hidden ones.' They never preached or sat in a deacon's bench. Nor did they vote or attend Harvard. Neither, because they were virtuous women, did they question God or the magistrates. They prayed secretly, read the Bible through at least once a year, and went to hear the minister preach even when it snowed. Hoping for an eternal crown, they never asked to be remembered on earth. And they haven't been. Well-behaved women seldom make history."

Since 1976, when that paragraph was printed in American Quarterly, Ulrich's final ringing sentence has appeared -- sometimes with the word "rarely" replacing "seldom" -- on T-shirts, coffee mugs and buttons. It has gradually grown into one of the best-known slogans of modern feminism. Ulrich herself went on to publish other works about early American women, including A Midwife's Tale, which won the Bancroft and Pulitzer Prizes. She also became a distinguished Harvard professor and for many years taught a core course called "Women, Feminism, and History." Though she never quite says so, I suspect that that course provides the basis for this short survey of feminism from the Middle Ages to the present. But don't worry: Well-Behaved Women Seldom Make History is by no means jargon-ridden or academic in tone. Ulrich's style is plain and direct, agreeable but without frills, and she moves efficiently right along. The book is a pleasure to read.

It is structured around three representative female intellectuals and activists: Christine de Pizan, Elizabeth Cady Stanton and Virginia Woolf. In her opening chapter, Ulrich summarizes their lives and the arguments of their most famous feminist works: Christine's The Book of the City of Ladies; Stanton's memoir Eighty Years and More; and Woolf's polemical A Room of One's Own. In subsequent chapters, she then picks up an idea or theme from the books and reflects on its history and current importance. For instance, the 15th-century Book of the City of Ladies -- which celebrates the achievements of women in literature, history and myth -- speaks admiringly of the Amazons. So Ulrich devotes a chapter to these figures of "fantasy, longing, inspiration, and fear." In it she examines the meaning of such "Amazons" as Penthesilea (who fought Achilles at Troy), the Chinese woman warrior Mulan, Diana Prince (aka Wonder Woman) and even Wafri Idris, the 28-year-old Palestinian who blew herself up in a Jerusalem shopping mall.

Another chapter, "Shakespeare's Daughters," springs from Virginia Woolf's heartbreaking fable about Judith Shakespeare. If the great playwright had had a comparably gifted sister, what might her life have been like? In Woolf's telling, Judith flees an arranged marriage and travels to London, where her writing is scorned and she is seduced by an actor. Left pregnant, the young woman destroys her manuscripts and in despair kills herself. From this starting point, Ulrich then looks at actual 17th-century poets such as Aemilia Lanyer and Elizabeth Cary, as well as at Shakespeare's daughters. Or rather, since we know little about their lives, she looks at their names. These recall two pivotal, if radically different, Biblical heroines:

Susanna, who resisted the sexual blackmail of lecherous priests, and Judith, who coolly used her beauty to gain the tent of Holofernes, where she then cut off his head. Both stories, we are reminded, became the subject of important works by Artemesia Gentileschi, possibly because they allowed this esteemed Renaissance painter to portray (or sublimate) her own feelings after being raped by a fellow artist.

In "Slaves in the Attic," Ulrich looks at a quartet of forceful women named Harriet: the escaped slave Harriet Powell, who inspired Elizabeth Cady Stanton's youthful activism; the writer Harriet Jacobs (author of Incidents in the Life of a Slave Girl); the "general" of the Underground Railroad, Harriet Tubman; and, of course, the novelist Harriet Beecher Stowe. It's an ingenious organizing device, especially since many of these women actually did know each other. With a similar mixture of the serious and playful, a later section of Ulrich's book describes the longtime association between women and cows: Did you know that a red heifer symbolized the nourishing and spotless Jesus Christ? Ulrich even mentions Catherine O'Leary, whose cow kicked over a lantern and started the great Chicago fire -- "There'll be a hot time in the old town tonight." But Ulrich actually tells us about the life of O'Leary, who counted on that milk-giver to support a family. In her remaining chapters, Ulrich offers a brief précis of the modern women's movement, from the publication of Betty Friedan's Feminine Mystique and the founding of the National Organization for Women to the contemporary Red Hat Society (a playgroup for women over 50), as well as her own experiences as an editor of the Mormon publication Exponent II. She points out, as others have, how much both the "first" feminist movement of the 19th century and the "second" of the 1960s and '70s grew out of female participation in movements for racial equality. Occasionally, activist men, in both eras, took up the struggle of their wives and sisters. As Frederick Douglass said: "When I ran away from slavery, it was for myself; when I advocated emancipation, it was for my people; but when I stood up for the rights of women, self was out of the question, and I found a little nobility in the act."

Some of Ulrich's anecdotes in these final pages will transport readers of a certain age back to the exhilarating days of activism and protest. She describes the Guerrilla Girls protesting the neglect of female painters with posters that demanded: "Do women have to be naked to get into the Met Museum?" She tells us about the genesis of such famous publications as Our Bodies, Ourselves, Sisterhood Is Powerful and "off our backs." Not for many decades had I thought about the once notorious women's group called WITCH, the letters standing for "Women's International Terrorist Conspiracy from Hell" or possibly "Women Inspired to Tell Their Collective History" or even "Women Interested in Toppling Consumer Holidays." As Ulrich says, back then "radicals liked to keep people guessing." She even quotes that devastating put-down from Virginia Woolf, read aloud to me by a female friend during that era: "Women have served all these centuries as looking-glasses possessing the magic and delicious power of reflecting the figure of man at twice its natural size."

Despite her fervor and personal convictions, Ulrich never forgets that she is a scholar as well as a woman. She points out that a 1985 pocket calendar, The Medieval Woman: An Illuminated Book of Days, failed to recognize that many of its paintings from the Middle Ages weren't realistic but simply allegorical. She criticizes the images in the 2005 photographic album A Day in the Life of the American Woman for their saccharine optimism and refusal of the controversial or political: "There is very little if anything in this book about commitment to some larger community or cause." In the end, she even calls for a history that pays more attention to well-behaved women. "If well-behaved women seldom make history, it is not only because gender norms have constrained the range of female activity but because history hasn't been very good at capturing the lives of those whose contributions have been local and domestic."

Despite many virtues, Ulrich's book nonetheless often feels less like history than ancient history. A lot in its pages will be familiar to readers. Colleges have been offering courses in women's studies for decades now. That battle is won. Artemesia Gentileschi, Elizabeth Cady Stanton, Harriet Tubman, Virginia Woolf -- these are hardly unfamiliar names. Do not, in other words, expect Well-Behaved Women Seldom Make History to be anything but what it is: a well-written short work of synthesis and consolidation. It breaks no new ground.

Still, as Ulrich notes again and again, history isn't simply what happened in the past; it is what later generations choose to remember. And we do need to remember how it was. Ulrich quotes historian Sara Evans: "It is startling to realize that in the early 1960s married women could not borrow money in their own names, professional and graduate schools regularly imposed quotas of 5-10 percent or even less on the numbers of women they would admit, union contracts frequently had separate seniority lists for women and men, and sexual harassment did not exist as a legal concept. It was perfectly legal to pay women and men differently for exactly the same job."

Sometimes, we really do make a little progress -- even when there's still a long way to go.

Copyright 2007, The Washington Post. All Rights Reserved.

From Bookmarks Magazine
Unlike her previous works, which focused on a single location, era, or life, Laurel Thatcher Ulrich’s fifth work of nonfiction takes a broad view of women’s history. Though critics felt that her associations and organizing devices were clever, a few questioned some of the connections between stories. Critics also diverged over Ulrich’s style: some found it dry and academic; others considered it clear and compelling. Ulrich, a pioneer in women’s history in the 1970s and 1980s, continues to produce works that provide a fascinating peek into the pastâ€"into what a woman’s life was, and might still be, were it not for these spirited pioneers whose stories deserve to be remembered.

Copyright © 2004 Phillips & Nelson Media, Inc.

Customer Reviews

Good, if incomplete, overview
I've seen thousands of those bumper stickers and t-shirts stating (incorrectly, as it turns out), "Well-behaved women rarely make history." (I interned at NOW years ago, and they were everywhere!) Learning the source of the quote, which Ulrich explains in her preface to this book, was alone worth reading this book. From such humble beginnings it came!

Ulrich may have bitten off more than she could chew, though, with writing this book. In her attempt to assess the accuracy of her now-legendary quote, she focuses on three prominent female figures in history: Christine de Pizan, Elizabeth Cady Stanton, and Virginia Woolf, then branches out with anecdotes from there. Clearly she had to narrow her focus; "women's history" is too vast and varied to be condensed into a single volume. (In that regard, look at what grade school textbooks have done to American history!) But Ulrich's choice of focus seemed arbitrary and, despite occasionally short forays elsewhere, was distressingly White and Western. Even the torso on the cover is White! Anyone considering writing a similar book in the future, I beg of you: remember to be inclusive! If you can't meet the goal of inclusivity in your target page length, perhaps you need to re-think the whole idea of your book.

So why do I give this book 4 stars despite my criticism? First of all, because any book that aims to tell the stories and histories of women deserves to be read, for reasons Ulrich details excellently in this book. Second, I enjoyed learning more about Christine de Pizan and Elizabeth Cady Stanton; Pizan because I'd never previously heard of her, and Stanton because she was complex (and controversial) far beyond her enduring fame as a suffragist.

In sum, this book is a recreational (and educational) read for those interested in the topic, but it should not be a primary source for learning about the histories of women.

Intriguing History
I grew up when that phrase -- Well-Behaved Women Seldom Make History -- was always in the background -- on posters, bumper stickers, and mugs. So I was excited to read the book, by Laurel Thatcher Ulrich, who invented the phrase. And I'm glad I did. It taught me about the history of the Amazons (not totally grounded in fact, in turns out), women writers from different eras, and the intriguing Elizabeth Cady Stanton. Bottom line: It's an interesting book, heavy on the history -- perfect if you're in an academic mood.

Ulrich is the woman behind the famous quote - and for good reason
Ulrich inadvertently made the quote famous, but then more than 20 years later, wrote a book with the same name. Now, she had the opportunity to access history in ways she couldn't before, with innumerable sources. Just had the opportunity to interview Ulrich for my blog site - she has some amazing insights. Definitely enjoyed this book, especially if you're into women's history.