Product Description

Now available is an all new and completely unrated version of Oliver Stone's incredible epic film, loaded with nearly 40 minutes of additional never-before-seen footage, that takes the film to a new level of realism and intensity. Restructured and expanded into two acts with one intermission, Oliver Stone's vision is delivered the way he originally conceived and intended. With the new, unrated and graphic battle scenes and unadulterated sensuality, it's the movie you couldn't see in theatres, now available on DVD for the very first time!

DVD Features:
Introduction
Theatrical Trailer

Product Details

• Amazon Sales Rank: #5361 in DVD
• Brand: WARNER HOME VIDEO
• Released on: 2007-02-27
• Rating: Unrated
• Aspect ratio: 1.77:1
• Formats: AC-3, Closed-captioned, Color, Director's Cut, Dolby, DVD, Subtitled, Widescreen, NTSC
• Original language: English
• Subtitled in: English
• Number of discs: 2
• Running time: 214 minutes

Amazon.com
For better or worse (and in this case, it's mostly for better), Oliver Stone's Alexander Revisited should stand as the definitive version of Stone's much-maligned epic about the great Asian conqueror. Following the DVD release of his previous Director's Cut, Stone offers a video introduction here, explaining why he felt a third and final attempt at refining his film was necessary. Essentially, he's using this opportunity to re-create the "road show" format of the Biblical epics of the 1950s and '60s, with a three-and-a-half-hour running time (with an intermission at the two-hour mark) including 45 minutes of previously unseen footage. Stone has also significantly restructured the film, resulting in substantial (if not exactly redemptive) improvements in its narrative flow. Alexander (played in a torrent of emotions by Colin Farrell) is dying as the film opens, his final moments serving to bookend the film's epic story, which incorporates flashback sequences to flesh out the Macedonian king's back-story involving the turbulent battle of fate between his father, King Philip (Val Kilmer) and his scheming sorceress mother Olympia (Angelina Jolie, ridiculous accent and all), who insists that Alexander is literally a child of the gods.

In Stone's final cut, epic battles remain chaotic (although Alexander's strategy is somewhat easier to follow, with on-screen titles indicating left, right, and center during his army's greatest maneuvers) and the ultra-violent battles are more graphically gory than ever (hence their "unrated" status). The animalistic lovemaking of Alexander and his barbarian bride Roxana (Rosario Dawson) is slightly extended (with Dawson as ravishing as ever), and Stone's additional footage also improves the overall arc of Alexander's relationship with his closest generals and male companions, although his most intimate homosexual encounters remain mostly discreet. As Alexander Revisited makes clear, the film's weaknesses remain unavoidable, but Stone deserves credit for recognizing how a longer running time, and more disciplined narrative structure, would bring Alexander closer to the respect it never earned from critics and filmgoers alike. This is unquestionably a better film than it used to be, leaving us to wonder why it took three separate efforts to shape Alexander into its best possible presentation. --Jeff Shannon

From The New Yorker
Beware the long-cherished project. That is one of the lessons handed down by Oliver Stone's bio-pic of Alexander the Great, upon which the director has ruminated for many years. Somebody less obsessed by the undertaking might have given us less to laugh about; as things stand, we gaze at Colin Farrell, in the leading role, and wonder if Alexander was impelled to reach the limits of the known world purely in order to forget the tragedy of his wig. Farrell looks deeply grieved in his part, as does Jared Leto, who has the unhappy task of portraying Hephaistion, the general's abiding lover. The story, narrated by the aged Ptolemy (Anthony Hopkins) and unfolding in flashback, takes us from a princely boyhood in Macedonia, under the raging rule of Val Kilmer, to the rout of Darius at Gaugamela in 331 B.C. (clearly the heart of the picture, with a wild beat), and so on, eastward, all the way to an elephant-infested India. Many viewers will find nearly three hours of plotless history, alternately savage and sluggish, a little hard to stomach, and they will turn with relief to those performers who treat the whole enterprise as the highest form of kitsch-Angelina Jolie, as Alexander's mother, and Rosario Dawson, as his wife. When these two are onscreen, all thoughts of Homeric heroism are flung aside, and we can settle down to enjoy the movie for what it is: the "Showgirls" of the ancient world. -Anthony Lane
Copyright © 2006 The New Yorker

From the Studio
Comes with the paperback guide Barbecue: 101 Essential Tips (ISBN 0756602203).

Customer Reviews

Alexander Revisited...a review from one who has the 3 DVD's
Oliver Stone's Alexander Revisited is now something of a masterwork. He is given the chance to tell the story as he would have originally liked to have presented it. The 45 minutes of extra's are true extra's...spread out in short 2 to 5 second edits...to more lengthly exchanges that happily include Brian Blessed as the Physical Instructor, Christopher Plummer as Aristotle and quite a bit more voice over and character addition from Anthony Hopkins as the aged Ptolemy.
The action starts almost immediately with a longer, more graphic version of the Battle of Gaugemela (Wonderfully undertaken, Stone paying homage to the great Sergei Bondarchuk with those terrific panning shots) and then works backwards through Alexanders youth. The film moves forward and backwards from there yet the new subtitles give you the year and how long, before or after, from the previous scene. It is quite instructive to anyone the slighest bit confused and is a superb history lesson. Also good are longer dancing scenes with Roxanna's troupe and Bogoas' troupe...both superb, filmic scenes...beautifully done. The Bogoas character (Francisco Bosch) is also expanded and made far more sympathetic.
The Indian Battle (wonderfully filmed in Thailand) is also more graphic as are some of the more intimate scenes yet nothing is without merit. This is not 2007, it's 330BC and mores and the concept of battle, honor, fidelity etc were different for those times. I for one, praise Mr. Stone for a very accurate feel and presence...and even minor characters are explained in far greater detail...such as the young Guardsman who killed Philip (Kilmer)...in a flashback we see his motives. It is now far more beautifully edited...from a master filmaker who values editing, JFK gets my vote as the best edited film of all time.
I am giving it 5 Stars...a masterpiece. Do watch the Stone introduction, he says it better than I..."If you liked the original you'll love this, if you hated the original you'll hate this even more!" Now there is a man!
The only part I am saddened about is that over the end titles Vangelis' epic piece 'Titans' is still only 2 minutes long...yet it fits the edit...and I would urge you to purchase the CD for the complete 4 minute version...one of the best pieces of film music I felt ever written.

More true to history than people think
I originally sat on the fence in my opinion of the theatre release of Alexander, but Alexander Revisited has won me over as admirer of the film. The new cut has a truly epic feel and the leading characters are portrayed with more breadth and depth. In particular, the climactic crises of Alexander's career are conveyed more intelligibly and convincingly than before. I am the author of both academic articles and non-fiction books on Alexander, so I feel I should comment particularly on the historical accuracy of the film. In my opinion Alexander Revisited is notably honest, daring and sincere in its pursuit of historical accuracy. Although Oliver has deliberately conflated events which actually occurred at different times and places into single scenes (I think he had to in order to tell the whole story in a single film), almost everything has some kind of historical basis in the group of 2000 year old accounts, which provide most of our knowledge of Alexander. For example, such details as Cleitus severing the arm of a Persian about to strike Alexander, the incident with the monkeys in India and Alexander's visit to the wounded after the battle are all in the sources. Even that eagle is mentioned by Curtius. Furthermore, many snippets of dialogue are based on words actually said to have been spoken by Alexander: e.g. "He too is Alexander", "So would I if I were Parmenion", "It is a lovely thing to live with courage..." Great attention to historical detail was also paid to the costumes and scenery. Babylon was particularly good - the ziggurat, the flowers and the caged big cats were all really there when Alexander drove into the city in a chariot. Overall, Alexander Revisited gives a more authentic sense of the real history than any other film about the ancient world that I can think of. Gladiator was a great film, but its greatness owed more to Marvel comic strip principles of action and violence than to its setting in ancient Rome. Alexander Revisited is a great film because it tells one of the most compelling human stories in all of history with faithfulness, drama and pathos.

Great Improvement
Having admired the initial theatrical cut i was disappointed with the directors cut released on DVD. To me this appeared to be a sell out by Oliver Stone to appease the negative reaction this film received on release and try and win over more people with extended battles and less homosexual overtones. The directors cut played out badly and missed important backstory and character development shown in the original version. Hearing a final uncut, full length version was to be released i purchased hoping Oliver had had a rethink and restored his film to its greater glory. Well i can happily say he did and more. This is the cut which despite its 3.5 hour running time should have been released at the beginning. Alexander and his relationships have been given greater attention here and it helps the audience gain a greater understanding of this flawed but valiant person. The battle scenes have been extended and include some new graphic additions (a person being squashed to a pulp by an elephant being a memorable one) really adding to the scope and brutality of warfare. Colin Farrell does a great job however i felt Val Kilmer to be slightly weak and unbelievable. Overall this is a fine film which makes a noble attempt at capturing the essence of one of history's most revered and mysterious figures. The elephant battle scene is one of the best ever committed to film. Oliver Stone confirmed he wanted to make a film like the old greats (Ben Hur) with the same large canas and epic vision. Whilst he has succeeded i cannot forgive him for taking three goes to get it right. I would of thought someone as gifted as him wouldn't have needed to do this and is very lucky Warner Bros have given him another chance. I have not heard of anyone being this lucky before. Nevertheless i highly recommend this film for history buffs and battle fans who should rejoice in the fantastic canvas on display here. This is definitely NOT the disaster so many labelled it and the director should be very proud he has finally got it right.