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Reel Bad Arabs: How Hollywood Vilifies a People
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Average customer review:
First, it's a handy reference book for parents, teachers and clergy. Shaheen's reviews of the good, the bad and the ugly in hundreds of films that pop up regularly on cable TV or in the DVD aisles of stores are easy to find in the book.
Beyond its utility, this is a model for people who are eager to examine media with a critical eye and want to systematically think about how media portray other groups and themes. One could do worse than follow Dr. Shaheen's systematic work with inquiries into other realms of media bias. So, take a look at how he did it -- and go out and explore cultural themes that are close to your own heart.
Product Description
Reel Bad Arabs: How Hollywood Vilifies a People is a groundbreaking book that dissects a slanderous history dating from cinema's earliest days to contemporary Hollywood blockbusters that feature machine-gun wielding and bomb-blowing "evil" Arabs.
Award-winning film authority Jack G. Shaheen, noting that only Native Americans have been more relentlessly smeared on the silver screen, painstakingly makes his case that "Arab" has remained Hollywood's shameless shorthand for "bad guy," long after the movie industry has shifted its portrayal of other minority groups. In this comprehensive study of nearly one thousand films, arranged alphabetically in such chapters as "Villains," "Sheikhs," "Cameos," and "Cliffhangers," Shaheen documents the tendency to portray Muslim Arabs as Public Enemy #1-brutal, heartless, uncivilized Others bent on terrorizing civilized Westerners.
Shaheen examines how and why such a stereotype has grown and spread in the film industry and what may be done to change Hollywood's defamation of Arabs.
Product Details
- Amazon Sales Rank: #271108 in Books
- Published on: 2001-07
- Original language: English
- Number of items: 1
- Binding: Paperback
- 574 pages
Editorial Reviews
From Library Journal
Shaheen (mass communication, Southern Illinois Univ.; Arab and Muslim Stereotypes in American Popular Culture) has written a meticulous, passionate, and very articulate description of the persistent and prolonged vilification of Arab peoples in mainstream Western movies. Offering primarily reviews of the 900 films he has seen or researched over 20 years, he documents a century of offensive stereotypes and shows how the image of the "dirty Arab" has reemerged over the last 30 years, even as other groups have more or less successfully fought to eliminate the use of racist stereotypes. The appendixes include lists of the best and worst depictions of Arabs in popular films, alternate titles, a list of epithets thrown at Arabs in films, and a list of the fictional locations used in films. Although the work is aimed at a college-level audience, the clear writing and lack of jargon make it accessible to a much wider readership. Highly recommended for academic and large public libraries, as well as for other libraries with collections dealing with racism or Arab culture. [For more on Islamic culture, see "A Misundersood Faith," p. 82-83. Ed.] Andrea Slonosky, Long Island Univ., Brooklyn, N.
- Andrea Slonosky, Long Island Univ., Brooklyn, NY
Copyright 2001 Reed Business Information, Inc.
Review
"Jack Shaheen continues to be a piercing laser of fairness and sanity in pointing out Hollywood's ongoing egregious smearing of Arabs. Rippling with smart insights, his book should be read by everyone who agrees that knowledge is society's greatest tool in battling all kinds of stereotypes." --Howard Rosenberg, Los Angeles Times TV Critic
"Shaheen has written a meticulous, passionate, and very articulate description of the persistent and prolonged vilification of Arab peoples in mainstream Western movies... Although the work is aimed at a college-level audience, the clear writing and lack of jargon make it accessible to a much wider readership. Highly recommended..." --Library Journal
"Shaheen has written a meticulous, passionate, and very articulate description of the persistent and prolonged vilification of Arab peoples in mainstream Western movies... Although the work is aimed at a college-level audience, the clear writing and lack of jargon make it accessible to a much wider readership. Highly recommended..." --Library Journal
"Shaheen has written a meticulous, passionate, and very articulate description of the persistent and prolonged vilification of Arab peoples in mainstream Western movies... Although the work is aimed at a college-level audience, the clear writing and lack of jargon make it accessible to a much wider readership. Highly recommended..." --Library Journal
Jack Shaheen continues to be a piercing laser of fairness and sanity in pointing out Hollywood's ongoing egregious smearing of Arabs. Rippling with smart insights, his book should be read by everyone who agrees that knowledge is society's greatest tool in battling all kinds of stereotypes. --Library Journal
Review
"Jack Shaheen continues to be a piercing laser of fairness and sanity in pointing out Hollywood's ongoing egregious smearing of Arabs. Rippling with smart insights, his book should be read by everyone who agrees that knowledge is society's greatest tool in battling all kinds of stereotypes."
Customer Reviews
Required Reading for Film and Communication Students
Jack Shaheen's blockbuster book "REEL BAD ARABS: How Hollywood Vilifies a People" blows the cover on the film industry's century-long free ride in smearing Arab Muslims. What Shaheen spent the past 20 years researching should have been and can now become grist for where it's vital to plant the seeds of understanding and tolerance, namely, in the groves of academia.
Young Americans in film and communications courses need to face up to some pretty disturbing facts about how Hollywood has gotten away with defaming a people. The motion picture industry has made huge amounts of money by destroying the good name of nearly 300 million innocent men and women of the Arab world.
As Shaheen's REEL BAD ARABS documents the shameful vilification of an entire people, tests for college students should include questions like these:
1. How do you think Americans form their ideas about what is taking place in the Middle East?
2. How effective do you think movies are in shaping the way Americans think about the Arabs, especially Palestinians, and about the "peace process" in the region?
3. Do such perceptions impact public opinion and policy?
4. What movies can you name that presented Arabs in anything but a bad light as terrorists, oil monopolists, lechers and other villains?
5. How effective do you think movies are in manipulating the way we Americans see 'The Other,' namely Arabs, as The Enemy?
Besides the psychological and political side of his subject, Jack Shaheen has provided us with a wonderful guide to nearly 1,000 films. In spite of the bias this book lays out all too clearly, it nevertheless is guaranteed to provide much pleasure for the reader at the same time as it opens her eyes to the facts.
REEL BAD ARABS should be in every library in America and abroad, as well as on film-studio reference shelves to prick the conscience of every film producer and director and script-writer from Hollywood to Haifa.
Evidence of Discrimination
Reel Bad Arabs is an essential read for anyone concerned about fairness, objectivity and stereotyping. A brilliantly gathered documentation of a little known or appreciated history of how "Hollywood vilifies people," in this case, Arabs and Arab Americans. Jack Shaheen is a great scholar. How anyone would have the patience to review so many films, over such a long period of time, simply escapes me. And he is not terribly ideological or biased himself! What he does is simply point out a consistent pattern, film by film, on how Arabs are depicted in film. The book is long overdue, extremely well documented, and an easy read. The alphabetized entries give a plot summary and then focus on the presentation or role of "the Arab" in the story. Sometimes history is rewritten, facts ignored, and truths disregarded just for the sake of vilification or plot continuity. To counter this in general, the book opens with needed information on who Arabs and Arab-Americans really are and how these facticities differ from their depiction as sheikhs, harem owners, villains, bandits, mummies, and, for the women, maidens in distress.
While not a goal of the author, the book is a history of Hollywood and the development of American political positions on the Middle East. Shaheen identifies Exodus as the most effective movie in shaping American perceptions of the Palestinian-Israeli conflict. Hardly a balanced film, this Palestinian bashing movie and others that were filmed in Israel and/or produced by Israelis in cooperation with the Israeli government, illustrate how negative Arab mages impact our attitudes about Arab Muslims, Palestinians in particular, regardless of fact. If only Hollywood stopped there, but it didn't. like a runaway train, the defamation continues.
Shaheen's telling observations are supported by evidence: for more than a century, ever since camras started cranking, about one thousand Hollywood movies have dehumanized the Arab people. As the reviews indicate, Arab diversity is ignored, countries are misnamed or simply made up, and the language ill spoken. Shaheen actually includes a list of epithets used to describe or denounce Arab peoples.
Anyone interested in the cinema, injustice, in sociology and political science will find this book enormously useful. I loved it and recommend it without reservation. Let the evidence speak for itself and damn Hollywood!
-Philip Kayal Seton Hall University
Excellent, well-written book
After September 11, it became clear that Arabs were among the most "hated" people in America. Stereotypes and misconceptions abounded, and still do. Sadly not enough people have taken the time to educate themselves and would prefer to lump all Arabs into one category: terrorists. Jack Shaheen's Reel Bad Arabs takes an historic look at the villification of Arabs in the film industry over the years. Such stereotyping has only led, and fueled, the general public to view Arabs as terrorists and a fanatical people. In reality, the majority of Arab Americans are hard-working, intelligent, educated people that take being "American" seriously. Unfortunately, as Shaheen so clearly illustrates, one would be hard pressed to find such truly accurate portrayals in film. I applaud Mr. Shaheen for his effort. We need more books like this one. And, on a separate but related note, for those who have the nerve to say those who suffered in the tsunami deserved it. First of all, if you were not so ignorant, you would realize how few of the victims were actually Arab. Second of all, shame on you. Human life is human life, no matter a person's race or religion.
