Product Description

From the best-selling author of The Professor and the Madman, The Map That Changed the World, and Krakatoa comes a truly wonderful celebration of the English language and of its unrivaled treasure house, the Oxford English Dictionary. Writing with marvelous brio, Winchester first serves up a lightning history of the English language--"so vast, so sprawling, so wonderfully unwieldy"--and pays homage to the great dictionary makers, from "the irredeemably famous" Samuel Johnson to the "short, pale, smug and boastful" schoolmaster from New Hartford, Noah Webster. He then turns his unmatched talent for story-telling to the making of this most venerable of dictionaries. In this fast-paced narrative, the reader will discover lively portraits of such key figures as the brilliant but tubercular first editor Herbert Coleridge (grandson of the poet), the colorful, boisterous Frederick Furnivall (who left the project in a shambles), and James Augustus Henry Murray, who spent a half-century bringing the project to fruition. Winchester lovingly describes the nuts-and-bolts of dictionary making--how unexpectedly tricky the dictionary entry for marzipan was, or how fraternity turned out so much longer and monkey so much more ancient than anticipated--and how bondmaid was left out completely, its slips found lurking under a pile of books long after the B-volume had gone to press. We visit the ugly corrugated iron structure that Murray grandly dubbed the Scriptorium--the Scrippy or the Shed, as locals called it--and meet some of the legion of volunteers, from Fitzedward Hall, a bitter hermit obsessively devoted to the OED, to W. C. Minor, whose story is one of dangerous madness, ineluctable sadness, and ultimate redemption. The Meaning of Everything is a scintillating account of the creation of the greatest monument ever erected to a living language. Simon Winchester's supple, vigorous prose illuminates this dauntingly ambitious project--a seventy-year odyssey to create the grandfather of all word-books, the world's unrivalled uber-dictionary.

Product Details

• Amazon Sales Rank: #36705 in Books
• Published on: 2004-10-14
• Original language: English
• Number of items: 1
• Binding: Paperback
• 288 pages

From Publishers Weekly
With his usual winning blend of scholarship and accessible, skillfully paced narrative, Winchester (Krakatoa) returns to the subject of his first bestseller, The Professor and the Madman, to tell the eventful, personality-filled history of the definitive English dictionary. He emphasizes that the OED project began in 1857 as an attempt to correct the deficiencies of existing dictionaries, such as Dr. Samuel Johnson's. Winchester opens with an entertaining and informative examination of the development of the English language and pre-OED efforts. The originators of the OED thought the project would take perhaps a decade; it actually took 71 years, and Winchester explores why. An early editor, Frederick Furnivall, was completely disorganized (one sack of paperwork he shipped to his successor, James Murray, contained a family of mice). Murray in turn faced obstacles from Oxford University Press, which initially wanted to cut costs at the expense of quality. Winchester stresses the immensity and difficulties of the project, which required hundreds of volunteer readers and assistants (including J.R.R. Tolkien) to create and organize millions of documents: the word bondmaid was left out of the first edition because its paperwork was lost. Winchester successfully brings readers inside the day-to-day operations of the massive project and shows us the unrelenting passion of people such as Murray and his overworked, underpaid staff who, in the end, succeeded magnificently. Winchester's book will be required reading for word mavens and anyone interested in the history of our marvelous, ever-changing language.
Copyright 2003 Reed Business Information, Inc.

From Booklist
The story of the making of the Oxford English Dictionary has been burnished into legend over the years, at least among librarians and linguists. In The Professor and the Madman (1998), Winchester examined the strange case of one of the most prolific contributors to the first edition of the OED--one W. C. Minor, an American who sent most of his quotation slips from an insane asylum. Now, Winchester takes on the dictionary's whole history, from the first attempts to document the English language in the seventeenth century, the founding of the Philological Society in Oxford in 1842, and the start of work on the dictionary in 1860; to the completion of the first edition nearly 70 years, 414,825 words, and 1,827,306 illustrative quotations later. Although there is plenty of detail here about the methodology (including the famous pigeon holes stuffed with quotations slips from contributors around the world), the emphasis is on personalities, in particular James Murray, who became the OED's third editor in 1879 and died in 1915, "well into the letter T." The project backers complained loudly about the slow pace over the years, but the scrupulous care taken by Murray and the many others who worked on the OED gave us what is arguably the world's greatest dictionary. Publication of this book coincides with the OED's seveny-fifth anniversary, even as work on the third edition is under way. Mary Ellen Quinn
Copyright © American Library Association. All rights reserved

Review
"Peculiarly inspiring...And Winchester's involving and gregarious narration is nearly Dickensian. Even his footnotes twinkle." -- -Gregory Kirshchling, Entertainment Weekly

"Teeming with knowledge and alive with insights. Winchester handles humor and awe with modesty and cunning." -- -William F. Buckley, The New York Times Book Review

"This book, to get right to it, is a delight...a superb account." -- -Woody West, The Washington Times

Customer Reviews

A Story of Flawed People Who Together, Made A Masterpiece
The Oxford English Dictionary is an unrivaled monument to the history, beauty and complexity of the English language. The story of the men and women who made this marvelous work makes for compellling reading, especially in the hands of such a skilled storyteller as Simon Winchester.

"The Professor and the Madman," Winchester's first best-seller, was the story of Dr. W.C. Minor, an American who had gone to England in what was a vain hope of regaining his sanity. Instead, he committed a senseless murder, and was imprisoned in an asylum for life. Minor found redemption in his otherwise ruined life by devoting decades of service as a volunteer reader/researcher for the OED.

In his introduction to this volume, Winchester explains that an editor at the Oxford University Press suggested that since he had written a footnote to the story of the great enterprise, he might want to undertake the main story. Fortunately for us, he took up the suggestion with enthusiasm.

The pace of the narrative never falters in its entire 250 pages. The opening chapter provides a brief overview of the evolution of English and of previous efforts to compile a truly comprehensive dictionary of the language--and why all fell short of that lofty goal.

What became the OED enterprise had its origins in the late 1850s, but the first completed dictionary pages did not see the light of day until the early 1880s. Why the project was almost stillborn, how it survived deaths, disorganization, lack of funds and innumerable other setbacks--all of this is brought vividly to life in Winchester's tale. Even when the great editor James Murray took the helm and the project finally emerged from chaos, it still faced obstaces, especially from those who would have sacraficed quality in order to produce a swifter, but less authoratative, final product.

Today, the third edition of the OED is in preparation by a staff working in modern offices, making use of all the tools of twenty-first century information technology. The contrast to the conditions facing makers of the original OED, laboring by hand, sorting tens of thousands of slips of paper into pigenhole slots in an ugly, dank corrugated tin shed (grandly named the "Scriptorium" by Murray) is startling, and makes their achievement all the more amazing--and grand.

Dr. Minor makes a brief appearance in the story, along with some of the other unusual and exemplary volunteer contributors from around the world who combed nearly 800 years of English literature to give the OED its impressive depth. While none of the other's stories may be quite as extreme as Minor's, it's clear that for many, their involvement in this great cause (with no pay and little recognition) also gave depth and meaning to their lives.

It's the vivid, human qualities that Winchester illuminates so well make this a great story...one that you won't want to miss.

The Making of a Gargantuan Classic
In a world of uncertainties, there is at least one human effort we can count on. For 75 years, if you have needed to know about an English word, you could turn to the _Oxford English Dictionary_ and you could expect enlightenment. You could know you were getting the authoritative low-down on any word you might come across, and you could not only find its definition, but its history of use given in quotations dating from its very first known appearance in print. For word fans, using the _OED_ is a joy, and every turn of the pages in its monumental volumes registers new affection and admiration for an unequalled intellectual accomplishment. Five years ago, Simon Winchester wrote _The Professor and the Madman_, an inspiring account of an inmate of an asylum who helped compile the _OED_'s words. It was a footnote to the _OED_'s larger history, and now, in _The Meaning of Everything: The Story of the Oxford English Dictionary_ (Oxford University Press), Winchester has given that history with the same humane and appreciative tone of his first book on the subject. Anyone who uses English ought to know the _OED_, and anyone who loves the _OED_ will find this book fascinating.

Winchester gives a fine brief guide to the history of our language, and shows that by the Victorian age, philologists felt a comprehensive dictionary was needed. In 1842, the Philological Society settled on a proposal of a gargantuan dictionary, one that would have old words and new, one that would have every word and every meaning for that word. There was certainly something of power in such a scheme; great men and great ambitions would push the influence of English throughout the Empire, nay, the world, and increase the influence of Britain and her church. The story of the _OED_ is inextricably the story of the chief editor for the original edition, James Augustus Henry Murray. He was the son of a Scottish linen draper, and after a rural upbringing, he had to leave school at 14 because of poverty. However, by that time, he had developed precocious interests in geology, astronomy, archeology, and plenty of other fields, especially languages. He became a teacher at a boys' school in London, but in 1879, he was appointed editor of the dictionary project. Murray was not just a lexicographic and organizational genius, however, but a cheerful and persistent diplomat, who was adept at dealing with difficult personalities and making friends with those who were originally nuisances. He was also a family man whose very happy marriage produced eleven remarkable children. The children never had pocket money but by earning it in sorting dictionary slips. One wrote, "Hours & hours of our childhood were spent in this useful occupation. The motive actuating us was purely mercenary." One unforeseen result of this upbringing is that when the crossword puzzle craze came on, all the Murray children were brilliant at them.

Murray himself died in 1905 and did not live to see the completion of the work in 1928 (there was a supplement in 1933 for all the new words that had been put in use since the start). But he knew himself that there would really be no completion of the work any more than the language itself would be complete. A dictionary is a snapshot of current language, a verbal description that rapidly goes out of date. There has been a second edition, and a web-based version, and a Revised Edition is being worked on, which will possibly weigh a sixth of a ton and comprise forty volumes. Perhaps, though it will appear in only an electronic form. But Murray's basic plan for the dictionary was so good that the plan has remained intact, and the book will continue reflect the growth of our language. The _OED_ is still looking for volunteer readers, to make slips for new words and also to try to find previous usages for words already in. For instance, according to the _OED_'s last bulletin, if you can find a source for the phrase "pick up steam" (that is, to accelerate) from before 1944, the editors want to hear from you.

A biography of a Dictionary
There were some human endeavours of the modern world which were to be known to posterity as spetacularly gigantic, given the difficulty, hardship and human toil to have them fully completed. The British effort to build the Suez Channel, and the American on the turn of the 19th century to build the Panama Channel, are good examples of such gigantic steps the human race took in order to bridge distant lands and to easy communication between peoples of distant lands. The same could be said of the making of the Oxford English Dictionary (OED), a fenomenal task both by the ample range of its scope, which was to solidify and market English as the leading language of the world, and by the number of people involved in the project. Editors? Eight. Number of pages? More than 20.000. Number of entries? More than 400.000, and so on. The task , which initially was estimated to take some 10 years, did not reach its end before many decades passed.

The Meaning of Everything, by Simon Winchester, is a detailed account of the making of the OED, and the reader is entitled to a full range of the most interesting narrative concerning the idiosincratic personalities of each and every successive editor of the dictionary, specially of the legendary Scottsman James Murray, with whom the dictionary is most commonly associated, due to the maturity of purpose the project acqurired in his experienced hands. By the way, Murray was a polymath, a man grown up in poverty but with a keen curiosity and many different interests and who spoke/read more than 25 languages. The many photographs of him and of the many editors are a good add-on to the book.

The expert author guides the reader trough the intrincacies of the project, beginning with a very adequate explanation of the origins of the English language, as viewed from Victorian Britain, and its evolution trough the maze of influences the language received from Old English, Old German, French and Latin. A good portrait of what was the idea at the time concerning what a good dictionary should have is also given, thus permitting the reader to have a balanced judgement of the task to be performed.

To sum it up, The Meaning of Everything is a good book to everyone interested in the origin of languages and in interesting bios of many very special men. I hope you enjoy it as I did.