Product Description

MAUS was the first half of the tale of survival of the author's parents, charting their desperate progress from prewar Poland Auschwitz. Here is the continuation, in which the father survives the camp and is at last reunited with his wife.

Product Details

• Amazon Sales Rank: #2445 in Books
• Published on: 1992-09-01
• Released on: 1992-09-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 144 pages

Features

• ISBN13: 9780679729778
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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From Publishers Weekly
Spiegelman's startling comic about the Holocaust, which revolves around his survivor father's experiences, won a 1992 Pulitzer Prize.
Copyright 1992 Reed Business Information, Inc.

From Library Journal
Spiegelman's Maus, A Survivor's Tale (Pantheon, 1987) was a breakthrough, a comic book that gained widespread mainstream attention. The primary story of that book and of this sequel is the experience of Spiegelman's father, Vladek, a Polish Jew who survived the concentration camps of Nazi Germany during World War II. This story is framed by Spiegelman's getting the story from Vladek, which is in turn framed by Spiegelman's working on the book after his father's death and suffering the attendant anxiety and guilt, the ambivalence over the success of the first volume, and the difficulties of his "funny-animal" metaphor. (In both books, he draws the char acters as anthropomorphic animals-- Jews are mice, Poles pigs, Germans cats, Americans dogs, and French frogs.) The interconnections and complex characterizations are engrossing, as are the vivid personal accounts of living in the camps. Maus and Maus . . . II are two of the most important works of comic art ever published. Highly recommended, espe cially for libraries with Holocaust collec tions. See also Harry Gordon's The Shadow of Death: The Holocaust in Lithuania , reviewed in this issue, p. 164; previewed in Prepub Alert, LJ 7/91.
- Keith R.A. DeCandido, "Library Journal"
Copyright 1991 Reed Business Information, Inc.

From Kirkus Reviews
Together with the much-acclaimed first volume of Spiegelman's Maus (1987--not reviewed), this unusual Holocaust tale will forever alter the way serious readers think of graphic narratives (i.e., comic books). For his unforgettable combination of words and pictures, Spiegelman draws from high and low culture, and blends autobiography with the story of his father's survival of the concentration camps. In funny-book fashion, the all-too-real characters here have the heads of animals--the Jews are mice, the Nazis are rats, and the Poles are pigs--a stark Orwellian metaphor for dehumanized relations during WW II. Much of Spiegelman's narrative concerns his own struggle to coax his difficult father into remembering a past he'd rather forget. What emerges in father Vladek's tale is a study in survival; he makes it through by luck, randomness, and cleverness. Physically strong, he bluffs his way through the camps as a tinsmith and a shoemaker, and also exploits his ability with languages. Every day in Auschwitz, and later in Dachau, demands new bribes and masterly bartering. All of this helps explain Vladek's art of survival in the present: his cheap, miserly behavior; his disappointment over Spiegelman's marriage to a non-Jew; his constant criticism of his own second wife and his son; and even his inexcusable racism. Haunted by the brother who died in the camps, Spiegelman (born in postwar Sweden) also mourns his mother, who survived only to commit suicide in the late 60's. Within the time span of the writing of Maus (1978-91), Vladek died, and Spiegelman now must sort out his complex feelings as he reflects on the success of the first volume--a success built on the tragedy of the Holocaust. With all his doubts, Spiegelman pushes on, realizing that his book deserves a place in the ongoing struggle between memory and forgetting. Full of hard-earned humor and pathos, Maus (I and II) takes your breath away with its stunning visual style, reminding us that while we can never forget the Holocaust, we may need new ways to remember. -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.

Customer Reviews

The story continues... as does the legacy of the Holocaust
The second part of Art Spiegelman's graphic novel Maus picks up where the first part left off. His father Vladek and mother Anja are captured and sent to Auschwitz. However, things aren't well at home. Mala, Vladek's second wife, exasparated at Vladek's tight-fisted controlling ways, leaves him. Artie and his wife Francoise rush over to help him out and during this time, Artie continues the interviews with his father and thence into Maus II.

The path of Artie understanding his father is smoother but at a cost. Following the success of Maus I, Spiegelman depicts a pile of dead Jewish bodies lying under the Artie's writing desk symbolizing how much the history his father has bled from that first volume has seeped into him. He is beginning to understand, but at the cost of emotionally and vicariously going through his father's experiences, for which he has sessions with Pavel, a Czech Jew psychiatrist and Holocaust survivor.

Artie gets more perspective during these sessions with Pavel. He tells Pavel that as a child, he constantly argued with his father, who said that anything he did was nothing compared to surviving Auschwitz. Pavel refers to the psychological concept of transference: "Maybe your father needed to show that he was always right--that he could always SURVIVE-because he felt GUILTY about surviving. ... and he took his guilt on YOU, where it was safe... on the REAL survivor." The argument stands to reason. Vladek survived the death of so much family and friends, as well as the millions he never knew.

We learn more of how Vladek survived Auschwitz. He teaches English to the Polish kapo, who expecting the Germans to lose the war, wants to get in good graces with the Americans. Vladek is thus given better food, a better fitting uniform, and the tip to stand at the far left of the line of prisoners during the labour call. Improved health increased chances of survival and a better mental state.

Vladek has enough chutzpah in his tight-fisted but survivalist ways to exchange used groceries for new ones(!) While in the car waiting for him, Artie and Francoise discuss Vladek. Francoise says: "I'd rather kill myself than live through ... everything Vladek went through. It's a miracle he survived." Artie responds with "In some ways he didn't survive," which is key to the book's theme. Yet drastic saving is one way Vladek survived the war and camps. On the way back from the grocery store, we discover Vladek's racism towards blacks, an example of the victim becoming a victimizer.

Maus is a must-read for a personal instead of abstract, statistical look at the Holocaust. It also brings up post-war genocide. Pavel's contention that people haven't changed rings poignantly. Despite the vow of "never again," genocide has repeatedly happened "yet again": e.g. the Cultural Revolution, the killing fields in Cambodia, the massacre in Rwanda, and the ethnic bloodshed in the former Yugoslavia. Perhaps for racial harmony to become a human instinct, all people need to feel the same way, but the relativistic world of the twentieth and twenty-first century to makes that dream virtually impossible. Pavel's statement that a newer and bigger Holocaust is needed to change people grimly prophesizes World War III, meaning that unless we change, we will all die.

Astonishing -- a must read
I was compelled to read this after finishing Art Spiegelman's astonishingly brilliant "Maus," a graphic novel retelling his father, Vladek's, experiences as a Jew in Poland during WWII. This sequel picks up right where the first left off, with Vladek's separation from wife, Anja, after arriving at Auschwitz. There Vladek must struggle to survive starvation and disease as well as the guards and the ovens, all while trying to get news of his wife from over in Auschwitz's second camp, Birkenau. His horrific time there is expertly rendered as Spiegelman manages to get across a complex range of emotions through his illustrations and words. Even after Auschwitz is abandoned and the Nazi soldiers go on the run, Vladek must still struggle to survive and make his way to safety. His journey home to his wife (from Auschwitz to an abandoned German landscape, through ruined cities and, finally, back to the now unrecognizable city he once called home) is utterly compelling, unforgettable stuff.

Equally compelling is the story of Vladek in later years that is mixed in with his history in both volumes of "Maus", after he has come to America with Anja, had another son (the first, Richieu, did not survive the war), lost Anja to suicide in 1968, remarried, developed a heart condition and a strained relationship with his surviving son, and begins telling his story to 'Artie', who is interested in adapting his father's tale into a comic book). In the WWII segments Spiegelman captures the horrors that took place during that tragic time, and in these father-son moments he explores how surviving an event like that leaves a mark on you forever, and can even pass on the burden of survivor's guilt to a new generation that wasn't even alive when the atrocities took place. Surprisingly, it is during these deeply personal moments that the "Maus" books really hit home the hardest. Spiegelman does a masterful job getting across the complex personalities of his characters and how the past has left a wide, seemingly impassable gulf between him and his father. Really, it is just a beautiful portrait of their relationship and I cannot recommend it enough. Spiegelman's delicate, earnest elegy to his father -- and to all survivors and victims of the Holocaust alike -- is a true triumph of literature and a heartbreaking look at one of history's greatest tragedies.

Compelling Story - Read it
Like Maus I this book can be read in an hour or so. Vladek's story of survival at Auschwitz is incredible. As a baby boomer I didn't live during this era. Having descended from Germans I have studied this period and have wondered how this could have happened. I'm not going to pretend to really understand what happened and what it was like. I have read other personal accounts of the holocaust but due, I guess, to the comic book format I found this much more accessible. We all should understand as much as we can about this horrific period of history. With just a small investment of time Maus I and II will provide to you a dramatic survivor's experience. We should never forget that this actually happened.