A book by a good friend of ours, Dr. Jenny Thompson! All about reenactors... Jenny has been writing this book for many years and has finally finished it.

I got my copy and read it right through. Fun to try and figure out who is who (Jenny changed the names to protect the foolish) Also, I am amused to see myself quoted a few times ;-)

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Product Description

The first in-depth, insider's study of the strange and often shocking world of twentieth-century war reenactors

D-Day with beach umbrellas in the distance? Troops ordering ice cream? American and German forces celebrating Christmas together in the barracks? This could only be the curious world of twentieth-century war reenactors. A relatively recent and rapidly expanding phenomenon, reenactments in the United States of World War I, World War II, the Korean War, and the Vietnam War now draw more than 8,000 participants a year. Mostly men, these reenactors celebrate, remember, and re-create the tiniest details of the Battle of the Bulge in the Maryland woods, D day on a beach in Virginia, and WWI trench warfare in Pennsylvania. Jenny Thompson draws on seven years of fieldwork, personal interviews, and surveys to look into this growing subculture. She looks at how the reenactors' near obsession with owning "authentic" military clothing, guns, paraphernalia, and vehicles often explodes into heated debates. War Games sheds light on the ways people actually make use of history in their daily lives and looks intensely into the meaning of war itself and how wars have become the heart of American history. The author's photographs provide incredible evidence of how "real" these battles can become. 40 b/w photographs.

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Product Details

• Amazon Sales Rank: #1029525 in Books
• Published on: 2004-06
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 256 pages

From Publishers Weekly
The patriotic pageantry of the Civil War is one thing, but who would want to reenact the bloody stalemate of trench warfare on the Western Front? Actually, a lot of people. There are at least 8,000 would-be warriors intent on honoring the sacrifice-and, above all, the look-of the unsung soldiers of modern conflicts, be they Americans, British, Russians, Vietnamese or Germans. Historian Thompson surveyed hundreds of reenactors, observed their public living history displays and did her part by attending private reenactments, posing variously as a Red Cross driver, a war correspondent and a Soviet infantrywoman. By day participants march, attack, fire blanks and commit atrocities (reenactors seem to delight in being captured and summarily executed and having their corpses looted), the dead returning to life after a few minutes to rejoin the fray. By night they feast, drink, tell war stories and dirty jokes, and generally bask in campsite and barracks room camaraderie. Most of all, they critique the period authenticity of the tiniest details of other reenactors’ uniforms, accessories, haircut, lingo and body type. What do these weekend Valhallas mean? Not terribly acutely, Thompson figures it’s all about her subjects’ conflicted feelings about war and masculinity, the ownership of history and "the failure of modern society to provide social relationships on a human scale." Or maybe the martial atmosphere just gives men license to indulge their feminine side by obsessing over appearance and excluding others for their fashion faux pas. Anyway, it’s a subculture hell-bent on making a spectacle of itself, so there’s plenty of surface entertainment in Thompson’s engaging and sympathetic study. Photos.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Thompson's wholly admirable study of the reenactors of twentieth-century wars focuses on the World War II contingent, which is numerically larger than the rest put together (second largest is that for World War I, while other reenactors concentrate on Korea, Vietnam, and the Spanish Civil War). Thompson studied reenactor groups on the East Coast for seven years, especially the reenactors representing the U.S. Fourth Armored Division and the Grossdeutschland, an equally elite German tank division whose kit, for reenactment purposes, carefully omits the swastika. Thompson doesn't elide the faults of the reenactors, which include short tempers, quarrels over historical accuracy, and, occasionally, far-out politics, but she emphasizes that, in a sometimes roundabout way, they are studying history from the individual participant's point of view and seeking both wartime and contemporary camaraderie, a convincing illusion of being in the moment, and a way of identifying with the common soldier's experience. She doesn't give them a clean bill of health, so to speak, but does pronounce them eminently worthy of civilized consideration and only informed criticism, which she supplies in abundance. Approachable even by readers not interested in reenactment, this is a splendid example of a PC sympathizer fair-mindedly studying a largely non-PC phenomenon. Roland Green
Copyright © American Library Association. All rights reserved

About the Author
Jenny Thompson spent seven years attending war reenactments and getting to know their participants. She has taught American studies and history at the University of Maryland and Roosevelt University and lives in Evanston, Illinois.

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Customer Reviews

An honest account
Being a reenactor of both world wars, I am pretty used to people outside of "the hobby" putting it down. While reenactors span a remarkably wide demographic, from high school drop-outs to PhD.s, from right-wing Republicans to left-wing Democrats, from conscientious objectors to combat veterans, we are often painted by academics and the national media with the broad brush of all being gun-crazed proto-fascists in desperate need of love and shock therapy. It is with this in mind that I approached Thompson's War Games with a mixture of both anticipation and dread; anticipation because I was excited to see somebody actually trying to explore the unique hobby in which I participate, and dread because I was afraid that the book would simply reinforce the incorrect stereotypes without attempting any sort of in-depth analysis of why people reenact.

Fortunately, my anticipation was richly rewarded by War Games. Thompson, having spent seven years attending reenactments and spending a considerable amount of time with reenactors, has successfully dug beneath the surface to get to the fundamental question of why people reenact. The situations and personalities that she describes are very familiar, and in my opinion, are accurately represented. She raises many of the existential questions of reenacting that I have asked myself, and the answers she provides offer a great deal of insight.

While Thompson obviously has a great deal of affection, and dare I say respect, for reenactors, she does not sugar coat the hobby. The fundamental issues of what represents "authenticity" and what relationship reenactors maintain with veterans and the public are often bitterly divisive among reenactors. Thompson also does not ignore the moral implications of reenactors portraying soldiers in the armies of America's enemies. But she addresses all of these issues with fairness and balance.

I would hope that everybody who reenacts, or is considering reenacting, 20th century wars reads this book. More than that, though, I would hope that those who question the propriety or sanity of reenacting will read this book with an open mind. I certainly don't expect everybody to accept the hobby. But I would hope that, through reading War Games, these people would at least develop a better understanding of why people reenact.

Reenacting's First Ethnography
The majority of books about reenacting fall into either the category of photo collections of reenacting events or "how to" manuals. One of the few books that has gone deeper into the subject was Tony Horowitz' Conferates in the Attic. Horowitz used the story of a colorful hardcore reenactor to examine America's fascination with its Civil War. His approach was typical of the "New Journalist" style of writing. Although a participant and observor, Horowitz was ultimately a talented journalist in pursuit of a good story. Reenacting was the vehicle he used to tell his tale.

Jenny Thompson was also a participant observor in search of an interesting story. She spent seven years going to reenacting events and joined several reenacting units. Thompson used her training as a scholar to produce Reenacting's first ethnography. As a social scientist, her objectives were much more amibitious than Tony Horowitz. Thompson wants to explain the hobby of reenacting and the motivations of the people who participate in the hobby.

I would not recommend this book for anyone who is impatient with intellectuals and scholarly discourse. By its very nature, an ethnography is a set of generalizations that are used as a tool to find deeper meanings. I would suspect that many people in the reenacting community would find this book to be overly intellectual.

What I found to be so interesting about this book is that it is the first time that I have ever come across a book that discusses the motivations of what must be a decent percentage of the American male population that is fascinated by the many facets of war. As one of these people, on an intellectual basis, I know that war is a tragedy and that I would never want to participate in a war. Nevertheless, I am fascinated by military history and war's material culture. Although, I am not a Twentieth Century reenactor, this book nevertheless still spoke to me. I saw a lot of myslef in the people Thompson writes about.

Dead-on accurate!
Okay, I'm actually IN this book and one of the people who's names have been changed to protect the "innocent." I own reenactor.Net and am a WWI and WWII reenactor myself. In saying that, I think I have a pretty good handle on the book, the hobby and how it is.

I know Jenny Thompson and she interviewed myself and a number of others when writing the book. Yes, it's brutally honest and does show some of the "puffy people" for what they are, but in doing so, Jenny gives a pretty accurate portrayal of the hobby... and YES, I did wince at some of the stuff, but it's TRUE.

If you're interested in WWII (and WWI) reenacting, by all means, buy this book -- it will give you a pretty insight into the hobby.

I read some of the other reviews and frankly, some are just "sour grapes" -- there were very few things in the book that I didn't agree with and got a big laugh to see myself quoted (a horrifyingly large amount of times)...

Anyway, this is all my opinion, but since I've been in WWI since 1989 and WWII since 1991, I think I know of what I speak. If you're interested in the hobby, then buy this book!