Product Description

It is the year 1327. Franciscans in an Italian abbey are suspected of heresy, but Brother William of Baskerville’s investigation is suddenly overshadowed by seven bizarre deaths. Translated by William Weaver. A Helen and Kurt Wolff Book

Product Details

• Amazon Sales Rank: #21188 in Books
• Published on: 1994-09-28
• Original language: English
• Number of items: 1
• Binding: Paperback
• 552 pages

Features

• ISBN13: 9780156001311
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

From Library Journal
Eco, an Italian philosopher and best-selling novelist, is a great polymathic fabulist in the tradition of Swift, Voltaire, Joyce, and Borges. The Name of the Rose, which sold 50 million copies worldwide, is an experimental medieval whodunit set in a monastic library. In 1327, Brother William of Baskerville arrives to investigate heresy among the monks in an Italian abbey; a series of bizarre murders overshadows the mission. Within the mystery is a tale of books, librarians, patrons, censorship, and the search for truth in a period of tension between the Papacy and the Holy Roman Empire. The book became a hit despite some obscure passages and allusions. This deftly abridged version, ably performed by Theodore Bikel, retains the genius of the original but is far more accessible. Foucault's Pendulum, Eco's second novel, is a bit irritating. The plot consists of three Milan editors who concoct a series on the occult for an unscrupulous publishing house that Eco ridicules mercilessly. The work details medieval phenomena including the Knights Templar, an ancient order with a scheme to dominate the world. Unfortunately, few listeners will make sense of this failed thriller. The Island of the Day Before is an ingenious tale that begins with a shipwreck in 1643. Roberta della Griva survives and boards another ship only to find himself trapped. Flashbacks give us Renaissance battles, the French court, spies, intriguing love affairs, and the attempt to solve the problem of longitude. It's a world of metaphors and paradoxes created by an entertaining scholar. Tim Curry, who also narrates Foucault's Pendulum, provides a spirited narration. Ultimately, libraries should avoid Foucault's Pendulum, but educated patrons will form an eager audience for both The Name of the Rose and The Island of the Day Before.
James Dudley, Copiague, N.Y.
Copyright 1996 Reed Business Information, Inc.

Review
Novel by Umberto Eco, published in Italian as Il nome della rosa in 1980. Although the work stands on its own as a murder mystery, it is more accurately seen as a questioning of "truth" from theological, philosophical, scholarly, and historical perspectives. The story centers on William of Baskerville, a 50-year-old monk who is sent to investigate a death at a Benedictine monastery. During his search, several other monks are killed in a bizarre pattern that reflects the Book of Revelation. Highly rational, Baskerville meets his nemesis in Jorge of Burgos, a doctrinaire blind monk determined to destroy heresy at any cost. -- The Merriam-Webster Encyclopedia of Literature

Review
“A brilliantly conceived adventure into another time, an intelligent and complex novel, a lively and well-plotted mystery.”
—SAN FRANCISCO CHRONICLE

“The novel explodes with pyrotechnic inventions, literally as well as figuratively . . . The narrative impulse that commands the story is irresistible . . . Mr. Eco’s delight in his narrative does not fail to touch the reader.”
—NEW YORK TIMES BOOK REVIEW

“Like the labyrinthine library at its heart, this brilliant novel has many cunning passages and secret chambers . . . Fascinating . . . Ingenious . . . Dazzling.”
—NEWSWEEK

“Whether you’re into Sherlock Holmes, Montaillou, Borges, the nouvelle critique, the Rule of St. Benedict, metaphysics, library design, or The Thing from the Crypt, you’ll love it. Who can that miss out?”
—SUNDAY TIMES (LONDON)

“[The Name of the Rose] is an example of that rare publishing phenomenon, the literary mega best seller which transcends linguistic boundaries . . . [It has] a gripping mystery, vivid characterization, an atmospheric setting, fascinating period detail, sly humour, dramatic confrontations, stunning set pieces, and a supple, eloquent prose that can shift its register to encompass the experience of faith, doubt, horror, erotic ecstasy, and despair.”
—from the Introduction by David Lodge

Customer Reviews

Too Smart to Be A Novel
Remember when your parents and teachers would try to get you to read? The favored line is that reading "can take you anywhere in the world". Well, that sounds nice, but it never really rang true, especially as books offer only a short term separation from the problems of real life. Well, Umberto Eco's epic novel The Name of the Rose might be one of those few novels that really approaches the suggested transportation powers books can possess. It is such a "thick" novel. Intellectually, it is staggering in its complexity and fluidity. The reader can simply marvel at the range of ideas and logical conversation that Eco includes in this novel. As other reviewers have pointed out, you really do feel smarter upon finishing it. That is the first theme of the book that strikes you, but many more are out there for you to explore.

The actual story of The Name of the Rose (sometimes the story gets lost in the novel) is a classic murder mystery, set in a 14th century Italian abbey. Because of recent political and religious strife in the surrounding areas, the competing powers of the Holy Roman Emperor and the Papal authorities both see importance in this area. Rumors of heresy within the walls abound, a mark the Franciscan friars try their best to avoid. Our main character is the former inquisitor William of Baskerville, an extremely intelligent and learned official, under the employment of the Emperor. With him is his faithful assistant Adso, who is our narrator. Their assignment is to make sense of the conflicting stories people tell about what is in the monastery. Just as they start their investigation, monks start getting killed, in brutal but symbolic ways. William and Adso are forced to use all their powers of logic and deduction to begin to piece together the clues.

The clues point to a dark secret inside the heralded library of the abbey. There, monks toil day after day, reproducing the classics and more modern works. This is where civilization was being saved at the time, in small monasteries which kept alive science and ancient literature. However, somethings that are hidden away in the library are not meant to be seen, and a strangely rigid library control apparatus shields certain works from William. As the murders and the obstinacy of the librarians continue, William becomes more suspicious of the abbey's leadership at large. A conspiracy begins to emerge, one dedicated to the many scriptural and architectural secrets possessed by the Italian abbey. It quickly becomes apparent to William and the reader that what is involved here is much more important than the political issues of the day.

The pure historical swath of The Name of the Rose is hard to even summarize, as it is just immeasurably grand. The reader learns of the medieval church and of a Europe torn apart by theological argument. Messiahs and prophets tour the land, with inquisitors and church officials constantly at work stamping them out. Battle between the secular and divine worlds begin to emerge, as the Popes become more and more involved in the everyday politics of Europe. Eco shows the reader how important ideas were at this time, as theological speculation was by far the most critical arena of thought in that violent era. Ideas concerning the divinity of Christ, the power of the Popes, and the importance of older, "pagan" philosophies were constantly fought over. William is a wonderful guide, as his mind is the window into the age. He is the embodiment of learned divinity, torn between the complex humanism of the ancients and the compelling reality of the present. He is a man of his time, a valuable tool for readers so much removed. The writing itself is absolutely magnificent, as every scene, every setting, every character is rendered in eminently readable caricatures. It's just a novel you shake your head when you put it down, knowing you never will fully understand the brilliance of this book. Go get it, now!

A Rewarding but Painstaking Read
One reviewer here on Amazon was right on the money when he said that reading a novel by Umberto Eco instantly raises your IQ by a couple of points. The Name of the Rose has been my first encounter with Eco's work, and I was for the most part very impressed with his skillful murder mystery set in a 14th century Italian monastery.

The novel works on many levels. It is a compelling murder mystery, as young narrator Adso of Elk accompanies the wise William of Baskerville as he uses logic and semiotics to not only solve a murder mystery, but to decipher labrynths and hidden secrets of the vast monastery library. Interwoven with the murder mystery is a virtual course on philosophy and late Middle Ages religion, as Eco provides detailed accounts of the histories of various sects, includes scholarly debate on topics such as the poverty of Christ, and a history of the Catholic Church leading to the establishment of a papacy in Avignon, France.

One is reminded of Sherlock Holmes and Dr. Watson as William and Adso use logic and determination to piece together numerous bizarre deaths and occurences at the Abbey, while encountering obstacles and outright hostility by the Abbot and his librarian, to name a couple. The setting of the novel, and the glimpse into a culture that few of us can even imagine, is reason enough to read The Name of the Rose.

The book is not without its faults however. I think the book should stand alone, (ie you should not have to buy a separate "reader's guide") and I was very frustrated at the numerous Latin phrases that are included throughout the novel with no translation. Perhaps this is more the fault of the translator than Eco himself, but it makes for a difficult reading experience. One does not need to know the meaning of every word in the book to follow the plot, but it is aggravating to stumble across paragraph-long passages or insciptions that are completely foreign to most readers, without so much as a footnote. There are also fairly long digressions involving topics of religious debate or history of minor sects that, in my opinion, were extraneous and contributed little overall to the success of the novel. However, overall, I thought the novel was rewarding, both informative and suspenseful.

A masterpiece.
I'd like to add to the many reviews of this book only a few comments about the meaning of the famous Latin sentence "Stat rosa pristina nomine, nomina nuda tenemus". Literaly it can be translated as "The ancient rose subsists thanks to its name, we have only bare names". It is an ancient sentence often quoted by s.c. nominalist philosophers of Middle Ages who thought that our mind isn't able to discover the true essence of things and so it isn't able a fortiori to have the minimum idea of God. In fact in medieval philosophy God was often compared to the figure of a rose; the nominalists wanted to say with the sentence that even God, the supreme being, persists only through its name, i.e. persists upon an extremely frail thing. Names were seen as simple "flatus vocis", "emission of voice" without value. The nominalist philosophers who declared that even God was a flatus vocis were condemned as heretics (a theme that recurs often in the novel). But here the sentence isn't quoted only for its historical value, but also because it can be applied also to the love of the young monk Adso; he meets in the monastry a young woman and perhaps falls in love with her. In his mind she is just the "rose", i.e. God, of whom he doesn't know the name (the woman and Adso speak different languages). It is then a very pitiful and sad thing that of the woman he doesn't know the name, because, if nominalist theories were true, he won't be able to keep with him, in his heart and mind, in his future life and old age, the remembrances of that encounter and of those days which changed his life and mind forever (cf. the pages of the novel where the old Adso comments on those evets).