Track Listing

1. Oops! ... I Did It Again
2. Stronger
3. Don't Go Knockin' On My Door
4. (I Can't Get No) Satisfaction
5. Don't Let Me Be The Last To Know
6. What U See (Is What U Get)
7. Lucky
8. One Kiss From You
9. Where Are You Now
10. Can't Make You Love Me
11. When Your Eyes Say It
12. Dear Diary

Product Details

• Amazon Sales Rank: #6530 in Music
• Published on: 2000
• Released on: 2000-05-16
• Number of discs: 1
• Dimensions: .22 pounds

Album Description
Import exclusive edition of Britney's second album includes three previously unreleased bonus tracks NOT on the U.S. edition, 'Girl In The Mirror', 'You Got It All' & 'Heart'. 15 tracks total, also featuring the hit title song 'Oops!... I Did It Again' and a cover of the Rolling Stones classic '(I Can't Get No) Satisfaction'. Jive.

Amazon.com
Yes, she did. Even if the title track's chorus is a blatant rip-off of the Barbra Streisand/Barry Gibb duet, "Woman in Love," it's still darn catchy--much more than anything from 1999's ...Baby One More Time (save the album's fab title tune, of course). With the rest of the 12 songs here, the teen queen pretty much delivers a remake of her last album. Songs like "What U See (Is What U Get)" and "Stronger" show Swedish songwriter-producer Max Martin in his element, churning out another and yet another slick smash with staccato synth beats and heavily overproduced melodies. But even at his strongest points, he can't bury Britney's voice far enough below the virtual guitars--and it's obvious this girl ain't no Celine. Except for the horrendous ballads, however, that doesn't make a stitch of a difference. The pop songs have all the qualities of memorable tunes--the choruses are clear and catchy, the beats are bouncy enough to make you shake your bonbon, and the singer is about as randy for love as Austin Powers is for a shag. Edit out the low-water mark--when Britney mutilates the Rolling Stones' misogynist anthem, "Satisfaction," by oversexualizing it with inserted "uh"s ("I can't get no, uh, satisfaction")--and you've got a hit-packed album that's as guilty a pleasure as reruns of Beverly Hills 90210. --Heidi Sherman

Customer Reviews

Britney the Music-Slayer
I don't understand music these days. Is it thoroughly IMPOSSIBLE for an artist to come up with *original* and *new* material? Britney Spears has got to be the most artificial singer around, and I'm not just talking about her "assets". Britney as an "artist" is a manufactured Barbie-like rip-off. Anyone who's old enough to have lived through periods where *real* music existed (until approximately 1993) will agree that Britney is an almost carbon-copy imitation of Debbie Gibson. But I suppose it doesn't matter anyway. Most Britney fans are probably too young to remember her.

As for the songs on this album, they all sound familiar and overly-produced. like amazon.com's review stated, the chorus in "Oops I Did It Again" sounds like a complete Streisand/Barry Gibb rip-off. Any one of the ballads on the album could be mistaken for those of the likes of, well, anyone. Originality? Where? And Britney's remake of "Can't Get No Satisfaction" will literally make you cover your ears and frantically reach for the "skip" button on the stereo. Mick, I'd sue.

Britney may have a talent for mutilating classics to their pulp, but the talent of singing is still one she has NOT mastered. The irritating combo of a raspy voice, "baby"s and "uh uh" sounds are enough to give you a splitting headache..and I speak from experience. Someone get this girl some lessons..QUICK.

Nowadays lots of critics keep saying music is dead. Well, they're right. Britney has killed it.

We have become the third mall from the sun
I think the old saying, "If we do not learn from the past, we are doomed to repeat it" applies very well to this type of music. History has shown us that these "artists" dry up as quickly as they came. Menudo, New Kids on the Block, Wham!, etc. These bands have a life expectancy of about 4 years, absolute max. And when they do collapse under their own weight, they look like jokes to even their fans - the same fans that, in the height of their reign, would have told you they were musical geniuses sent from the heavens above. Here's a theory Einstein never came up with: Britney Spears = Tiffany + updated glossy production. The reason that similar artists like Madonna manages to keep their career going longer is because she was actually DARING. Madonna isn't the holy grail of recorded music either but she DID raise the bar; she was one of the first popular icons to tell women and girls it was fine to be open about their sexuality, while contemporaries like Spears and Aguilera merely exploit their own.

I believe strongly that anyone who does not write his or her own lyrics is not an "artist" or anything closely resembling it. I believe even more strongly that someone like this that covers a Stones song should be publicly hanged.

Why do people like this? Honestly, why? Song after song after song is exactly the same - politically correct verse/chorus/verse/chorus ditties, generally about shallow relationships that only uninteresting, Noxzema-reeking teenagers could appreciate. What happened to the value of *surprise*? Doesn't anyone like to be *challenged* every now and again? I will be forever amazed at the fact that someone could find some merit in something that was so obviously put out because they knew you would buy it.

There are plenty bands out there that I don't care for but I understand that people like them due to personal taste. I respect those bands as musicians because they're writing their own music and put just a little bit of spirit behind it. But what is THIS? Did Banality become a genre of music suddenly? I don't care how Spears tries to romanticize her career, she is a product existing only to move millions of units for greedy record execs and to sell "kewl" memorabilia.

I apologize if this review was bitter; I was fine with her pushing her generic, easily disposable dung on America until she did an awful remake of a song that actually didn't suck. If N'Sync covers "Tomorrow Never Knows", I'm going on a shooting spree in a Gap.

Oops... Cute Britney becomes hooker w/o talent
Yes, I thought Britney was a bit cute when she released her first album, but still not as cute as some of the girls I went to school with. But now she wants to grow up. Unfortunately, to her, "growing up" means wearing revealing clothes. I mean, she looks like those hookers that the police arrest during episodes of "Cops". But what's really important here is the music. After all, that's why you spend [money]for a CD. Sadly, in an attempt to become edgier in her music, the quality has taken a turn for the worse. The title track was virtually drilled into my head by radio stations playing it every ten minutes. "Stronger" is apparently her way of ending the innocence- but I prefer the old innocent Britney to the new, prostitutin' Britney. "Lucky" got kinda annoying after a while. Then we get into the ballads. Not one of them is worth listening to. Britney co- wote "Dear Diary" and by the sounds of it, she should let others do it... Among the writers for "Don't Let Me Be The Last To Know" is that untalented ... Shania Twain... This song reeks of cheesiness. It made me want to keel over. Take it from me, just because you liked Britney's first album doesn't mean you'll like this one, too. I didn't. And judging from her "Slave" single, her third album will feature a lot of synthesized vocals. What a shame. She used to be good.