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Canterbury Rock
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ThirdThird by Soft Machine
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1970. This is a wonderful album by Soft Machine that fuses jazz styles with rock and even Terry Riley influenced minimalism. Mike Ratledge had a very distinct, overdriven sound on his organ. Recommended along with Fourth (1971).
EggEgg by Egg
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1970. This keyboard led trio was, with the possible exceptions of Henry Cow and National Health, one of the most technically sophisticated of the Canterbury Bands. Although European classical influences are heard, there is also a good deal of avant-garde and dissonant freak outs. Some musicologists refer to Egg as a highly experimental version of ELP.
Present from Nacy/To the Highest BidderPresent from Nacy/To the Highest Bidder
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1970/1971. This is a great Dutch band and is a fine example of the Canterbury Style developing outside of England. In fact, Supersister was very heavily influenced by Soft Machine. This compilation brings together two excellent albums by the group.
Polite ForcePolite Force by Egg
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1971. Another dauntingly complex album from Egg that fuses over the top technical abilities with humorous lyrics.
Camembert ElectriqueCamembert Electrique by Gong
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1971. Gong is a wonderful band with a great sense of humor, not to mention technical skill. This album blends together space rock styles with jazz rock, psychedelic and some avant-garde styles. The music is exhilarating and the jams on this album are mind-blowing.
In the Land of Grey and PinkIn the Land of Grey and Pink by Caravan
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1971. Caravan placed the greatest emphasis on pop song form and structure than any of the other Canterbury bands. This is a very warm and inviting album with a great sense of humor and excellent vocals from Richard Sinclair. My favorite tracks include Winter Wine and the lengthy Nine Feet Underground suite.
Moving Gelatine PlatesMoving Gelatine Plates
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1971. This is a fine album of Canterbury influenced jazz rock with some psychedelic influences from this French band.
Matching MoleMatching Mole by Matching Mole
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1971. This album features Robert Wyatt and is perhaps the loosest album on this list – there are a lot of jams on the album that sound as if they were composed “on the spot”. This album presents a nice mixture of space rock and jazz rock styles.
FourthFourth by Soft Machine
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1971. This is a fascinating album of very "jazzy" jazz rock with interesting twists and turns.
Smile A WhileSmile A While
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1972. This is a good band from Germany that was also heavily influenced by the English Canterbury movement. This might not be the best album out there, but there are some great moments.
Space ShantySpace Shanty by Khan
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1972. This is an excellent album of virtuosic space rock that features Dave Stewart and guitarist Steve Hillage (who would go on to join Gong). This album is both melodic and surprisingly heavy – Steve really turns up the distortion on the electric. A great album overall.
SixSix by Soft Machine
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By 1973, Soft Machine had become a full-blown jazz rock outfit, although traces of the minimalist and psychedelic tendencies were present. This album includes a live performance and studio works.
SevenSeven by Soft Machine
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1973. This is a great album of jazz rock with minimalist tendencies. Apart from Mike Ratledge, not many of the original members were left at this point
Hatfield and the NorthHatfield and the North by Hatfield and the North
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1973. When people mention a Canterbury style, the music on this debut is what they are referring to. Great album of Canterbury jazz rock that features Dave Stewart, Richard Sinclair, Phil Miller and the great Pip Pyle on drums. One of my personal favorites.
Angel's Egg (Radio Gnome Invisible, Pt. 2)Angel's Egg (Radio Gnome Invisible, Pt. 2) by Gong
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1973. This is another fine album of virtuosic space rock from Gong that features Daevid Allen (from the seminal Canterbury band Wilde Flowers), Steve Hillage, and master drummer (the late) Pierre Moerlen. This album comprises Part II of the Radio Gnome Trilogy. Synthesizer-heavy with a thunderous rhythm section.
Rock BottomRock Bottom by Robert Wyatt
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1974. This is a very stripped back and reflective album of spacey music with some avant-garde tendencies that Robert composed while in the hospital following a severe injury. Instrumentation is sparse and includes various synthesizers, with help from former Soft Machine bassist Hugh Hopper and other luminaries from the Canterbury scene.
UnrestUnrest by Henry Cow
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1974. This is a remarkable group of exceptionally talented musicians that created some of the most challenging music I have heard. The ensemble work is breathtaking and there is a significant amount of avant-garde and dissonant tendencies. In short, this music makes for a difficult listening experience, yet is very rewarding.
YouYou by Gong
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1974. This is the last album of well-played space rock that the band released and is also the last with Daevid Allen. You may very well be the finest album released by the band and concludes the Radio Gnome Trilogy. Very heavy on the synthesizers (courtesy of Tim Blake) with great playing by all band members (particularly Hillage and Moerlen).
The Rotters' ClubThe Rotters' Club by Hatfield and the North
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1975. This is perhaps the definitive Canterbury album and features an excellent blend of quirky jazz rock and the sustained keyboard backdrop characteristic of English progressive rock. Great playing by all band members.
Fish RisingFish Rising by Steve Hillage
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1975. This debut album is simply unbelievable and contains some incredible ensemble work. Many of the Gong band members that played on You (1974) turned up on Fish Rising. Simply mind-blowing ensemble work on a few of these tunes, although there are some spacey moments.
In Praise of Learning (Original Mix)In Praise of Learning (Original Mix) by Henry Cow
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1975. Hands down, this is the most challenging album released by the band and finds Henry Cow working with German avant-garde group Slapp Happy. The vocals by Dagmar Krause range from frightening to quite pleasant and the group ensemble work includes free form and atonal “explosions”. Drummer Chris Cutler is exceptional throughout.
MainstreamMainstream by Quiet Sun
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1975. A fine album of Canterbury rock that features Phil Manzanera and Brian Eno on synthesizers. Vocals are OK but not great.
GilgameshGilgamesh by Gilgamesh
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1975. Another classic album (albeit short at 37 minutes) from the genre that features great ensemble work and heavy influence on the jazz rock styles. Great playing by all members ([the late] Alan Gowen is great throughout and even works the mellotron into the mix).
Picchio dal PozzoPicchio dal Pozzo by Picchio dal Pozzo
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1976. This is another group heavily influenced by the Canterbury scene that was based in Italy. This album is OK.
National HealthNational Health by National Health
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1977. Another album of definitive Canterbury rock that features top notch ensemble playing – for example, sections of Tenemos Roads are in 25/16. In spite of the complexity, this is very pleasant stuff and should please a lot of English progressive rock fans (Dave Stewart’s keyboard work is central to this).
Soft HeapSoft Heap
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1978. A good album that features former Soft Machine members Hugh Hopper and Elton Dean (on saxophones), Gong/Hatfield and the North/National Health member Pip Pyle and Gilgamesh member Alan Gowen. Ok stuff overall.
Western CultureWestern Culture by Henry Cow
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1978. This is the last album by Henry Cow and continues the dissonant and angular work that characterized their earlier albums. I admire the fact that Henry Cow continued to crank out challenging music in spite of trend toward simplification exhibited by many of the English symphonic prog bands at the time.