Product Description

Now a major motion picture from Columbia Pictures starring Matt Damon, produced by Mike Nichols, and directed by Billy Bob Thornton.

The national bestseller and the first volume in Cormac McCarthy's Border Trilogy, All the Pretty Horses is the tale of John Grady Cole, who at sixteen finds himself at the end of a long line of Texas ranchers, cut off from the only life he has ever imagined for himself.  With two companions, he sets off for Mexico on a sometimes idyllic, sometimes comic journey to a place where dreams are paid for in blood.  Winner of the National Book Award for Fiction.

Product Details

• Amazon Sales Rank: #1395 in Books
• Published on: 1993-06-29
• Released on: 1993-06-29
• Original language: English
• Number of items: 1
• Binding: Paperback
• 320 pages

Amazon.com
Part bildungsroman, part horse opera, part meditation on courage and loyalty, this beautifully crafted novel won the National Book Award in 1992. The plot is simple enough. John Grady Cole, a 16-year-old dispossessed Texan, crosses the Rio Grande into Mexico in 1949, accompanied by his pal Lacey Rawlins. The two precocious horsemen pick up a sidekick--a laughable but deadly marksman named Jimmy Blevins--encounter various adventures on their way south and finally arrive at a paradisiacal hacienda where Cole falls into an ill-fated romance. Readers familiar with McCarthy's Faulknerian prose will find the writing more restrained than in Suttree and Blood Meridian. Newcomers will be mesmerized by the tragic tale of John Grady Cole's coming of age.

From Publishers Weekly
This is a novel so exuberant in its prose, so offbeat in its setting and so mordant and profound in its deliberations that one searches in vain for comparisons in American literature. None of McCarthy's previous works, not even the award-winning The Orchard Keeper (1965) or the much-admired Blood Meridian (1985), quite prepares the reader for the singular achievement of this first installment in the projected Border Trilogy. John Grady Cole is a 16-year-old boy who leaves his Texas home when his grandfather dies. With his parents already split up and his mother working in theater out of town, there is no longer reason for him to stay. He and his friend Lacey Rawlins ride their horses south into Mexico; they are joined by another boy, the mysterious Jimmy Blevins, a 14-year-old sharpshooter. Although the year is 1948, the landscape--at some moments parched and unforgiving, at others verdant and gentled by rain--seems out of time, somewhere before history or after it. These likable boys affect the cowboy's taciturnity--they roll cigarettes and say what they mean--and yet amongst themselves are given to terse, comic exchanges about life and death. In McCarthy's unblinking imagination the boys suffer truly harrowing encounters with corrupt Mexican officials, enigmatic bandits and a desert weather that roils like an angry god. Though some readers may grow impatient with the wild prairie rhythms of McCarthy's language, others will find his voice completely transporting. In what is perhaps the book's most spectacular feat, horses and men are joined in a philosophical union made manifest in the muscular pulse of the prose and the brute dignity of the characters. "What he loved in horses was what he loved in men, the blood and the heat of the blood that ran them," the narrator says of John Grady. As a bonus, Grady endures a tragic love affair with the daughter of a rich Spanish Hacendado , a romance, one hopes, to be resumed later in the trilogy.
Copyright 1992 Reed Business Information, Inc.

From Library Journal
Before this beautifully written novel, McCarthy's sixth and most accessible, won last year's National Book Award and became a best seller, its author was one of the least known of great American novelists. It is a simple story (the first in a trilogy) of three Texas youths whose flight to Mexico on horseback in 1949 traverses far more than geographical borders, marking a descent into the deeper forces of friendship, love, and cruelty. Its style owes an enormous debt to Hemingway, but it pays that debt with interest. That its laconic hero, John Grady Cole, proves resourceful beyond his years (and almost beyond belief) places the novel in the tradition of classic Westerns, but never has any Western been so well told. The novel's moral logic and McCarthy's mystique of "blood" are questionable, but there is poignancy in Cole's yearning to touch something in horses that has passed from the race of men, to find a depth of wisdom that can only come with age, and, like most of McCarthy's people, to escape what is deadly in modern American life. The unabridged version is one of the best recorded books to date, for Frank Muller's narration is such a perfect model of balance and control that it deserves an award in itself. In the Random House abridgment, film actor Brad Pitt simply doesn't compare. With a superb complete version on the market, there is no reason to settle for anything less.
- Peter Josyph, New York
Copyright 1994 Reed Business Information, Inc.

Customer Reviews

Breathtaking and... breathless
I can read English, French, Italian. This novel ranks with Proust's La Recherche du temps perdu, and Manzoni's Promessi sposi. Breathtaking scenes follow more breathtaking scenes and the whole leaves the reader breathless. Magnificient, none like it.

guess I'm not ready for this yet?
I found this book an effort to read. Confusing at the start, yet did grab me midway but I was ready to discard with about 1/3 left, but thought better of it and completed. Yes, his writing is very descriptive and captures the essence of every sense the reader needs to be placed within the story. However, it just seemed to skip and jumble along, the ending wasn't anything like the many my mind conjured up, it wasn't really anything special at all...Grady continued on rambling as did the book. I perhaps need to read another of his works to get a better grasp of the talent of this writer, as so many have applauded his style.

Definitely a Acquired Taste
I have looked at some of the reviews here, and am a bit surprised as the number of people who hated this book. It is a challenge to read, but this is no "Ulysses." The main themes can be understood with a little careful attention. Some have compared McCarthy's style to Hemingway's but this is not a fair comparision. McCarthy's prose is far more complex. Hemingway wrote arresting prose, but at times his minimalist style was cartoonish. McCarthy is simple the way Picasso is simple -- that is to say, only if you do not look hard enough.

McCarthy's skill with language is unequalled among living American authors. It is the language that is the star of this book, and if you cannot appreciate the language itself the story will not bear the weight. Yes, I found myself re-reading passages and puzzling out the construction of some sentences, but I did it with the same pleasure a sports fan looks at a replay of a spectacular play. This is a book for the patient. Not every book pays off like a James Bond novel.