From the Velvets to the Voidoids: The Birth of American Punk Rock
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Average customer review:Product Description
Product Details
- Amazon Sales Rank: #325972 in Books
- Published on: 2005-05-01
- Original language: English
- Number of items: 1
- Binding: Paperback
- 432 pages
Editorial Reviews
Review
"One of the most detailed histories of New York's artsy punk scene." —Library Journal
About the Author
Customer Reviews
Excellent detailed history of American Punk
From the Velvets to the Voidoids is an insightful and very detailed history of the birth of American punk rock...Heylin starts right where he should, with the seminal influences on the first wave of punk rockers... the Velvets, Stooges, Dolls, Suicide, etc.. and the often forgotten Cleveland scene... Then it's a fantastic ride through the history of Televsion, Patti Smith, Blondie, the Ramones, Richard Hell, Pere Ubu, Heartbreakers and even the No Wave....Included with quotes from all the players is an excellent discography, bibliography, and even a CBGB's chronology... While you may not agree with all his opinions,, anyone who loves any of the aforementioned bands should thoroughly enjoy this book....
Another Great Early History Of Punk
Clinton Heylin's FROM THE VELVETS TO THE VOIDOIDS is another of the essential oral histories of punk. Unlike Legs McNeil's PLEASE KILL ME, this work is a bit more scholarly and opinionated. It doesn't offer the vicarious lurid glitter of PKM, but it does fill in a number of the blanks in the story, and the two works together present an authoritative portrait of the birthplaces - New York, Cleveland and Detroit - of punk.
The primary value here is the extensive digging into the otherwise skipped-over Cleveland scene - home to key groups like the Electric Eels, Mirrors and Rocket From The Tombs - an amalgamation of musicians some of whom later morphed into The Dead Boys and the incomparable Pere Ubu. The Detroit sections are similarly valuable.
Highly recommended.
-David Alston
A bit of a bummer
I enjoyed the coverage of the Cleveland scene and there is a nice chapter on Suicide, but on balance this book is irritating. Much of it reads like a wrinkly love letter to Patti Smith, Heylin absolutely loathes British punk and the book ends with a "Postlude" that is both a bilious screed against any and all other writers on punk and also a frank mash note to Smith. That's hardly writing on "The Birth Of American Punk Rock," as per the subtitle, but rather some kind of personal emotional problem better suited to a therapeutic setting. See p. 331 for Heylin's sad description of Jon Savage's "England's Dreaming:" this is just unforgivable. So: find a used copy and pick out the interesting bits, ignore the rest.





