Product Description

With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Pevear and Volokhonsky offer a brilliant translation of Dostoevsky's classic novel that presents a clear insight into this astounding psychological thriller. "The best (translation) currently available"--Washington Post Book World.

Product Details

• Amazon Sales Rank: #5305 in Books
• Published on: 1993-03-02
• Released on: 1993-03-02
• Original language: English
• Number of items: 1
• Binding: Paperback
• 592 pages

From Publishers Weekly
An acclaimed new translation of the classic Russian novel.
Copyright 1993 Reed Business Information, Inc.

Review
“The best [translation of Crime and Punishment] currently available…An especially faithful re-creation…with a coiled-spring kinetic energy…Don’t miss it.” –Washington Post Book World

“This fresh, new translation…provides a more exact, idiomatic, and contemporary rendition of the novel that brings Fyodor Dostoevsky’s tale achingly alive…It succeeds beautifully.” –San Francisco Chronicle

“Reaches as close to Dostoevsky’s Russian as is possible in English…The original’s force and frightening immediacy is captured…The Pevear and Volokhonsky translation will become the standard English version.”–Chicago Tribune


From the Hardcover edition.

Language Notes
Text: English (translation)
Original Language: Russian

Customer Reviews

Masterful work, worthy of every accolade it's received, and worthy of accolades it has yet to receive....
So let me ask a question in a primitive, modern way...

Is this damn thing any good? Uh, yeah.

Fyodor's novel is called one of the greatest ever written for a reason. It is a masterful work, filled with suspense, fascinating characters, great atmosphere, intelligent dialogue, twists and turns, and a great, satisfying ending. It is a true cerebral novel, one that really emulates Dostoyevsky's outlook on life and art itself. Raskolnikov is one of the most fascinating, well known characters in all of literature, and even to this day, he is still talked about and discussed. This book, along with Notes from the Underground, are my favorite Dostoyevsky novels.

I also love this book because it shreds the idea of Nietzsche's "superman" ideal. Many have grossly misinterpreted Dostoyevsky's attitude towards Raskolnikov. Some make the argument that he is a model of the Nietzschian superman. Raskolnikov certainly acts like the "superman", thinking that since he has a superior intellect that that entitles him to, essentially, shred off the chains of the morality that governs others, and that he is free to do what he wishes, as the laws of "lesser men" don't apply to him. Fyodor, however, does not agree with this and shows that it is a false assumption that intelligent people make when they believe they are superior to anyone. We can argue the wider point that the Nietzschian superman isn't a superman at all, but an arrogant, deluded man who puts himself above everyone because he believes he is superior to everyone. Raskolnikov is exactly like this, until reality and Sonia make him realise that he isn't the Superman at all, just another human being, and a deeply human one at that. I believe many people who interpret Dostoyevsky as "pro-Superman" (in the Nietzsche sense, not the Marvel Comics one) are simply putting their own personal beliefs on Dostoyevsky's prose, and are not looking at the novel with clear and thoughtful eyes.

This is a wonderful novel, one of the greatest ever written, and one that can be revisited again and again.

One of my favorites
I don't think any book creates the inner tension like this one. This and Brothers Karamzov are must reads of FD.

Crime and Punishment
What can I say that hasn't been said already?
This is probably the best fictional study of the effects of guilt and radical ideas on a troubled mind. The prose is flowing, and it's not hard to see why Dostoevsky considered his novels "poems".
Dostoevsky's works in general are marred by a flaw I prefer to ignore as much as I can, and in this novel it is hardly present. Dostoesky's politics are odious, his nationalism, anti-Semitism, and anti-Polish sentiments absolutely ruined a section of The Brothers Karamazov for me and in The Gambler I felt their effect dramatically. They only crop up once in Crime and Punishment, that is when (plot spoiler coming soon) Svidrigailov is about to shoot himself, when Dostoevsky describes the Jewish guard as having "that sour look common to all members of that tribe", or something very close to those words.
All in all, I feel that Dostoevsky's politics can be excused, and prefer to focus on the positive attributes of his writing. There are many, and it isn't difficult.