Product Description

Anotsu Kagehisa has turned his Ittö-ryü into the most famous sword school in Japan, a dojo of outcasts and eccentrics who`ve slaughtered their way to the top of Japan`s world of the blade. But as the old Japanese saying goes, The nail that sticks up gets hammered down, and now Anotsu must relearn that ancient lesson when he discovers the existence of the Akagi, a mysterious organization formed from the survivors of the many rival sword schools destroyed by the ruthless Ittö-ryü. The Akagi are sworn to vengeance against Anotsu`s dojo, but what Anotsu doesn`t know is that the Akagi are wooing the immortal samurai, Manji, to join them in their war to exterminate the Ittö-ryü!

Product Details

• Amazon Sales Rank: #270342 in Books
• Published on: 2000-11-07
• Released on: 2000-11-07
• Original language: English
• Number of items: 1
• Binding: Paperback
• 192 pages

Features

• ISBN13: 9781569714690
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Customer Reviews

Everything changes after this...
In 'Dark Shadows', everything changes for this multiple award-winning manga. For those new to _Blade of the Immortal_, flick over to the first of the series, 'Blood of a Thousand'. An understanding of what has gone on before is essential to fully enjoy this sixth graphic-novel installment.

Before, the story arcs of BotI fell into a comfortable pattern: Rin and Manji wandering around until they met a member of the Itto-ryu; the usual banter and posturing before blades are drawn; Manji getting carved on to lesser or greater extent; Rin struggling with and attempting to moralize what is essentially a revenge killing spree. Using this pattern, Samura explored a number of themes, such as obsession/compulsion ('Conflict'), ethics ('Cry of the Worm'), duty ('Dreamsong'), redemption ('On Silent Wings').

With 'Dark Shadows', however, Samura dramatically changes the formula, and just in time. Not that the story was getting stale--far from it--but some overall progression was needed, and here we have it: in this volume characters and situations are introduced that will effect the rest of the work as a whole (12 or so compilations worth in Japan), and Anotsu Kagehisa slowly begins to take his place as the manga's true protagonist, a man willing to do anything to save his country from what he perceives as steady stagnation. If there are casualties along the way, so be it.

Manji and Rin show up only in the last third, and there isn't much in the way of 'action' (at least in comparison to bloody epics like 'Dreamsong'). Still, one can feel a tension slowly building under the surface, a conflict-in-waiting that explodes in the next comp, 'Heart of Darkness.' And the repercussions of this volume are long-standing; in terms of plot development, this the most important volume (next to the first, of course)released so far. Not to be missed or overlooked.

The story widens in scope, and the plot thickens
The pace of Blade of the Immortal doesn't let up in this sixth volume, and it doesn't let the readers down. The Itto-ryu have wiped out the other sword schools of Japan. While the previous volumes have focused on Rin, whose father was killed and mother raped and killed by the Itto-ryu, this volume presents us with a wider scope: the Itto-ryu are moving up in the political world, and they have made perhaps deadlier enemies than Rin and her immortal bodyguard, Manji.

As always, the artwork in Blade of the Immortal is superb, and the writing and characterization are as strong as the previous volumes. If there's a flaw here, it's that the focus of the story leaves Rin and Manji (with whom we've basically remained throughout the previous 5 volumes) for too long--they're in less than half of this volume. But that's a quibble, really; watching how the Itto-ryu is growing and splintering all at once, and how its enemies have begun to move is fascinating. As always, this is a violent story, but it could hardly be otherwise with the characters involved. If you've read previous volumes, you know what to expect; if you haven't you need to--both to understand what's going on, and just because you need to if you're at all interested in comics.

We Are All Outcasts
Having managed to read every other volume in this series except 'Dark Shadows' I can state as a fact that this is one of the most important volumes in this series about Rin, Manji, and the hunt for the Itto-Ryu who killed Rin's parents. It takes the thematic material introduced earlier and starts the process of making a series of story arcs into a narrative whole.

For the first time we discover that there are others hunting Anotsu Kagehisa and his ruffian band of super killers. Moreover, there are others just as anxious to court what they perceive is Anotsu's rising power. Some of Anotsu's motivations are clarified, and we meet Magatsu Taito in new circumstances. Magatsu will come to play an important later in the series.

The Mugai-Ryu are introduced as opposition to the Itto-Ryu. Led by Hyakurin, a woman assassin, they are little different from the 'bad guys.' In fact, they may very well be worse. However, they are anxious to recruit Manji, taking advantage of his fighting skill and his commitment to Rin's quest.

Rin, on the other hand, begins to realize that she is much more than a vengeful sword fighter, and much less as well. She came from a gentler Samurai tradition than the rough fighters that are now part of her life. Even Manji, who shares at least some basic understanding of duty and honor is a far cry from the world of her father. But Anotsu's followers and their opponents are something else entirely, and the young woman begins to question her own actions and rue the strength she lacks.

Hiroaki Samura has an easy talent for moving from extreme violence to the simply grace of a woman's play with the man she loves. And back again. It is as if to remind us that the killing that moves the story forward is only an agency, not the purpose of the story. There is a quirky justice to what befalls many of the characters in the stories to come, and the reader should not assume that blood is the only possible resolution.