Product Description

In this inspired rendering of the classic Grimm Brothers folktale, five-time Caldecott Honor winning artist Jerry Pinkney introduced two favorite children's characters to a new generation: the sly, scary wolf and the sweet little girl in her famous red hood. Readers will squeal with delight all over again during that most memorable scene when Little Red Riding Hood declares, "Oh, Grandmamma, what great teeth you have!"

Pinkney's charming, masterfully-wrought illustrations--as warm and cozy as LIttle Red's cloak and as captivating ast he clever wold himself--are sure to lure you into the heart of this treasured tale.

Product Details

• Amazon Sales Rank: #107746 in Books
• Published on: 2007-10-01
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 40 pages

Features

• ISBN13: 9780316013550
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

From Booklist
In this delightful, old-fashioned version of a familiar tale, Little Red Riding Hood is a "sweet little girl" whose mother stitches her a lovely hood, which the child cherishes and all the village people affectionately recognize. Against a snowy, wooded background, the child sets out in her red cloak to bring Mother's chicken soup and raisin muffins to ailing Grandmother. The story proceeds in the expected way. The woodcutter kills the wolf "with one stroke of his ax" and cuts open the beast's stomach, releasing "the kindly old woman." With lively detail (but no blood and guts) and lots of pattern and colors, Pinkney's watercolors show the predator in nightcap and glasses under Grandmother's patchwork quilt––and then, in a double-page spread, the menace as it appears to the girl: "Oh Grandmother, what great teeth you have!" The pictures reflect the danger and the coziness, and they are just right for their preschool audience. Rochman, Hazel

About the Author
Jerry Pinkney is one of children's literature's most time-honored artists. He has been illustrating children's books for over 40 years and has more than 75 books to his credit. He has the rare distinction of being the recipient of five Caldecott Honor books. He has also won the Coretta Scott King Award five times, the Coretta Scott King Honor three times, and was nominated for the prestigious international Hans Christian Anderson Award.

His award-winning books include JOHN HENRY and SAM AND THE TIGERS by Julius Lester and THE TALKING EGGS by Robert D. Sans Souci. His retellings of classic children's tales include Hans Christian Anderson's THE UGLY DUCKLING and LITTLE MATCH GIRL, Rudyard Kipling's RIKKI-TIKKI-TAVI, and most recently, LITTLE RED HEN, which was just awarded a New York Times Best Illustrated Book citation. Jerry has also illustrated for a wide variety of major clients, including the First Lady and President of the United States, National Geographic, the National Parks Service, and the U.S. Postal Service.

Customer Reviews

Hello, little girl / What's your rush?
You can appreciate a person's craft and talent without ever really appreciating their style. I mean, no one is ever going to say that Jerry Pinkney isn't one of the most talented artists working in the field of picture books today. No one. Still, I've always enjoyed the man's ideas far more than his actual products. I eventually decided that this was because my eyes prefer thick bold lines in children's books, whereas Mr. Pinkney more of the soft sketchy lines and details type. Due to the prolific nature of his work, as a children's librarian I've recommended and run into a fair amount of Pinkney titles without ever really finding one I could call my favorite. Maybe Sam and the Tigers (an alternative version of Little Black Sambo) but even that seemed a better idea than final product. Then I ran across his "Little Red Riding Hood". I can't really pinpoint why I like this book so much more than his previous works. It's not as if his style has changed a whit. He hasn't done anything significantly different with this tale. The story is the classic version we've all learned at some point, but set against an entirely new season and including some of the original tale's darker elements. Squeamish parents beware. Jerry Pinkney is not afraid to go to original source material if he has to.

You know the drill. There was once a little girl whose mother made her a brilliant red cloak, giving her the titular nickname we've all grown to know and love. One winter's day her grandmother comes down with a cold, so Little Red is sent off to take her some warm food. On the way she meets a charming wolf that persuades her to ignore her mother's advice and gather some firewood for her granny. Then the wolf eats the grandmother, does the standard "what big eyes you have bit", and swallows up Little Red to boot. Fortunately a hunter hears the wolf's acoustically impressive snores, kills the furry creature, frees the two women from its stomach, and a happy ending is had by all. The end.

I had a woman in my library the other day looking for good versions of The Three Little Pigs. When I pulled four or five different styles, she was horrified to find that in many of these books the pigs either get eaten or end up eating the wolf at the end. So too will a certain strain of parent be shocked at the story found in this fairy tale. Wait... the wolf actually EATS Little Red and her grandmother? And a woodsman cuts them out of the stomach? In a children's book??? But of course they are. In fact, if you want to make a case for this book to the easily shocked (and fairy tale ignorant) parents who encounter it, mention that Pinkney has actually softened the tale a little. He could have included the detail where the grandmother sews stones into the wolf's belly and it crawls away to starve to death. Instead, this version simply has the woodcutter kill the wolf and free the people in its belly. The illustrations, for their part, display these scenes without going into gory details. The picture accompanying the wolf's demise is just the shadow of the woodcutter against a wall, his axe raised wildly above his head. In contrast, the devouring of Little Red is a dramatic two-page spread of the wolf leaping out of granny's bed directly at you, the reader. There can be no doubt that at that particular moment, you have become the heroine at the story's most frightening moment. And THAT is good storytelling, my friends.

Pinkney once said that drawing snow was far more difficult for him than drawing much of anything else. The lack of color is what kills him. When you view his magnificently detailed wildernesses and sprawling landscapes, you understand his concern. Sometimes nothing is harder to draw than something. What sets "Little Red Riding Hood" apart from the pack is this same snow, though. I mean, when you think of fairy tales you think of summer settings. Only stories like "The Snow Queen" or "East of the Sun, West of the Moon" and their ilk take into account months when the trees aren't green and lush. Pinkney is certainly the first person that I know of to set this tale in a wintry setting. That means, of course, that he had to adjust the story's elements a little. Instead of being told by the wolf to pick flowers, Little Red is encouraged to collect firewood. Other factors make more sense. People tend to grow ill in the winter months, so it makes perfect sense for Little Red's mother to send her daughter off with hot soup and raisin muffins.

As one of those artists that model their characters on real people, Little Red and her mother were indeed based on a woman and her daughter than Mr. Pinkney knew. The fact that this is a biracial family is just a nice plus, really. Ask me to come up with fairy tales featuring multi-ethnic families and I would admittedly be a little hard pressed. Kudos on that account and kudos on the illustrations in general. One of the joys of using all this white is that Mr. Pinkney's carmine red cape stands out even more strongly than it would against lush green foliage. Your eye is instantly drawn to the color, no matter what other action there may be elsewhere. I appreciated that the wolf was drawn as a real creature too. There's nothing cartoony to it. Even when it slips into the grandmother's spare hat and nightgown, what you are facing is a wild animal through and through. It's a balance between the realistic and the kid-friendly that allows the book to work. Too scary and you lose your audience. Too silly and you betray the author's style. Pinkney even gets cinematic with some of his scenes. When the wolf is about to enter the house you see the back of it at the door, and a shadow against the wood that shows what is going to occur mere moments in the future. And the aforementioned shadow of the woodcutter whacking the beejezus out of the wolf felt just a mite bit Hitchcockian.

If you were to ask me what my favorite picture book version or variation of the Little Red Riding Hood story was, I would still have to side with Ed Young's magnificent Lon Po Po. Pinkney, however, is now running a close second with this lovely new adaptation. There may be people out there who squirm and squeal at the "Grimm" nature of this story, but people have always felt this way about the Little Red Riding Hood story. There's a reason that the film Hoodwinked and the Sisters Grimm book series cast Little Red as the villain. Fairy tales aren't the light and fluffy balls of sugar people would have of them all the time. Sometimes it's nice to find a version that shakes things up a bit. Credit Jerry Pinkney, then, with some serious two-handed shaking.

A classic returns with original story details
Reviewed by Olivia Alejandre (age 4) and Mom for Reader Views (12/07)

Mom's review / summary:
I had forgotten the original details since this story has been watered down over the past few decades. Upon my first read, I wasn't sure I liked the fact that the wolf did indeed eat the grandmother AND Little Red Riding Hood, especially since my daughter is so young. But, as I thought about it, I realized that it's probably appropriate to have a healthy fear of certain animals and threats in our world, without being too graphic. Olivia didn't seem to react negatively to that aspect of the story, even before she knew that they were both going to be OK in the end. Some children might not respond well to this aspect of the story.

I did feel, however, that the dead wolf in grandmother's bed was unnecessary to include in the artwork. Is there another way to present the events of that page?

I loved the diversity of the book - Little Red Riding Hood is definitely not white. I appreciate classic stories coming out with more diversity of character background and ethnicity.

The artwork is expressive and intricate - maybe too much for a children's book? Also, on most pages, Little Red Riding Hood has an odd expression on her face - sometimes, it seemed like she was confused, other times talking. Her mouth is partially open on several pages, which looked a little odd.

Olivia's review / summary:
"Little Red Riding Hood packed some tea and some muffins and sauce in a basket. She set off into the woods. She saw a fox. `My grandmother's house is behind the oak tree.' And the fox went to grandmother's house before Little Red Riding Hood. `Knock, knock.' `Who's there?' She got there and said `It's your child'. He ate her up and he is dressed up like grandmother. The wolf ate Little Red Riding Hood in his tummy. And, then he (the woodcutter) got them out of the tummy."

Some quotes from Olivia about "Little Red Riding Hood":
"I like the color of his fur."

"He's not scary to me. I like that wolf. He asked her a question nicely. I'm going to take that wolf home with me."

"He's being mean now."

Beautifully Illustrated Traditional Retelling
This is a beautifully illustrated and traditional retelling of Red Riding Hood. This is a must have for your School Library. The wintery forrest scenes make me think that it would make a great holiday gift as well!