Product Description

Mainly the Round Table talk was monologues -- narrative accounts of the adventures in which these prisoners were captured and their friends and backers killed and stripped of their steeds and armor. As a general thing -- as far as I could make out -- these murderous adventures were not forays undertaken to avenge injuries, nor to settle old disputes or sudden fallings out; no, as a rule they were simply duels between strangers.

Product Details

• Amazon Sales Rank: #3661573 in Books
• Published on: 2004-06-17
• Original language: English
• Number of items: 1
• Binding: Paperback
• 292 pages

From School Library Journal
Grade 5 Up-While Mark Twain is most often identified with his childhood home on the Mississippi, he wrote many of his enduring classics during the years he lived in Hartford, Connecticut. He had come a long way from Hannibal when he focused his irreverent humor on medieval tales, and wrote A Connecticut Yankee in King Arthur's Court. The hit on the head that sent protagonist Hank Morgan back through 13 centuries did not affect his natural resourcefulness. Using his knowledge of an upcoming eclipse, Hank escapes a death sentence, and secures an important position at court. Gradually, he introduces 19th century technology so the clever Morgan soon has an easy life. That does not stop him from making disparaging, tongue-in-cheek remarks about the inequalities and imperfections of life in Camelot. Twain weaves many of the well-known Arthurian characters into his story, and he includes a pitched battle between Morgan's men and the nobility. Kenneth Jay's narration is a mix of good-natured bonhomie for Hank and more formal diction for the arcane Olde English speakers. Appropriate music is used throughout to indicate story breaks and add authenticity to scenes. This good quality recording is enhanced by useful liner notes and an attractive case. Younger listeners may need explanations of less familiar words, and some knowledge of the Knights of the Round Table will be helpful. Libraries completing an audiobook collection of Twain titles will enjoy this nice, but not necessary, abridgement.
Barbara Wysocki, Cora J. Belden Library, Rocky Hill, CT
Copyright 2001 Reed Business Information, Inc.

Review
Satirical novel by Mark Twain, published in 1889. It is the tale of a commonsensical Yankee who is carried back in time to Britain in the Dark Ages, and it celebrates homespun ingenuity and democratic values in contrast to the superstitious ineptitude of a feudal monarchy. Twain wrote it after reading Sir Thomas Malory's Le Morte Darthur. Hank Morgan, a mechanic at a gun factory, is knocked unconscious and awakens in England in the year 528. He is captured and taken to Camelot, where he is put on exhibit before the knights of King Arthur's Round Table. He is condemned to death, but remembering having read of an eclipse on the day of his execution, he amazes the court by predicting the eclipse. It is decided that he is a sorcerer like Merlin, and he is made minister to the ineffectual king. In an effort to bring democratic principles and mechanical knowledge to the kingdom, he strings telephone wire, starts schools, trains mechanics, and teaches journalism. He also falls in love and marries. But when Hank tries to better the lot of the peasants, he meets opposition from many quarters. He and Arthur, in disguise, travel among the miserable common folk, are taken captive and sold as slaves, and only at the last second are rescued by 500 knights on bicycles. Hank and his family briefly retire to the seaside. When they return they find the kingdom engulfed in civil war, Arthur killed, and Hank's innovations abandoned. Hank is wounded, and Merlin, pretending to nurse him, casts a spell that puts him to sleep until the 19th century. -- The Merriam-Webster Encyclopedia of Literature

Review
"Twain is the funniest literary American writer. . . . [I]t must have been a great pleasure to be him."
--George Saunders

Customer Reviews

Revolution by The Boss
You might wonder what prompted Mark Twain to sidle from "straight" fiction into the realm of outright fantasy. Twain transports a Connecticut shop foreman twelve centuries into the past [and 5 000 kilometres!] to Camelot and Arthur's court. Initially confused and dismayed, Hank Morgan's Yankee practicality is quickly aroused and he becomes a major figure among the panopolied knights. With the title of The Boss, his rank equals The King or The Pope with its uniqueness. His elevation doesn't distract him from a more profound impulse, however. Hank's Yankee roots and wide experience evoke an ambition - nothing less than revolution. He wants to sweep away the monarchy and aristocracy and establish an American-style republic in Arthurian Britain.

Mark Twain's scathing criticism of the sham of hereditary monarchy bolstered by an Established Church makes this among his choicest writings. He resents the condition of a Church which "turned a nation of men into a nation of worms." A fervent believer in individual freedom, Twain uses Hank to voice his disdain of Britain's royalty. It's no more than might be expected of a man who boasted of but one ancestor - who sat on the jury that executed Charles I. Hank knows revolutions never succeed when implemented from above. Revolution be achieved only when the individual's attitude changes from meek acceptance to
self assertion. Hank's method reaches people through clandestine schools and factories, publication of a newspaper and establishment of a telephone system. These new forms of manufacture and communication become the foundation by which Hank expects to abolish the ancient, mis-named, chivalric tradition. Does he change the course of history?

Twain relocates the roots of American democracy from the heart of the frontier yeoman farmer to the brain of the urban industrial worker. Here the man of wide, practical experience shows how to survive compared to those with a formal education. Hank has a simple ambition - establishment of a republic - but utilizes a broad spectrum of ideas to bring it about. He would gladly replace the Established Church of Rome with his own Presbyterian ideals, but is aware that it would be swapping one evil for another. "Each man should select his own religion, or make one" he contends. Yet, finally, it is this dread force that impairs his desire for change. The final sequence stands as a peer to the biblical Armageddon, Twain wallowing in a frightful bloodletting unseen in any of his other works.

Mark Twain contrasts the Reign of Terror of the French Revolution with the centuries of slavery, serfdom, and poverty that killed countless more people than that spasm of excising of aristocracy. What else spurred him to write of human rights with such passion? He had written of slavery before, but this book is especially wrathful in describing the "peculiar institution" eliminated in his homeland but a generation before. He forces the king to experience the slave's condition, a form of degradation he would have all aristocrats endure. Every feature of the human condition is examined in this timeless treasure. He challenges you to follow his gaze, considering whether today's societies, monarchical or not, will endure the scrutiny.

review for connecticut yankee
In the novel, A Connecticut in King Arthur's Court, Mark Twain shows the differences between modern society, and sixth century Great Britain. Hank is a self-assured factory worker who knows how to make just about anything. The protagonist, is mysteriously transported back to the sixth century, when struck in the head by a crowbar.
He uses his vast knowledge of explosives and metals to quickly become a leader in the monarchy. His democratic thoughts and ideas become his ambition as he strives to make Great Britain a republic. Twain's novel shows how much of a change society has gone through from the sixth century to the time of the writing of the novel. He also show's how little education anyone received in the sixth century, even the members of royalty are not very wise. Hank's mediocre education is far superior to anybody's in the whole monarchy, because of the advances in education to the present.
Twain shows that the laws of the sixth century were made for the few against the many. At one point a woman is put to death for stealing just enough food to feed her baby. Hank tries, throughout the book, to get the royalty to realize how unfair their laws are to the common man.
This book makes you feel angry at points about the horribleness of the monarchy, yet ashamed because similar acts still go on in the present. An example would be how the rich and privileged still get the best of everything, while the have-nots get the last and worst of everything, both now and then. Twain has a comic sense in the book, and yet he still shows a contrast between the comic and the serious. This book should be a classic for Twain's creative portrayal of the sixth century, yet also because it makes us think about our society today.

It was the worst of times, it was the worst of times...
The perfect counterpoint to Le Morte d'Arthur. The Arthurian legends are wonderful tales but they are mythic literary productions. Mark Twain gives them a good old-fashioned strapping out behind the outhouse. With the Connecticut Yankee as our guide, we have front row seats on everyday life in Arthurian Britain: White slavery, le droit de seigneur, confiscation of property in event of suicide, nonexistence of impartial justice, the (unintended) degrading influence of Catholicism on the masses, immense ignorance, superstition. And that's just day one. But Mark Twain will never leave you stranded in a dark hell hole. Oh no - brilliance, mirth, and devastating common sense are always surrounding you on any journey with Mark Twain. This book is classic Twain: Funny.

A Connecticut Yankee in King Arthur's Court is chock-full of brilliant Twainisms. My favorite is his observation that a conscience is a very uncomfortable thing to have, and the significant difference between a conscience and an anvil is that, if you had an anvil stuck inside you, it would be a lot less uncomfortable than having a conscience. And Twain clearly concurs with Tom Paine that the English nobility were "no-ability" - simply the latest in a perennial series of robbers making life miserable for everyone and doing all in their power to hang on to power. A fine modern treatment of this theme is Ken Follett's The Pillars of the Earth. Twain also mentions the beautiful mispronunciations of childhood, and how the bereaved parental ear listens in vain for them once the child has grown.

You'll never look at castles the same again (and I suspect the Dark Ages will never know what hit them).