Track Listing

Disc 1:

1. Song to Woody
2. Blowin' in the Wind
3. Masters of War
4. Don't Think Twice, It's All Right
5. A Hard Rain's A-Gonna Fall
6. The Times They Are A-Changin'
7. All I Really Want to Do
8. My Back Pages
9. It Ain't Me, Babe
10. Subterranean Homesick Blues
11. Mr. Tambourine Man
12. Maggie's Farm
13. Like a Rolling Stone
14. It's All Over Now, Baby Blue
15. Positively 4th Street
16. Rainy Day Women #12 & 35
17. Just Like a Woman
18. Most Likely You Go Your Way (And I'll Go Mine) 19. All Along the Watchtower

Disc 2:

1. You Ain't Goin' Nowhere
2. Lay, Lady, Lay
3. If Not for You
4. I Shall Be Released
5. Knockin' on Heaven's Door
6. On a Night Like This
7. Forever Young
8. Tangled Up in Blue
9. Simple Twist of Fate
10. Hurricane
11. Changing of the Guards
12. Gotta Serve Somebody
13. Precious Angel
14. The Groom's Still Waiting at the Altar 15. Jokerman 16. Dark Eyes

Disc 3:

1. Blind Willie McTell
2. Brownsville Girl
3. Silvio
4. Ring Them Bells
5. Dignity
6. Everything Is Broken
7. Under the Red Sky
8. You're Gonna Quit Me
9. Blood in My Eyes
10. Not Dark Yet
11. Things Have Changed
12. Make You Feel My Love
13. High Water (For Charley Patton)
14. Po' Boy
15. Someday Baby
16. When the Deal Goes Down

Product Details

• Amazon Sales Rank: #24841 in Music
• Brand: Sony
• Released on: 2007-10-02
• Number of discs: 3
• Format: Collector's Edition
• Dimensions: .79 pounds

Amazon.com
DYLAN is a career-spanning retrospective of Bob Dylan's music. This definitive Bob Dylan collection chronicles the artist's four decades of groundbreaking studio recordings, as well as his unparalleled influence on popular music and culture. DYLAN serves as both a comprehensive introduction for new fans and an expansive, cherished overview for long-time Bob Dylan devotees. The 3 CD deluxe version is housed in a red cloth covered box with a magnetic hinged lid. The DYLAN logo is debossed on the outer lid, and the inside is covered in black velvet fabric with the Columbia logo gold foiled on the inside of the lid. Each CD is housed in an individual inner and outer sleeve. The outer sleeve art is iconic Dylan imagery while the inner sleeves are replica classic Columbia LP sleeves. The CDs themselves are replica vinyl discs. The 40 page booklet is perfect bound and contains extended liner notes and rare photos. Finally each box includes 10 limited edition postcard lithograph prints focusing on pivotal moments in Dylan's career.

Bob Dylan Photos

More from Bob Dylan

Blonde on Blonde	Bob Dylan's Greatest Hits	Nashville Skyline
Blood on the Tracks	The Bootleg Series, Vols. 1-3 : Rare And Unreleased, 1961-1991	Time Out of Mind

Amazon.com
It's about time the record-buying public was offered up a decent, updated Dylan compilation! After all, artists with far less in the way of cultural influence, sales figures, or sheer release numbers have put out many more retrospective collections. Think of this, then, as your Dummies' Guide to Dylan. And for those who really aren't sure if they like the reedy Poet of a Generation® or not, there's even a single CD Cliffs Notes-sized version. For everyone else, there's a triple-disc edition with deluxe packaging and nifty artwork. Even the most marginal fan might quibble with the selection--shouldn't, like, half of it be taken from The Basement Tapes, rather than just one tune?--but there's not a mediocre song on here. It's a tad surprising that the songs are arranged chronologically, rather than grouped by grand themes, the way Johnny Cash's music was on his Love, God, Murder set. But then it is such a pleasure to watch Dylan's progression, to listen as he so quickly works through his influences, goes electric, discovers country music and then God—and then finally somehow wraps it all up together like some alchemical, one-man version of Harry Smith's Anthology of American Folk Music. No matter how you wrap it up, or which commercials it acts as the soundtrack to, or what professors might try to eulogize it to death, this is music that remains as thrillingly alive today as a rattlesnake coiled and hissing in your boots tomorrow morning. --Mike McGonigal

Customer Reviews

Good intro for new listeners, absolutely pointless for everyone else
Dylan is cropping up all over the place in the last few years, whether it's his (panned) 2003 flick MASKED AND ANONYMOUS, the Scorsese PBS documentary from 2005 NO DIRECTION HOME, his first number one album in 30 years, MODERN TIMES, the Mirror dvd chronicling his Newport concerts from 1964, and now this release. And that's not all. There are already some very heavy rumours Dylan is going to be recording MODERN TIMES's followup with producer Rick Ruben (!!!!) in early 2008. A lot of stuff going on for the Dylan community.

When we found out about this set, the Dylan fanbase met the news with trepidation. A lot of us thought ultimately it would be of little interest to us who already know his music. Then we found out Mark Ronson would be remixing "Most Likely You Go Your Way and I Go Mine", which was interesting, if little more than a novelty. Disappointingly enough, [that] this remix appears only on the single disc compilation issued in conjunction with the triple disc set. What a marketing ripoff. So how does the Dylan set came hold up? Depends on whose asking.

The problem with any Dylan anthology Columbia will put out is there are two primary audiences who will consider buying it.

The first audience are those [There are the] hardcore Dylan fans who have been listening to him (perhaps obsessively) for years, who read the bios, who haunt fan websites, and who collect as many boots as possible. I belong to this group, and have for the last several years.

The second audience are the casual fans, those who may have heard of Dylan but never really listened to him other than the few stray tracks they may have heard on the radio (and trust me, most of Dylan's work is NOT played on the radio). They have a vague notion of what he wrote, may know an album or two, but for whatever reason never really got into him, whether it be to lack of interest or a hard time adjusting to his voice. (As far as Dylan singing, he's a great singer, though not in a technical sense. I love Tom Waits, but for my money his voice is much harder getting adjusted too than Dylan's.).

Now, when doing a retrospective, these are the two primary audiences to keep in mind. Well, obviously Columbia has decided to forgo thinking about the first audience and focus on the second audience, because quite frankly this set is of little interest to the Dylan faithful. Despite Columbia's hype that the track selection was heavily influenced by fan input on the dylan07.com website, there are very few surprises here (oh look, we got "Dark Eyes". Woohoo). On the fansites I go to there was talk of flooding the ballot box with requests for rare and alternate takes, unreleased studio outtakes, and live material. Obviously, that didn't happen.

Looking at the set list, for those who are new to Dylan's work, this is an overall fair representation of his work. While there's much more than this (and I can think of several songs, namely "That's Alright Ma, I'm Only Bleeding" and "Desolation Row", that are missing), I already know Dylan is simply too prolific to fully capture his genius in a mere three discs, so I'm more forgiving in that regard that I have been in previous years. I've made my own "Essential Bob Dylan" CD-Rs before. There were two volumes, each double-disc, the first covering 1962-1975, the second covering 1975-2003 (this was just before MODERN TIMES came out), and I found myself cutting quite a bit of material I felt should belong there. To do a true retrospective, the best route would be to do two three discs set, each covering the first part, the second part, and the last part of his recording career. But that is neither here nor there.

While DYLAN may contain little surprises, what makes it all the more disappointing for the Dylan faithful is Bob Dylan's first boxset (and one of the first major boxsets by a major rock artist ever), BIOGRAPH manages to satisfy both audiences, and sets up the template that most bands and solo artists would use when constructing their own box sets. BIOGRAPH managers to capture Dylan's strength as a songwriter and paint an accurate and telling portrait of what makes Dylan so highly regarded by so many people.

While there's a large proportion of previously released work on BIOGRAPH, the genius of that box set is it incorporates a large number of studio outtakes and a handful of live tracks, weaving them seamlessly into the portrait of Dylan the songwriter that the set is weaving. The outtakes they released on BIOGRAPH is good as anything he's released, and some I count as among his best songs ("I'll Keep It With Mine", a particular favorite I wish they had seen fit to include here, "Lay Down Your Weary Tune," "Percy's Song", and "Up To Me", the BLOOD outtake that should have been on the album, to name but four.) BIOGRAPH, released in 1985 was the first major boxset to be commercially successful, with Clapton's CROSSROADS following in 1988, and most boxsets have followed Dylan's template of mixing previously released work with previously unreleased work.

The main problem with BIOGRAPH is it came out in 1985, so it only takes you so far into Dylan. While a second boxset was obviously called for to update that set, DYLAN is simply not [that set] BIOGRAPH's spiritual successor. Columbia played it like a simple retrospective, and a very predictable retrospective at that, despite the couple of curve balls they managed to throw in there. There's plenty of stuff in the vaults that hasn't been released, so where is it? Where's "To Fall In Love With You", one of Dylan's best unreleased songs from the 1980s (found on the Genuine Bootleg Series Vol 2).? Or "Freedom for the Stallion"? Or "Sidewalks, Fences, and Walls"? Or "Old Five and Dimer"? Or the awesome b-sides "Trouble in Mind" and "Band of the Hand"? Or the John Hiatt cover "The Usual", or "Night After Night", or the Infidel outtakes, or any number of other material?

Ultimately, DYLAN is simply nothing more than another retrospective on Dylan, which is sad as BIOGRAPH managed to do so much more than that. If you look at the three previous Greatest Hits albums, and the Essential Bob Dylan album, it is obvious this release is little more than an update of those releases, and ultimately rather redundant. For the newcomers, a good way to get into Dylan, approx 4 star intro. For ever one else, 1 star.

Overall, DYLAN serves as a fair introduction for newcomers. Unfortunately for everyone else who count themselves Dylan fans, this set is pretty much useless. Dylan has such active fanbase this release would be much more successful if Columbia tried to address both audiences, like they did so successfully in 1985. At the end of the day, this is more of a missed opportunity to update BIOGRAPH than anything else.

Shame
An album is not a "collector's edition" just because the record company says it is. "Collectors" are people who prowled the streets for those vinyl copies of Neil Young's "The Beach" or "Reactor" before he finally re-released them on CD. They are the ones who frothed at the mouth when Tom Waits released "Orphans"; they sniff around in underground record shops for volumes of "The Genuine Bootleg Series". A "Collector's Edition," in short, is valuable to "collectors" because it allows them access to prized moments in a songwriter's career that they could not have procured on their own.

Far from a "collector's" edition, this is a shamelessly cheap marketing stunt that contributes absolutely nothing to Dylan's legacy, and the only way to NOT see that is if you're consciously deluding yourself. But, hey, it's out just in time to take advantage of the imminent holiday shopping season, and that, plainly, is all these clowns in midtown care about.

Good job, Columbia: keep regurgitating recycled glories while those that languish under a film of dust in the vaults remain unheard.

The single redeeming attribute of this otherwise offensive gesture is that it will introduce lost gems like the incomparable "Dark Eyes" to new ears. But "Collector's Edition"? Puh-leeze! If "Dylan" is a collector's prize, then I'm a sea otter.

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Dollar for dollar it's a good deal for the inquisitive
Who should buy this? Someone who only owns one or two or three Dylan discs and wants to get a better sense of the whole career. No one who owns more than 10 Dylan discs needs this collection. Use the money to buy three more discs you don't have.

The "Deluxe Box Set" version is getting a lot of one-star reviews because it's so obviously a piece of overpriced product. THIS version costs no more than $35 at full price (compared to $50 for the deluxe version). That puts it at $10 more than "The Essential Bob Dylan," the two-disc career overview. (If you buy the greatest hits collections, volumes 1, 2, and 3, you get ripped off with volume 1, which has the short playing time of the original vinyl album, and you get ripped off with volume 2, which puts 78 minutes of music on two discs and then charges you accordingly.)

So, dollar for dollar, this box set is the best investment for a casual fan who wants to hear more. YOU GET THE MAXIMUM MINUTES OF MUSIC FOR YOUR MONEY, AND IT COVERS THE WHOLE CAREER.

However, there is absolutely nothing imaginative about the set of songs chosen here. There are no real rarities, either. At least "Greatest Hits Volume 2" was imaginative and offers rarities.

If you already have "Greatest Hits," I'd skip this and buy "Biograph." Now THAT was a great box set!