Track Listing

1. Overture
2. The Happiest Town
3. The Brain
4. Please Don't Touch Me
5. Together Again
6. Roll In The Hay
7. Join The Family Business
8. He Vas My Boyfriend
9. The Law
10. Life, Life
11. Welcome To Transylvania
12. Transylvania Mania
13. He's Loose
14. Listen to Your Heart
15. Surprise
16. Please Send Me Someone
17. Man About Town
18. Puttin' On The Ritz (Music and Lyrics by Irving Berlin)
19. Deep Love
20. Frederick's Soliloquy
21. Deep Love (Reprise)
22. FinaleUltimo

Product Details

• Amazon Sales Rank: #3136 in Music
• Released on: 2007-12-26
• Number of discs: 1
• Formats: Cast Recording, Explicit Lyrics, Soundtrack
• Dimensions: .23 pounds

Amazon.com
ORIGINAL CAST RECORDING YOUNG FRANKENSTEIN MUSIC AND LYRICS BY MEL BROOKS -- IT'S ALIVE!

From the creators of the record-breaking Broadway sensation The Producers comes this monster new musical comedy, YOUNG FRANKENSTEIN, based on the Oscar-nominated smash-hit 1974 film. A wickedly inspired re-imagining of the Frankenstein legend based on Mel Brooks' classic comedy masterpiece, the story follows bright young Dr. Frankenstein (that's Fronkensteen) as he attempts to complete his grandfather's masterwork and bring a corpse to life. Together with his oddly shaped and endearing helper Igor (that's Eye-gor), his curvaceous lab assistant Inga, and in spite of his incredibly self-involved madcap fiance, Elizabeth, Frankenstein succeeds in creating a monster - but not without scary and quite often hilarious complications.

With such memorable tunes as "The Transylvania Mania," "He Vas My Boyfriend" and "Puttin' On The Ritz," The New MEL BROOKS Musical YOUNG FRANKENSTEIN is scientifically-proven, monstrously good entertainment...and the only place you'll witness a singing and dancing laboratory experiment in the largest tuxedo ever made. YOUNG FRANKENSTEIN features music and lyrics by the three-time Tony Award® winner Mel Brooks, book by Brooks and three-time Tony Award® winner Thomas Meehan, and is directed and choreographed by five-time Tony Award® winner Susan Stroman. The show stars Roger Bart ("Desperate Housewives"), Megan Mullally ("Will and Grace"),Tony-Award winner Sutton Foster ("Drowsy Chaperone"), SCTV's Andrea Martin and Christopher Fitzgerald ("Wicked").

YOUNG FRANKENSTEIN opens at Broadway's Hilton Theater - Friday, November 9th!

Young Frankenstein Photos

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Amazon.com
Unlike The Producers, the musical version of Young Frankenstein was not met with critical adoration when it opened on Broadway in November, 2007. Mel Brooks had followed the same formula, transferring all of his own source movie’s famous lines and plot points to the stage, but oddly, the cast album works better than the stage production, which is indeed often lumbering. Brooks’ songs are still fairly derivative but here, undistracted by director Susan Stroman’s flat staging, you can focus more on Doug Besterman’s excellent orchestrations and on the adept cast itself. As Dr. "Fronkensteen," Roger Bart is much less grating than on stage, for instance. As Inga, Sutton Foster exhibits some mad yodeling skills in "Roll in the Hay" and sounds like a classic Broadway babe on "Listen to Your Heart." Megan Mullally (Elizabeth) sells "Please Don’t Touch Me," "Deep Love," and "Alone" (a bonus track cut from the show), while Andrea Martin (Frau Blucher) kills with the Brecht-Weill pastiche "He Vas My Boyfriend." And yes, Irving Berlin’s "Puttin' on the Ritz" is included, complete with monster grunts and a long tap passage in this extended version. The show may not be worth the hype, but the recording is a pleasant surprise. --Elisabeth Vincentelli

Customer Reviews

Terrific Follow-up to "The Producers"
Critical reviews of Mel Brook's new musical, "Young Frankenstein", have so far been mixed, but this seems to be somewhat of an expected backlash against Mr. Brooks. His first effort, 2001's "The Producers", was a runaway smash - winning a record number of Tonys and making any follow-up somewhat doomed. While I have yet to see the production (my tickets are for May), I find the score thoroughly enjoyable & a solid sophomore effort.

The amazing cast, led by Roger Bart, Megan Mullally, Sutton Foster, Christopher Fitzgerald, and Andrea Martin, sounds great. The score has a few weak links, but there are several terrific songs. Best tracks:

Please Don't Touch Me
Together Again
Roll In The Hay
Transylvania Mania
Listen To Your Heart
Puttin' On The Ritz (Irving Berlin's standard used in the 1974 film for which the musical is based)
Deep Love

Disappointing
I guess Mr. Brooks wanted to repeat his previous hit (THE PRODUCERS)and emulate the successful parody achieved with SPAMALOT. These intentions have poor results in this musical which makes no honor to the classical movie directed by the same Mel Brooks.The songs are quite dull, the music sounds so old-fashioned and conventional that it seems you've heard all this - and better - before. I had great expectations with this album and I was convinced that the musical would be a sure candidate in the Tony race but, after hearing the album, I understand its absence from the nominees.

Slightly underwhelming
So how do you follow up "The Producers"? From the start, no matter how well the play is performed, it will always be compared to Mel Brooks's last play. "The Producers" was a critical and commercial smash, and it's hard to give a favorable comparison.

That being said, I felt the songs were underwhelming, lacking the punch of Brooks' earlier works on stage and in film. The lyrics range from the corny to the predictable, but that is not to say the score is without highlights.

Obviously "Puttin' on the Ritz" is by far the most enjoyable song. It's not a song by Brooks, but rather Berlin, and it succeeds in this context primarily to the monster's famous attempt to sing the title line. Other catchy songs are Sutton Foster gamily yodeling "Roll in the Hay," Andrea Martin's "He Vas my Boyfriend," and Megan Mullally's "Please Don't Touch Me," putting a fun twist on the we're-not-in-love song.

The lyrics are filled with double entendres that feel old, as if we've heard them several times before, most noticeably in "Deep Love." It has a very Borscht Belt style to it.

It's not a bad score, just not a very good one. They must hope that the love audiences have for the original film will carry over to the play.