Track Listing

1. Silence
2. Hunter
3. Nylon Smile
4. The Rip
5. Plastic
6. We Carry On
7. Deep Water
8. Machine Gun
9. Small
10. Magic Doors
11. Threads

Product Details

• Amazon Sales Rank: #74 in Music
• Released on: 2008-04-29
• Number of discs: 1

Amazon.co.uk
Portishead's Third has been a long time coming, the result of a lengthy creative torpor following 1997's dark, distinctly underrated album Portishead. Importantly, though, they've shaken it. While the core trio of Beth Gibbons, Geoff Barrow, and Adrian Utley remains, this is quite a different band to Portishead's 90s incarnation: gone is the slo-mo turntable scratching and smoky jazz feel, replaced by heavy, brooding rhythms, vintage-sounding electronics, and spindly guitar. Still present, though, is that sense of emotional fracture and deep gloom. "Silence" opens with a dense drum loop which suddenly falls away to reveal Gibbons' voice, cold but magnificent: "Wounded and afraid, inside my head/Falling through changes". "Nylon Smile", meanwhile, is a fine example of Third's occasional folksy edge, an acoustic song reminiscent of Leonard Cohen that, around its midpoint, lifts off on a propulsive electronic rhythm, Gibbons holding one clear, hard note as synthesisers bubble beneath. At times, it's a harsh and foreboding listen: the electronic drums of "Machine Gun" might put off the listener hoping for smooth dinner party fare. But Third is a brave and forward-thinking return, and one great enough to justify its lengthy gestation. --Louis Pattison

About the Artist
Portishead are a band from Bristol, England, named after the nearby town of the same name, 12 miles (19 km) west of Bristol.

History

The band was formed in Bristol, UK in 1991, by Geoff Barrow, Beth Gibbons and Adrian Utley. After releasing a short film (To Kill a Dead Man) and its accompanying music, Portishead signed a record deal with Go! Beat Records.

Dummy (1994)

Portishead's first album, Dummy, was released in 1994 and the first single was 'Numb'. In spite of the band's aversion to press coverage, the album was successful in both Europe and the United States (where it sold more than 150,000 copies even before the band toured there). Dummy spawned two hit singles, "Glory Box" and "Sour Times", and went on to win the prestigious Mercury Music Prize in 1995.

Portishead (1997)

After their initial success, Portishead withdrew from the spotlight for three years until their second album, Portishead, was released in 1997. The album's sound differed from Dummy, the main differences being that much of the music was composed and played by the band, not sampled from records, and had a grainy, harsher sound. Three singles, "Cowboys", "Over" and "All Mine" were released, the latter achieving a Top 10 placing in the UK.

Roseland NYC Live (1998)

In 1997, the band performed a one-off show with strings at the New York Philharmonic orchestra at Roseland Ballroom in New York. A live album primarily featuring these new orchestral arrangements of the group's songs was released in 1998. There was also a long-form VHS video of the performance, and a DVD followed in 2002, with substantial extra material including many early videos.

Hiatus (1999-2007)

For the next few years, the band members concentrated on solo and other pursuits, until in February 2005, the band appeared live for the first time in seven years at the Tsunami Benefit Concert in Bristol. Around that time Barrow revealed that the band was in the process of writing its third album. In August 2006, the band posted two new tracks on its MySpace page--described by Barrow as "doodles". Around the same time, Portishead covered Serge Gainsbourg's "Un Jour Comme un Autre (Requiem for Anna)" on the tribute album Monsieur Gainsbourg Revisited.

Return

On October 2, 2007, Portishead stated that the new album, titled Third, had been mixed and was nearly complete, and was due for release in April 2008. On December 7-9, 2007, the band curated the All Tomorrow's Parties festival in Minehead, England. The festival featured their first full live sets in nearly 10 years. They premiered five tracks from the new album, provisionally titled "Wicca", "Hunter", "Machine Gun", "Mystic" and "Peaches".

Third (2008)

Third is due for release on April 28, 2008. The band announced: "The album has 11 tracks and is 49 minutes 13 seconds long", and the track titles have been disclosed.On January 21, 2008, a European tour to support the album was announced, together with a headline spot at the Coachella Valley Music and Arts Festival on April 26, 2008. As well as their main recorded output, Portishead have been involved in a large amount of remixes and collaborations with other artists.

Customer Reviews

profoundly disappointed...
I waited 10 years for this??? seriously..."The Rip" (ironic song title) is as good as it gets??? I never would have thought that Thom Yorke would make Beth Gibbons irrelevant...it looks like i am keeping my Radiohead and losing my Portishead...or at least this release...see you in another 10 years...

STOP IT!!!
That's right, STOP IT fellow reviewers!!! Stop comparing Portishead albums. Each album is unique, beautiful and distinctively Portishead: electronic, dynamic, ambient, driving, moody, poetic. If you had never heard Portishead music before (assuming you like edgy electronic rock to begin with) and were given the Third album as an introductory to their music you would either fall in love with it (or not) just as much as you would (or wouldn't) with either one of their other two albums. It's the substance of their music that should be qualified regardless of the time period in which it was produced. Having said that, Third is marvelously musically Portishead, It'll shut you down and turn you on.

A new sound
Portishead has always kind of had a bit of a "dinner party" sound to it, the kind of music you can play in the background at a party and it be recieved well. Beth Gibbon's singing and lyrics of profound uncertainty, little claustrophobic feelings of unrest and lonliness are haunting, charming even nostalgic...

Third takes on a different sound opening with Silence there's still the sense of haunting and claustrophobia but the sound is more desperate, more active, the rest of the album is undeniably Portishead, but you'll hear more samples, more effects, more dischordant activity and while a good album I feel it should be treated as a separate work from Dummy and Self Titled this album has a distinct sound to itself.