Product Description

My Prescription for Anti-Depressive Living offers a window into the life and mind of an extraordinarily creative person who was once told by a pottery professor that he had no talent and should consider another career. Not only did Adler stick with pottery, he transformed it from a dreary, unappealing summer camp craft into a contemporary signifier of modern, handcrafted luxury and became America's first (and only) celebrity potter. Interior designer Bill Sofield has declared, "Jonathan Adler does for American pottery what Noel Coward did for cocktail parties -- he makes life witty, sophisticated, and simply delicious." And now, on a much larger canvas, Adler reveals how you can do the same.

My Prescription for Anti-Depressive Living explores Jonathan's own tongue-in-cheek design "manifesto," with each chapter devoted to a different "tenet," moving through the major incarnations of his interiors and products and ending with the story of his personal creative odyssey. The book is a visual feast, jam-packed with images of interiors and objects for the home, both those designed by Jonathan and those that have inspired him. At the heart of the book are ten of Adler's signature interiors, ranging from photographer Andrea Stern's landmark modernist beach house to the Parker Palm Springs, a desert resort that Adler gave a head-to-toe makeover. Overviews and details of the Parker are prominently featured throughout the book, as are images of the three homes (in Greenwich Village, Shelter Island, and Palm Beach) Jonathan and his partner, Simon Doonan, share with their dog, Liberace, and five other private residences.

Part portrait of the artist as a young decorator, part call to armchairs, Adler's much-anticipated literary debut is spirited, provocative, and, ultimately, inspiring.

Product Details

• Amazon Sales Rank: #32863 in Books
• Published on: 2005-11-01
• Released on: 2005-11-08
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 208 pages

Review
"A joyous celebration of [Adler’s] success and style." -- San Francisco Chronicle

"A refreshing change from traditional home looks. Adler infuses the book with his signature sense of "happy chic" style." -- Orlando Sentinel

"In My Prescriptive for Anti-Depressive Living, Adler—best known for his curvy, whimsical pottery—invites us all to get happy." -- Home

Review
"In My Prescriptive for Anti-Depressive Living, Adler-best known for his curvy, whimsical pottery-invites us all to get happy." (Home )

"A joyous celebration of [Adler's] success and style." (San Francisco Chronicle )

"A refreshing change from traditional home looks. Adler infuses the book with his signature sense of "happy chic" style." (Orlando Sentinel )

About the Author

Jonathan Adler was born and raised in New Jersey.

Customer Reviews

Channeling Mrs. Goldstein
So while I was sitting on the couch yesterday, sick as a dog, I noticed my partner's new Jonathan Adler design book. The cover features Jonathan perched awkwardly on a couch, surrounded by his whimsical pottery and the typical Hollywood Regency-inspired design motifs one sees repeated in design magazines these days. Juxtaposed with his his super-cool pottery designs, the cover comes across as forced, tacky, and aimed at selling the maximum number of copies to the maximum number of people. Had I not been sick and had the book not been within arm's length, I never would have cracked it open.

Strangely enough, it turned out to be one of the more entertaining and inspirational things I have read in a very long time.

Jonathan begins his tome by stating: "This book is about how design can change your life." In the proceeding pages, Adler lays out his design philosophies in the wittiest manner imaginable, often using text and color alone to outline his anti-formal aesthetic. An example of this is the section titled My Prescription For Maximalist Merriment. Striking out boldly against the confines and conformity of minimalism, Tip #5 reads:

"Get rid of all your boring, tiresome friends. Make friends with cabaret stars, exotic dancers, and down-on-their-luck royality instead."

The book, in this way, deconstructs design as conformist modality and reconstructs it, Star Trek transporter beam style, in a totally different, purely subjective form altogether. Adler rages, in his whimsical and wacky way, against the the urge to create cold spaces defined by exterior influences. He instead asks, nay begs, the designer-to-be to recharge one's inactive design batteries by channelling the phantasmagorical landscape of the child's mind. His recollection of a Mrs. Goldstein is a fine example of this:

"The Goldsteins were my next-door neighbors and best friends growing up in suburban New Jersey, and their house was the ne plus ultra of fabulous modern decorating. I have always been completely obsessed with Mrs. Goldstein's style. Often, when I am making something groovy, I think to myself: "How would this look chez Goldstein?" Allow me to describe chez Goldstein.

In the foyer was a giant Murano light fixture hanging over a pop-art painting of a gorilla. The kitchen walls were decoupaged (by Mrs. G herself) in New Yorker magazine covers. The den had a George Nelson sectional sofa upholstered in bright red, which was surrounded with African art, groovy C. Jere wall sculptures, and a Knoll coffee table supporting a giant sculpture of a hippopotamus. The living room was heaven. In one corner was a black lacquered piano with a ceramic leopard under it sitting on a white flokati rug. The coffee table was mirrored, the sofa-back table was covered in snakeskin, and on a shelf there was a ceramic piece of cake.

It was all put together with a sense of panache and confidence that I strive to equal to this day. Nothing was chosen to blend in -- everything took center stage. Basically, the lesson I learned from Mrs. Goldstein was to be graphic, bold, and confident, and to put things in your home that make you happy. As born-again Christians ask themselves when confronted with a dilemma, "What would Jesus do?" so I ask myself, "What would Mrs. Goldstein do?"

Sick as I was, the Adler book managed to get me off the couch. Soon I found myself moving large pieces of furniture in the den, rearranging sections of the house entirely. I sweated profusely and felt overwhelming nausea all the while, but possessed by the unstoppable spirit of Mrs. Goldstein I spent the late afternoon completely altering the look and feel of the den by reintroducing pictures and baubles that have long laid dormant in various closets and chests: a raised relief tile featuring a playful giraffe family, a blockprint which I call the Frowning Madonna (her frown caused by a mistake during the blockprint process), a chess set made of basalt that I bought in Iceland, a quizzical looking family of stone heads in the shape of mushrooms... I brought them all out into the light, reintroducing them unabashedly to society again.

Once the room redesign was complete, I immediately felt as if a burden had been lifted from shoulders. For ages I had been wanting to display these things but as the house interior has become more formal in appearance over time, one by one these items have been stashed away. Without knowing it, my sense of fun and humor were being tucked away into dark corners were they became increasingly difficult to recover and recapture. Well, no more. The genie is out of the bottle again and I simply can't wait for the weekend when I can spelunk through all the local thrift stores and second hand shops again.

A FUN Book on Interior Decorating
There are a very large number of house design books. Compared with this one, they are all very dull. Johathan Adler writes (and decorates) with a abandonment of traditional values that's borderline nuts. The hell of it is that he pulls it off. For instance, point one of his manifesto says: 'I believe that when it comes to home decorating, the wife is always right (unless the husband is gay). Well, I've ceratinly learned (through painful experience) that the best answer to any decorating question is 'Yes, dear.'

Jonathan's design ideas are nothing if not innovative. I don't quite know what to call them. Here's a pop-art painting, here's some highly tectured fabric. Colors are bright, walls are white, unless, of course, they're bright red or wood paneling or something else. Put them all together, and you wind up with a suprising look for a house, a restaurant or something else.

My favorite of his prescriptions for anti-depressive living is: 'Obey every command in this book. Or Don't. I want you to do whatever makes you happy."

Great Fun.

I love this book!!!
I've been collecting many interior-decorating books in the past several years, and this was the last one I bought for my collection.

In short what is different about this book is that the message of the author is not "how to create a good looking space" but one about "how to create a space that f-e-e-l-s good."

Personally, I live with a huge load of STUFF - and this book in nowhere describes how to solve the problem of "storing stuff".

But the book title lives up to its promise - "My Prescription for Anti-Descriptive Living" and I am a satisfied customer.

The added bonus is the generous inclusion of his personal history - I think it is very brave and courageous to share so much of personal stuff here. He shares about his experience at school as a ceramic art student, and how his teacher discouraged him, and how he finally overcame this discouragement, and became a ceramic artist ANYWAY and that his business is doing well. Dunno. I think what I'm trying to say is how much I love the "attitude" that is obvious and contagious from the book.

I think the photograhed interiors are highly eclectic and whimsical, full of humour, wit, and charm.

But do be aware, this is not a book on "pragmatics of interior decorating".