Product Description

The tents are leaky. The troupers are weary. The carnival limps into town and sets up for another show. To the public, the carnival means exciting performers. To Nick Coster, those performers are "mugs and grifters and riffraff - all under one tent." Nick should know. He puts the show together.

Humphrey Bogart plays Nick, bringing crisp authority to a movie whose midway atmosphere is so alive you can almost taste the caramel corn. Sylvia Sidney, Eddie Albert and Joan Leslie join Bogart in this tale centered on Nick and an up-and-coming lion tamer (Albert) he discovers. The story, a reworking of 1937's Kid Galahad, is a superb example of how studio-system filmmakers kept successful plotlines rolling. Bogart's career was finally rolling, too. His next film would make him an undisputed star. The title: The Maltese Falcon. Year: 1941 Director: Ray Enright Starring: Humphrey Bogart, Sylvia Sydney, Eddie Albert Special Feature: Original Theatrical Trailer

B&W/84 Mins.

Product Details

• Amazon Sales Rank: #12273 in VHS
• Released on: 2000-03-07
• Rating: NR (Not Rated)
• Formats: Black & White, NTSC
• Original language: English
• Number of tapes: 1
• Running time: 84 minutes

Customer Reviews

Bogie Under The Big Top
"The Wagons Roll at Night", would never be included in any retrospectives of the classic body of work by Hollywood legend Humphrey Bogart and indeed it couldn't help but pale into insignificance compared to the two classics Bogie made both before and after this effort, namely "High Sierra", and the unforgettable "The Maltese Falcon". Viewed on its own merits however minor they might be, it makes for pleasing entertainment that really is a good illustration of the studio product that made up the major part of a output each year of the major movie studios such as Warner Brothers. An almost complete remake of Warner's 1937 effort "Kid Galahad", which also featured Bogart, this time around the locale has been changed from a boxing ring to a circus. "The Wagons Roll at Night",referring to the constant moving of the circus generally during the night, however lacks many of the credentials of that earlier effort. Although Hal B. Wallis was the producer, this time around director Michael Curtiz is replaced by studio everyman Ray Enright and Bette Davis is missing as the leading lady to be replaced here by Sylvia Sidney an admittedly interesting actress who enjoyed stardom at Paramount in the early 1930's but who by 1941 was definately moving into supporting roles. The locale however is not without interest and the wild animals of a circus make for some quite exciting scenes that are integral to the developments in the plot. Bogie as was always his way makes the most of a mildly interesting story that definately shows up the seedy side of carnival life behind all the glitter of the Big Top.

Humphrey Bogart plays Nick Coster a tired Circus Owner with no illusions about the Carnival life and the people who inhabit it. Despite it being his livelihood Nick has nothing but comtempt for workers in the circus who he refers to as "mugs and assorted riffraff". Even his unselfish lady friend Flo Lorraine (Sylvia Sidney),who tells fortunes at the Circus and is in actual fact devoted to him receives flak from him and is labelled as "vermin" on occasion. Nick views the circus as a way of making money and treats all his employees in the same harsh manner. Nick supports his kid sister Mary (Joan Leslie), paying for her education at a convent school and he has a strict rule about keeping his family totally seperate from his life in the circus which includes even Flo. At one stop on the ever moving journey by the Circus one of the lions escapes and is cornered by an inexperienced store clerk Matt Varney (Eddie Albert), in his drug store. Seeing how this amateur handled the beast Nick offers him a job working with the lions in the Circus under the direction of constantly drunken lion tamer Hoffman the Great (Sig Ruman). Learning all he can Matt begins to attract attention at the circus and he and Flo become good friends with the lonely Flo developing an attraction to the warm young man who is such a contrast to Nick's fiery temper and cold manner. After Hoffman is found drunk before one too many performances Nick in a rage fires him and puts Matt into his role despite his inexperience. Despite nerves Matt is a success with the lion act and soon starts to become a great drawcard for the circus. While Nick is away setting up some new performance dates Hoffman comes back to the Circus to seek revenge on Matt for taking his job and in the fight that devolps Hoffman is killed and Matt is seriously injured by one of the caged Lions. Desperate to not get the police involved Flo along with Circus employee Doc (Cliff Clark), take Matt to Nick's farm where Matt meets Nick's sister Mary and an attraction develops straight away. Nick is enraged to learn that Flo has taken Matt to the farm and goes up immediately to bring him back. Love however has blossomed between Matt and Mary but still Nick is determined to keep them apart. During a short break that the Circus has before the next show Matt travels back to the farm to see Mary and this ignites in Nick a murderous intention of now getting rid of Matt by whatever means. Flo by this stage has had enough of Nick's ways and leaves him just as he is making plans to have Matt perform with a Lion who has just killed a circus worker and who is now uncontrollable having smelt human blood. Despite everyone's opposition to Matt working with this lion Nick goes ahead with the performance and to make sure a terrible accident occurs he empties the bullets out of the gun that Matt was supposed to be carrying for safety in the cage. Alerted to his murderous intent Flo collects Mary from the farm and both women rush back to the Circus just as the performance is getting under way. Matt realises right from the start the lion in uncontrollable and quickly discovers the gun is unloaded. Mary pleads with Nick to do something and suddenly realising he is destroying his sister's life as well he tries to scare the lion away from Matt. It however attacks him and Nick is fatally wounded by the animal and only lives long enough to see that Matt and Mary are meant for each other and that he was the one who was wrong from the start.

"The Wagons Roll at Night", in its own way is quite an enjoyable effort and the three main leads make the most of what they are given to work with. Humphrey Bogart was on the brink of stardom when he made this effort and his dislike for the scenerio made working relations with the younger Eddie Albert quite difficult at times. Nevertheless he works well as the cynical Nick Coster and he has good chemistry in particular with Sylvia Sidney in an interesting performance as the rather unfortunate Flo who lives an unloved existence as Nick's "girl". The pair had already worked very well together in the classic "Dead End", in 1937 and this film was one of Sylvia Sidney's rare 1940's performances after playing numerous dewey eyed heroines in melodramas at Paramount in the early 1930's. Eddie Albert in one of his earliest roles delivers a very lively and likeable performance as Matt who finds that his love for Nick's sister places him in a deadly position with his boss. His own earlier career as a trapeze artist possibly worked in his favour for his many circus scenes here and his work with actual lions in the ring is expertly handled. Supporting characters Sig Ruman as the drunken lion tamer Hoffman and Cliff Clark as the sympathetic circus employee "Doc" also do excellent work with their smaller parts. Warner Brothers obviously didn't work with a huge budget on this effort however they succeeded in recreating the atmosphere of the Circus quite well and in particular were very effective in showing the grime and seediness beneath the glitter of the Big Top and the often sad individuals that inhabit the world of the Circus.

Being what was called during Hollywood's golden age a "programmer", "The Wagons Roll at Night", was a typical studio product of the time put together to met the demands of distributors. Humphrey Bogart was always interesting to watch in any effort he was a part of and being on the brink of far greater things within the next couple of years makes this effort interesting viewing. The circus theme was a highly unusual one for a Bogart film and that gives this effort a bit more of a memorable quality than ordinarily it might warrant. To see the darker side of life in a circus and the often unhappy individuals putting on smiling faces for the audience take a look at Warner Brothers "The Wagons Roll at Night" some time soon.

From Boxing to the Circus
If you've seen Kid Galahad (also with Humphrey Bogart) then you already know the story of Wagons Roll at Night. It's a remake which follows the same plot structure, but switches the subject from boxing to the circus. Bogart runs a circus, and Sylvia Sidney is his girlfriend / fortune teller. Eddie Albert joins the circus as a gifted lion tamer(!). Bogart doesn't have a high opinion of circus people (calls them gypsies), so he tries to keep his people away from his young sister, Joan Leslie. But it's not easy to keep Joan and Eddie apart. The performances are fine, and the use of the circus is an interesting switch from the original. The movie is short (84 minutes), and thus it moves along well. This is not one of Bogart's famous films, and it's hardly a classic, but it's an easy way to pass an hour and a half.

MEDIOCRE BOGART FLICK.
This is actually a remake of the 1937 Bette Davis/Humphrey Bogart film KID GALAHAD; here the action is transformed from the boxing world to the circus world. In this one, Bogie's the owner of a run-down carnival which he desperately tries to keep his convent - schooled sis, Joan Leslie away from. By keeping her on a distant farm, he feels he can protect her from the evils that the carnival atmosphere breeds. Eddie Albert is hired by Bogart for the carnival because of the former's ease with which he fearlessly handled a lion - which escaped from the troupe - when it wanders into the general store where Albert works as a clerk. It isn't long before Leslie and Albert are an item...Sylvia Sidney is memorable as "Madame Florina" /AKA Flo Lorraine who reads both the Tarot and does crystal gazing as well. This isn't a bad little picture but it was released between HIGH SIERRA & THE MALTESE FALCON, so it was understandably quickly forgotton upon its initial release back in 1941.