Product Description

Trickster Makes This World solidifies Lewis Hyde's reputation as, in Robert Bly's words, "the most subtle, thorough, and brilliant mythologist we now have." In it, Hyde now brings to life the playful and disruptive side of human imagination as it is embodied in trickster mythology. He first revisits the old stories--Hermes in Greece, Eshu in West Africa, Krishna in India, Coyote in North America, among others--and then holds them up against the life and work of more recent creators: Picasso, Duchamp, Ginsberg, John Cage, and Frederick Douglass. Authoritative in its scholarship, loose-limbed in its style, Trickster Makes This World ranks among the great works of modern cultural criticism.

Product Details

• Amazon Sales Rank: #28086 in Books
• Published on: 1999-02-16
• Original language: English
• Number of items: 1
• Binding: Paperback
• 432 pages

Features

• ISBN13: 9780865475366
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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From Kirkus Reviews
A model of rangy, creative, but not far-fetched interpretation, in this case of a common mythological archetype, the shifty trickster. With often inspired readings of a variety of myths, including the Homeric Hymn to Hermes, North American tales of Raven and Coyote, myths of the Yoruba god Eshu and the Norse god Loki, Hyde (Art and Politics/Kenyon Coll.; The Gift, 1983) delineates some of their common themes: voracious appetite, ingenious theft, deceit, opportunism, and shamelessness. Through such themes trickster tales dramatize a mythic consciousness of accident and contingency (supplementing fate), moral ambiguity, foolishness, and transgression--in other words, the world as it is, rather than the way it may originally have been intended by the more senior gods. While careful to note that tricksters are heroes in a symbolic, imagined world and fixtures of wider polytheistic moral orders, Hyde ultimately identifies the trickster's crucial role as boundary-crosser with the provoking one often taken up by the artist in modern times. Without ever being heavy-handed about universal archetypes, Hyde uses such examples as Marcel Duchamp, Allen Ginsberg, and Maxine Hong Kingston, vividly illustrating the ``trickster consciousness'' as a vital component of human imagination. His choice of the fiery 19th-century African-American orator Frederick Douglass may at first seem puzzling in this regard. But in light of the real-life gravity of the ``boudaries'' Douglass crossed, and the ingenuity with which he did so, Hyde's example makes sense. Indeed, with his clever interpretive skills and his eye for the meaning-rich detail, Hyde brightly illuminates the ways in which his examples struggled to subvert such seemingly intractable elements as the defintion of art or slavery and segregation. Eclectic and cunning in its own connections, Hyde's wandering journey through cultures shows him to be nearly as versatile and ingenious as that master trickster, Odysseus. (illustrations, not seen) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.

Review
"A major work of scholarship that is also a major work of art." -- Sacvan Bercovitch, Harvard University

"A rich study exploring the paradox that culture is articulated by subversive innovation, Professor Hyde's Trickster Makes This World is a humanist essay written at a time when uniformity calls itself diversity; repression, freedom; and bigotry, patriotism. It can be read as a sustained commentary on the Homeric Hymn to Hermes, or as an inquiry into the sociology of rigidity and flexibility." -- Guy Davenport

"Brillant... By the time he is done he has folded language, culture, and the very habit of being human into his ken." -- The New Yorker

"Persuasively celebrates the need for the kind of paintings, music, books and ideas that society initially finds unpleasant... [A] hymn to the gods of mischief, who are also the gods of artistic and cultural renewal." -- Michael Dirda, The Washington Post

"Persuasively celebrates the need for the kind of paintings, music, books and ideas that society initially finds unpleasant...[A] hymn to the gods of mischief, who are also the gods of artistic and cultural renewal."--Michael Dirda, The Washington Post

"Hyde is one of our true superstars of nonfiction."--David Foster Wallace

"Brilliant...By the time he is done he has folded language, culture, and the very habit of being human into his ken."--The New Yorker

"A major work of scholarship that is also a major work of art."--Sacvan Bercovitch, Harvard University

"[Trickster] should be ready by anyone interested in the grand and squalid matter of all things human..."--Margaret Atwood, Los Angeles Times
-- Review

Brilliant . . . [Hyde] has folded language, culture, and the very habit of being human into his ken. -- The New Yorker

Lewis Hyde's second masterpiece . . . He's one of those quirky, eccentric Wise Children the United States sometimes throws up--a sort of Thoreau-cum-anthropologist-cum-seer . . . This book should be read by anyone interested in the grand and squalid matter of all things human. -- Margaret Atwood, Los Angeles Times Book Review

Review

Customer Reviews

The Trickster's crucial role
The Trickster is a mythological or archetypal character found in stories throughout the world. The best known in Western myth are Hermes and Loki. In this fascinating study, Lewis Hyde gives equal time to the Native American Coyote, the Chinese Monkey King and India's Krishna. At first glance, these characters are merely pranksters; humorous, sometimes annoying and occasionally dangerous ne'er do wells who disrupt the normal flow of things. As the title of this book suggests, Hyde believes tricksters are much more than this. He makes a convincing case that tricksters are essential in both preserving and transforming societies. Without their disruptions, cultural stagnation would result. He points out that tricksters can either help to maintain the status quo or bring about radical transformation. An example of the former case is illustrated by carnivals such as Mardi Gras, where social customs are predictably and temporarily ignored or reversed. This allows people to vent their frustrations and unleash their inhibitions before returning to normal life. Hyde mentions the abolishionist Frederick Douglas as an example of the more radical sort of trickster who brings about permanent change. Within the institution of slavery, slaves were allowed one week of freedom and revelry. Douglas was not satisfied with this; he wanted to completely overhaul the status quo and indeed helped to accomplish this. Trickster Makes this World describes the antics of both actual (e.g. Douglas, the artist Marcel Duchamp) and mythic (e.g. Hermes, Coyote, Krishna) tricksters. This, of course, suggests a worldview similar to that of Joseph Campbell and others, who see the mythic as the foundation of real life. This book isn't easy reading; Hyde has a trickster-like style of zig-zagging his way all over a very expansive intellectual terrain. It doesn't so much make a case or present an argument as suggest a way of seeing the world. At the center of this worldview is not the all-powerful Zeus, but the slippery messenger/thief/trader Hermes (or one of his counterparts). Getting back to the provocative title, Trickster does not make the world in the conventional way (as the God of the Bible, for example). Rather, he (tricksters are usually male, an issue Hyde devotes a chapter to exploring) remakes and readjusts the world in which he finds himself. This is arguably a task as important as creation itself, or an essential part of creation.

Masterful non-fiction writing
A brilliantly written, funny and moving book--filled with substantial scholarship and honest about its own stakes.

To tell you the truth, I was moved to write this review by the two reviews below, both of which fall pretty wide of the mark. First, this is an amazingly well-written book, and that goes for both Hyde's prose style and his winding structure. His reflections of his own project do not upstage the subject matter but rather deepen and situate it in "time-haunted history." I wonder why anyone would expect or want a book about tricksters to be linear and transparent. By this I don't mean to suggest that Hyde is exactly "performing" the trickster in his writing. He announces his approach perfectly well: Saturn dreams of Mercury.

I suspect that this book will frustrate all species of lazy reader because it asks for a sustained, continuous, and thorough reading. All the chapters are rewarding individually, but they are best read sequentially. If you want to be able to look at a table of contents and pick one or two chapters by topic, find a doctoral thesis, or a utilitarian academic monograph.

a remarkable synthesis
This is an extraordinarily well-written and perceptive book that examines the Trickster archetype in depth with wit, imagination, and an appreciation for the vagaries of life. One of Hyde's strengths is his ability to untangle the common threads in such diverse areas as Native American mythology, African divination, the art of Marcel Duchamp, the chance-based music of John Cage, and the life and thought of Frederick Douglas. As its subtitle implies, it is weighted heavily towards "culture work" (myth, literature, art, storytelling, etc.) and does not really explore the social territory of the Trickster-- the domain of cons, grifters, snake-oil salesmen, chain-letter writers, illusionists, pranksters, and scam artists of all stripes. But given that the 20th century Western art world was largely dominated by a succession of Trickster figures, this book is a useful antidote to the hoary idea of art as simply a harmonious search for beauty or a form of self-expression that somehow takes place in a vacuum, unhindered by cultural constraints. I suspect that, in keeping with its subject matter, this book is likely to engender a deep sense of anxiety in some readers, while coming to others as a breath of fresh air.