Product Description

Bill Ward’s long, prolific pin-up career began during World War II when he created a curvy distraction named Torchy for his fellow soldiers. His taste for impossibly buxom blondes—teetering on stiletto heels, legs encased in black nylon, torsos packed into satin gowns—precisely suited Amerca’s collective postwar sex fantasy, and the late 50s men’s magazine boom made him the most popular girlie artist in the country. Through the 1960s, 70s, 80, and 90s, Ward broadened his range to embrace a variety of fetish subjects, but he never varied from his template of the Ultimate Woman—except to make her breasts a little bigger, her heels a little higher, or the satin and leather encasing her a little glossier. The art of Bill Ward (1918-1998) has become so rare and collectible that photographer and veteran TASCHEN editor Eric Kroll has had to trawl through archives across America to assemble this broad selection of Ward’s very best work. Drawn from over 600 illustrations! and interviews with family, friends, employers, and even some of the women who inspired him, this 352-page, meticulously researched book is the definitive tribute to the great Bill Ward and the perfect companion piece, in size and scope, to TASCHEN’s The Art Of Eric Stanton.

Product Details

• Amazon Sales Rank: #850731 in Books
• Published on: 2006-07-30
• Original language: German, French, English
• Number of items: 1
• Binding: Hardcover
• 344 pages

Review
"Ward's women reek of glamour and glitz. The opera length gloves, the diamond earrings that dangle to the shoulders, the stiletto heels, the tight satin dresses, the pronounced cleavage... it's all there. It's the best eye candy money can buy." - Eric Kroll"

From the Author
"Ward’s women reek of glamour and glitz. The opera length gloves, the diamond earrings that dangle to the shoulders, the stiletto heels, the tight satin dresses, the ronounced cleavage... it's all there. It's the best eye candy money can buy." —Eric Kroll

About the Author
Eric Kroll has worked as a photojournalist for the New York Times, Der Spiegel, and Vogue, but is best known for his fetish photography appearing in magazines including Leg Show and High Heeled Women, and for his TASCHEN monographs Fetish Girls and Beauty Parade. As a TASCHEN editor, he most recently edited Chas Ray Krider’s Motel Fetish.

Customer Reviews

Bill's doxy

It's unfortunate that Bill Ward's most well known pin-up work appeared in down-market, scruffy, digest-sized magazines because it meant that he was not considered with the big names like Varga, Petty or Elvgren and many others who created 'painted ladies'. This huge book (check out the dimensions, above especially the thickness: two inches) will most likely become the standard reference to his work though.

The book divides his career into three sections; the early years show work for various comic book publishers and his Torchy title where you can clearly see the origins of his later glamour style. The second section has 180 of his Conte crayon cartoons for Abe Goodman's various Humorama digest-size titles and this is the art that Ward is famous for.

Between 1947 and 1967 he claims to have drawn more than seven thousand of these sexy females and despite the large number they are each worth serious money to collectors. These drawings are one, two or four to a page and printed in sepia with white highlights. Another book of his work 'The Glamour Girls of Bill Ward' (ISBN 1560975318) has about 116 Conte drawings all one to a page and nicely doesn't seem to have any pictures duplicated with this Kroll book. If you can take your eyes of the dames you'll notice how Ward used embossed wallpaper samples to create curtains, cushions and sometimes filmy negligees by putting the sample under his drawing paper and rubbing the Conte crayon across the relevant area.

The third section of the book covers work after Humorama and here I think his style lacks the creativity of the Conte work. There are plenty of examples of paperback covers, color cartoons, comics, covers to porno magazines and a real surprise, the 1954 Lili St. Cyr lingerie catalog where Ward created precise model drawings with Lili's face on each.

At the front of the book Eric Kroll writes a fascinating fifty-page introduction with many quotes from the artist and illustrated with plenty of artwork and photos, in this beautifully designed and printed book devoted to the glamour work of Bill Ward.

Gigantic and comprehensive
This is, to borrow from its title, a wonderful book. The huge (13 3/4" x 10 1/2" )tome contains nearly 400 pages, printed on nicely textured photos, crammed with trilingual text and hundreds of illustrations, many of them in full-page size, both in color and black-and-white (actually sepia). As the other reviewer has noted, there isn't any overlap between this book and _The Glamour Girls of Bill Ward_, so you can safely get both of them to have an excellent, wide-ranging collection of Ward's work. As with the other work, the core of this book is the middle section containing nearly 200 drawings from Ward's glory days between 1947 and 1967, featuring the voluptuous, gorgeously dressed glamour girls that he's most famous for. The book contains extensive samples from his early work (featuring his well-known "good girl art" character Torchy) and his later, more explicitly sexual projects, but the reader can easily see that Ward's heart and enthusiasm belonged to his beloved glamour girls; the later nude cartoons are as skillfully executed as his classic cartoons, but in my own opinion, lack much of the spirit that animated his great 1950's and 1960's works (indeed, Ward was known to admit that he did much of the later work strictly for the money, particularly the BDSM drawings which form a big part of his later oeuvre). Again, it was the Ekbergesque glamour girls that he loved drawing best, and the reader gets a thoroughly satisfactory helping of them here. Expensive (though not as much so as the out-of-print hardback edition of _Glamour Girls_), but very much worth the money. Strongly recommended.

An Eye Full From Ward
Titilating stuff from the master of the Conte crayon bound in spectacular fashion inside this huge tome. The book is dazzlingly thorough in its collection of archive material charting the career of Ward with in depth and informative writing.
The artwork is displayed in its most suitable form, I recently bought a pocket sized collection of Ward's work and it is practically useless in comparison to this full size collection. Having the pictures displayed at this large scale allows you to see just how he worked and just how fluid and confident an artist he was.
A must for pin-up fans or alternatively anyone who wants to show off with their taste in giant books.