Product Description

When you've got nothing to lose, you might as well risk everything. Lester Burnham is in a rut. Facing a midlife crisis, lester reverts into a maddening rebirth of adolescence. His sudden, irreverant rebellion enrages his wife and confuses his daughter, when he turns a lustful gaze toward her friend.

Product Details

• Amazon Sales Rank: #1769 in DVD
• Brand: Paramount
• Model: 85382
• Released on: 2000-10-24
• Rating: R (Restricted)
• Aspect ratio: 2.35:1
• Formats: Closed-captioned, Color, Dolby, DTS Surround Sound, DVD, Special Edition, Widescreen, NTSC
• Original language: English
• Number of discs: 1
• Dimensions: .25 pounds
• Running time: 122 minutes

Amazon.com essential video
From its first gliding aerial shot of a generic suburban street, American Beauty moves with a mesmerizing confidence and acuity epitomized by Kevin Spacey's calm narration. Spacey is Lester Burnham, a harried Everyman whose midlife awakening is the spine of the story, and his very first lines hook us with their teasing fatalism--like Sunset Boulevard's Joe Gillis, Burnham tells us his story from beyond the grave.

It's an audacious start for a film that justifies that audacity. Weaving social satire, domestic tragedy, and whodunit into a single package, Alan Ball's first theatrical script dares to blur generic lines and keep us off balance, winking seamlessly from dark, scabrous comedy to deeply moving drama. The Burnham family joins the cinematic short list of great dysfunctional American families, as Lester is pitted against his manic, materialistic realtor wife, Carolyn (Annette Bening, making the most of a mostly unsympathetic role) and his sullen, contemptuous teenaged daughter, Jane (Thora Birch, utterly convincing in her edgy balance of self-absorption and wistful longing). Into their lives come two catalytic outsiders. A young cheerleader (Mena Suvari) jolts Lester into a sexual epiphany that blooms into a second adolescence. And an eerily calm young neighbor (Wes Bentley) transforms both Lester and Jane with his canny influence.

Credit another big-screen newcomer, English theatrical director Sam Mendes, with expertly juggling these potentially disjunctive elements into a superb ensemble piece that achieves a stylized pace without lapsing into transparent self-indulgence. Mendes has shrewdly insured his success with a solid crew of stage veterans, yet he's also made an inspired discovery in Bentley, whose Ricky Fitts becomes a fulcrum for both plot and theme. Cinematographer Conrad Hall's sumptuous visual design further elevates the film, infusing the beige interiors of the Burnhams' lives with vivid bursts of deep crimson, the color of roses--and of blood. --Sam Sutherland

DVD features
Given American Beauty's critical and box office reception, it's not surprising that cast and crew commentaries supplied in the DVD Awards Edition carry a self-congratulatory vigor, not just in the studio's featurette on the making of the film, but in the disc's special narrative content. On DVD American Beauty balances these supplemental components against the disc-space requirements for DTS digital audio as well as Dolby digital tracks. Even with that constraint, however, the disc inserts over three hours of additional content: a commentary track with screenwriter Alan Ball and director Sam Mendes illuminates how Ball's script was translated into Mendes's vision; a storyboard feature walks through the film's visual design, with Mendes and veteran cinematographer Conrad L. Hall dissecting its use of composition, color, special effects, and film and video stock; and viewers can scroll through the script itself in a special split-screen feature accessible in DVD-ROM drives. In addition to other online DVD-ROM options, the package includes production notes, two theatrical trailers, and biographies of cast and crew--all allowing DVD owners to follow the movie's ad slogan, "Look closer," quite literally. --Sam Sutherland

From The New Yorker
This amazing and impassioned fantasia about American loneliness begins as satire and ends with a vision of the sublime. The defeated suburban patriarch Lester Burnham (Kevin Spacey), condemned by his withdrawn daughter (Thora Birch) and his hyperorganized wife (Annette Bening), drops out of his job and misbehaves badly. After Lester's marriage gets blown apart by squalls of comic contempt, the movie, which was written by Alan Ball and directed by the British theatre maestro Sam Mendes (it's his first film), opens up and takes in Lester's suburban territory-the dissatisfactions of the business-mad nineties, in which the gospel of selfishness leaves people clenched and isolated. The bitter satirical riffs slowly give way to a mystical appreciation of the vagrant beauty trapped beneath the surface of life. The hard-edged, almost hyperreal cinematography, by Conrad L. Hall, and the editing, by Tariq Anwar and Chris Greenbury, shift back and forth between dream and actuality with mesmerizing beauty. With Mena Suvari as a teen vamp who is terrified of being ordinary, and Wes Bentley as a young drug dealer who uses his video camera to discover the hidden connections among things. -David Denby
Copyright © 2006 The New Yorker

Customer Reviews

BLOOD AND ROSES
I read somewhere that the overwelmingly red look of American Beauty is a symbol for blood and roses. Represented in the film by the flower petals in Lester Burnham's fantasies, and the blood spilt when the sadness that hovers beneath bears its face. The title of American Beauty does not refer to the pretty surfaces that hide the anguish of these people, but the beauty of their souls when dealing with that anguish. Many reviewers have considered the title to be ironic, it isn't. I've heard Kevin Spacey say that this film is about context, because taken out of context the behaviour of these characters seem bizzare and even phsycotic, but out with in the context of their messy lives or indeed anybody's life, it seems natural. If I tell you that Kevin Spacey plays a character who is obsessed with the idea of sleeping with his daughter's best friend, a daughter who constantly anounces her hatred of her parents, a woman so obsessed with appearances that happiness is but a memory to her, a loner who makes his living as a drug dealer with a firm rigid father living in denial about his son and himself, you would guess that there would be no one to like in this film. You would be wrong. This film is magical in the way it lets identify with these characters, care for them and worry about their outcome. Infact the ideas of American Beauty are nothing new. The persuit of happiness through the abanodoning of materialistic possesions and the satisfaction of primal, animal and natural desires was the exact same premise for Fight Club. This could be a middle aged version of that film. The family turmoil closely resembles Ang Lee's The Ice Storm 1998, and like that film, American Beauty ends in tragedy. But as with all masterpieces its not the "point" that counts, but how you get there. Just like the fact that anything new you learn in life is the history you don't know, most originality in movies is the movies you haven't seen and the novel's you haven't read. The fact that the film remains a masterpiece is a credit to the execution of those ideas, not their originality. Our hero is Lester Burnham a man who goes quits his job, black mails his boss, and goes wild for a year. His journey of self-discovery is not what your average citizen would call moral, yet we still sympathise. My favourite scene in the film is where Lester meets Ricky(Wes Bently) outside a part. Ricky sells marijuana for a living and makes a lot of money. Lester tells him that when he was his age he "flipped burgers all summer long" for very little money. "That sucks" says Ricky, "No actually it was wonderful." The heart of the film is this scene, Lester's yearning for those years where his whole life was ahead of him, when he believed he coul do anything, when he wasn't such a "loser". This purity is the Beauty to which the title refers. Ricky Fitts is the boy next door, a loner who likes to film people. His father is a rigid military man. Both Wes Bently and Chris Cooper who play father and son respectively give monumental performance equal to Kevin Spacey's oscar winner. Their family is a contrast to Lester's, and in its tragedy, emotional complexity and heart break exceeds it. Ricky's catatonic mother is perhaps what Lester would have become had he not taken charge of his life. I have tried to define this film, but its not a film that can be defined. It is one to be experienced. If I tell that the sight of a paper bag blowing in the wind will amaze you, you find it very silly indeed. Acredit then to this film that when Ricky show us a video of a paper bag blowing in the wind, it is indeed a breathtakingly beautiful sight.

"...And in a way, I am dead already."
"American Beauty" is a pure cinematic triumph that is both funny and sad. It's disturbing... and yet, it's extremely provocative and deep. The film is an extraordinary achievement that reveals a tragic and realistic story about a family that is anything but ordinary. It's a film with so many layers that it is almost impossible to dissect them all in one single thought.

Meet Lester Burnham; a man who feels like he's completely dead inside. His wife and daughter despise him and do not show him any signs of respect. On the surface, the family seems like a picture-perfect family that everybody dreams about--but inside is a completely different matter. His wife is obsessed with material possessions and doesn't care for "petty" things like love or life, while his daughter resents herself because she isn't "perfect." Lester's mental coma is rudely interrupted when he meets his daughter's friend and starts fantasizing about her. The awakening might be due to a disturbing thought or feeling, but the wake-up call changes Lester and allows him to realize that there's always time to erase his "forced-image" and be the person he really is. This is all a set-up for a funny, disturbing and tragic movie.

I don't know about everybody else, but my mind was literally racing around when this movie was playing before my eyes. It's one of those films that allows you to pick up on something different upon each viewing. As I said in the beginning of the review, this film has a number of layers to it. There's so many different meanings and points to the film that it is nearly impossible to describe them all in one little review. Besides, the fun part of the movie is discovering these meanings and points for yourself. You know a film is successful when you totally lose yourself to it and allow it to challenge you in every way. The film is crafted flawlessly and doesn't have a wasted minute in it.

The acting from Kevin Spacey is really a sight to see. He gives his character all of the right needs and feelings that is necessary for the authenticity of his role. You don't even look at him as an actor--but as the real person he portrays. It is certainly a milestone in his acting career that will continue to be remembered throughout all cinematic history. Annette Bening is also superb in her role and brings life to her character, as well. Everybody in the film should be applauded, as they all make the film what it is.

The DVD has some neat features to offer. The picture quality is fantastic and the sound is more than great. You have the option of watching the movie in DTS if your system is able to play it. Extras included are commentary from the director and writer, a behind-the-scenes featurette, cast and crew biographies, trailers and more. While I wouldn't had mind a Two-Disc edition of the movie, this is a pretty impressive package overall.

"American Beauty" is a breath-taking masterpiece with a very high replay value. It's a terrific film on every front and does not disappoint for a single second. While it's not a movie that everybody will like, it's most certainly one to check out if you are a lover of films. If you're looking for something that isn't so ordinary, then this may be the chance that you are seeking. I feel that it is a unique and superb film that is very hard to express in words--you'll just have to experience it for yourself. -Michael Crane

Thought-provoking
My initial reaction, "That was weird," has changed to "How thought-provoking." What happens when characters who struggle to live authentically cross paths with those who struggle to do anything but?

Lester Burnham and the oddly compelling boy next door both discover the ability to see the true beauty in life, even in the most unlikely or mundane circumstances. Who is to be pitied more: Lester, whose life is snuffed out at the moment of pure joy and contentment, or his wife, who buys into the mantra that one must first attain the appearance of success in order to BE successful? She fiercely shuts down any intense emotion lest she be overwhelmed, and even her sexual encounters are comically farcical. "When did you become so joyless?" the soul-searching Lester asks his wife in a touching moment.

Ricky's character as the boy next door is haunting. He sees life as an artist and a poet; his serenity contrasts with the stark repression of his military father and soulless mother, and intrigues Lester's daughter Jane, who possesses Wednesday Addams' moon face and dour disposition. Her struggle of self-discovery contrasts with that of her best friend, the beautiful and perfect cheerleader Angela, whose insecurities are masked by sexual bravado.

This is a movie worth seeing . . . worth thinking about long after it's over . . . and a gentle reminder to live life authentically.