Product Description

Just a Question of Love follows the whirlwind romance of two young men in different stages of coming out. The film paints a heartbreaking portrait of the difficulties that befall a relationship when one man lives proudly out of the closet, while the other has created a double life to please his parents.

Product Details

• Amazon Sales Rank: #38729 in DVD
• Brand: Wolfe
• Released on: 2005-05-24
• Rating: Unrated
• Aspect ratio: 1.78:1
• Formats: AC-3, Color, Dolby, DVD, Subtitled, Widescreen, NTSC
• Original language: French
• Subtitled in: English
• Number of discs: 1
• Running time: 88 minutes

Customer Reviews

A LOVE STORY
It has been said by more than a few individuals that there just are not very many films that are being made that could be considered realistic "gay love stories". "Just a Question of Love" is the exception. It is a very realistic gay LOVE STORY. Although the film is in French (with, of course, subtitles), the story and/or message can be translated to apply to any country where gay people fall in love and suffer the ramifications thereof. Laurent a young agricultural student lives in great fear of his parents finding out that he is a gay. However he has the "ideal alibi" because he shares an apartment with his best friend who happens to be a very attractive young women that is comfortable with the knowledge that Laurent is gay (we the audience, however, get the strong feeling she is or has been in love with Laurent and would prefer him straight; nevertheless, she accepts him as he is and enjoys him as a friend). Outwardly, and especially, to Laurent's parents, Laurent and his roommate are distend to get married and they make the "perfect couple" at least it keeps his parent off his back and he's free to play with the boys. Inter Cedric-a handsome tutor to Laurent. The two men fall madly in love with each other. Cedric is very comfortable with his homosexuality and not willing to live a "lie". His mother is also comfortable with her son's homosexuality (or at least accepting because she loves her son). The closet crumbles in a surprising way (no they are not caught "doing it!"). All involved have to face some issues (both hidden and bubbling just below the surface).
All of the actors are very believable in their roles giving wonderful performances. The film is beautiful to watch with a great soundtrack.
If you want to see a very believable gay love story, buy this film

(By the way, there is a marvelous water fight scene between the two lovers that I adore. It, to me, expresses their love so intently without a word being spoken. Plus it is hysterical--I loved it)

Straight or Gay Relationships: Just a Question of Love
'Juste une question d'amour' is a small film made for French TV that is one of the most sensitive, unbiased examinations of how the 'coming out' of gay men impacts not only the one who bravely steps forward but also his friends both male and female and his family. So often films such as this fall under the title 'Queer Cinema' and that is as unfair to the audience as it is to the writer and director of the film. This film is meant for the general public and should it receive higher profile in publicity, many longstanding prejudices would at least have the chance to be questioned by both gays and straights.

Laurent (Cyrille Thouvenin) lives with his parents Jeanne (Danièle Denie) and Pierre (Idwig Stephane) behind the family Pharmacy. Laurent is secretly gay though he lives with his best girlfriend Carole (Caroline Veyt) who adores him and wholly accepts his sexuality and is content to serve as a 'front' for Laurent's closeted role with his parents. He is not doing well studying agriculture, primarily due to the fact the his close cousin Marc died recently and had been disowned by his aunt and uncle when he announced he was gay. Laurent can only see that he must keep his secret so that his parents (whom he loves deeply) will not be 'injured' by his admitting his sexuality. His marks in school are so poor that he is instructed to do an internship in field agriculture to raise his academic standing. His assigned tutor is Cédric (Stéphan Guérin-Tillié) who lives an openly gay life with his warmly understanding and loving mother Emma (Eva Darlan) in an idyllic garden setting that also serves as Cédric's agricultural research lab.

Though instantly attracted to each other, Laurent maintains his closeted life until Cédric reveals his affection: the two become happy, passionate lovers. All goes well until Cédric insists that Laurent be in an open relationship, a state that would demand that Laurent inform his parents of his preferences. Laurent, fearful that his parents would disown him as his cousin was treated, flees and it is only after Cédric's mother Emma, a woman who loves the fact that her son is in a healthy relationship and longs for Laurent to allow his parents to love him for who truly he is, takes it upon herself to confront Laurent's parents with the truth. The manner in which this initial trauma affects each of the characters forms the platform for the resolution of the story.

This is a brave film, very intelligent and sensitive and informative, and is made all the better by the excellent cast. Each actor gives characterizations that are completely credible and three-dimensional: none of the too familiar stereotypes are here. It is to the credit of director Christian Faure and his co-writer Annick Larboulette that JUST A QUESTION OF LOVE succeeds on every level. This is one of the most quietly powerful stories about same sex challenges to be addressed on the screen. Highly Recommended for ALL audiences. In French with English subtitles. Grady Harp, May 05

These 2 guys fall in love....and................


.......you're there, right there, for every tumultuous and fun-loving moment of it!


(1) WOW!!......and DOUBLEWOW!! You've just got to hand it to the French. In this reviewer's opinion only they, thus far in "gay filmdom," seem to have been truly capturing that "certain naturalness" all of us look for in a male couple's touching, kissing and relating to one another. All of you know what it is; it's a "something" which American directors have merely come close to achieving, perhaps in such films** as C. Jay Cox's "Latter Days" and Julie Davis's "All Over the Guy." All this leads to a couple of big questions: Why does it seem, in practically all American gay films, that the act of a kiss most often comes across as "just a task" which has to be accomplished (and in front of the camera to boot---isn't that so embarrassing!) And what about even the simplest passing touch between partners in a scene? Why would a US actor, in preparing for a gay role, never think of doing something as small but meaningful as that? Whatever the answer, our actors mostly just don't (and American directors do not seem to take the time to ensure that they do, or even to "instruct" them on kissing halfway decently, for that matter). If our directors are going to spend all that money and effort, why not do it right? In summing up this lead-in, it has to be again asked: why is it so natural and easy for the French? (see, also, that 1997 French title, "The Man I Love")(or France's 2000 "Come Undone" with its beach-side copulation scene).

(2) Moving on now, more directly into this film, it's got to be said that these 2 French actors have Chemistry (that's spelled with a capital "C"......and, well, you just gotta make the "H", the "E", the "M" and all the rest of 'em, capital letters, too). Plus, as actors, these guys are not afraid to express their feelings by making that extra gesture of a passing touch or hand-on-arm (as noted above, how often we don't see that from American actors). There's a very striking feeling, projected by this film, that really makes you have to wonder: if these guys weren't already in love prior to filming, then surely mustn't they have become so during the process.......at least that's the feeling which their performances so vividly project to the audience. It's what we're left with after watching this film: THAT WAS REALLY LOVE! (What greater mark of success could be asked for, or achieved, in setting a gay romance on film?)

(3) One other important point on their performances: while the actors portraying Laurent and Cedric can be so explosive in their expressiveness toward each other, they also make themselves such fun to be with (as a viewer you feel as if you're right there, actually sharing their fun, excitement and joy in discovering sex and love with each other). Make note of these things as you watch, and see if your pulse-rate doesn't go way up on more than one occasion......as well as your "chuckle-bone" getting a good workout. What it all boils down to is simply that seeing and experiencing their strongly expressed feelings for each other is worth a 1000 times the price of admission.

As a little bit of a postscript, this reviewer just has to add: Rarely has a movie title been more fitting and meaningful than this one's, especially as it is explained and demonstrated in the heartrending denouement which takes place between father and son in the final moments of the film. "Really," it tells us, "after everything else has come, been considered, and gone, all that's left and important is......just a question of love!"


SCENES YA GOTTA WATCH FOR:

--Don't miss this couple's first one-on-one in the agricultural lab which is to be their joint workplace: it's a first-meeting-and-feeling-each-other-out scene in which sparks fly---the tension between them fairly crackles (watch the eyes; watch the eyes).

--And you should definitely note: this pair's first post-coital scene is so full of satisfaction and obvious feelings for one another (what such heterosexual scene of the past could top it?) that those feelings practically jump off the screen. It's only topped, moments later, during a scene in which "Mom" walks in on the pair, unannounced----it's beyond priceless.

--Even more telling is the "water-fight" scene: you've never seen such fun and joy over being together expressed by a gay couple in any previous movie (watch the eyes; watch the eyes). No wonder this scene leads to the one which it does.


**David Moreton's 1998 "Edge of Seventeen" set an earlier standard for more realistic love-making