Product Details

• Amazon Sales Rank: #21552 in DVD
• Brand: Sony
• Released on: 2008-09-02
• Rating: PG-13 (Parental Guidance Suggested)
• Aspect ratio: 1.85:1
• ESRB Rating: Teen
• Formats: AC-3, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC
• Original language: English
• Subtitled in: French
• Dubbed in: French
• Number of discs: 1
• Dimensions: 1.00 pounds
• Running time: 91 minutes

Album Description
A strong blend of suspense, star-crossed romance and wry comedy of manners, Married Life is an unconventional human drama about the irresistible power and utter madness of love. Harry (Chris Cooper) decides he must kill his wife Pat (Patricia Clarkson) because he loves her too much to let her suffer when he leaves her. Harry and his much younger girlfiend Kay (Rachel McAdams) are head over heels in love but his best friend Richard (Pierce Brosnan) wants to win Kay for himself. As Harry implements his awkward plan for murdering his wife, the other characters are occupied with their own deceptions. Like Harry, they are overwhelmed by their passions, but still struggle to avoid hurting others. Married Life is an uncommonly adult film that surprises and confounds expectations. While it plays with mystery and intrigue, its ultimate concern is: What is Married Life? In its sly way, Married Life poses perceptive questions about the seasonal discontents and unforeseen joys of of all long-term relationships.

Amazon.com
Far too many period productions look right, but feel wrong. Set in 1949, Married Life doesn't just bring the post-war era to vivid life with cigarettes and cocktails aplenty; it even plays like a product of the time. In that respect, it calls to mind AMC's Mad Men, except Ira Sachs (Forty Shades of Blue) takes a lighter tone towards domestic disharmony. In this well-scrubbed suburban world, middle-class wives, like Pat (Patricia Clarkson), build their lives around their husbands. Pat and Harry (Chris Cooper) seem happy, but Harry confesses to his pal, Richard (narrator Pierce Brosnan), that the spark is gone. He plans to leave Pat for vibrant young war widow Kay (Rachel McAdams in a role that recalls The Notebook). Once Richard, a notorious ladies man, gets a gander at the platinum blonde, he secretly sets out to win her affections, while Harry plots to take Pat out of the picture. Married Life almost simulates one of Alfred Hitchcock’s pessimistic disquisitions on matrimony, yet Harry and Richard seek less hurtful means to achieve their goals. Though women's lib has yet to hit the suburbs, Pat and Kay harbor desires of their own, and the best-laid plans soon go awry. Though Kay could use further development, this ensemble hums along almost as harmoniously as the quartet in Starting Out in the Evening. Along with co-writer Oren Moverman (I'm Not There), Sachs transforms John Bingham’s 1953 novel, Five Roundabouts to Heaven, into an insightful treatise on love, marriage, and fidelity. --Kathleen C. Fennessy

Customer Reviews

Great Look At Life in the Late 40s, But It Isn't Funny
In all of the press I have seen, in all of the interviews I have watched, everyone mentions how "slyly funny", how "darkly humorous" the new film "Married Life" is. The joke must have gone over my head.

Richard Langley (Pierce Brosnan) tells us the story of his great friend, Harry (Chris Cooper). Harry, a successful businessman in New York, circa 1949, has a loving, even doting wife, Pat (Patricia Clarkson). But he has fallen in love with a beautiful young widow, Kay (Rachel McAdams, "Red Eye", "Wedding Crashers", "The Notebook"). Rather than put his wife through the humiliation of a divorce, of leaving her, he decides to poison her. Then, a free man, he can move on and marry Kay. But Harry makes one mistake; he introduces Kay to his great friend, Richard, a lothario like no other, and he is also attracted to Kay.

Directed and co-written by Ira Sachs, "Married Life" is a very believable look at the way people lived in the late 40s. The attention to detail is astonishing; clothing, furniture, cars all appear authentic. In one scene, they visit a movie theater and watch a lesser known Ava Gardner film. It's a nice touch. So often in films set in the past, they go to the theater to see "The Wizard of Oz", "Casablanca" or "Citizen Kane". Sure, these are extremely memorable films, but they weren't the only three films made pre 1960.

The four leads are all very good, all very believable. Pierce Brosnan's Richard narrates the film, introducing us to the characters, to the story and guides us throughout. He speaks in a softly modulated tone, giving the film the feeling of a fable or a fairy tale. His voice, complete with Irish accent, lulls us into the story, slowly helping us get acclimated to this world. Richard is a cad, but he is a bachelor, so we can't hate him too much when we learn he sleeps around. By the time we realize he is going to try to seduce Kay away from his good friend, Harry, his behavior has become well enough established that we would be disappointed if he didn't try to sleep with the young woman.

Chris Cooper is great as Harry; there are a lot of layers to his character and they are revealed in subtle ways, giving us a great look at his character. Why would Harry think it is more desirable to kill his wife than to divorce her? In his own twisted way, this shows the depth of care he has for her. They have been together for so long, they know each other so well, and he can't fathom the thought of divorcing her. But he also realizes he doesn't love Pat anymore. His passion lies with Kay and he has had a life so devoid of passion for so long, he simply can't let it happen any longer. He needs passion, he needs Kay.

Harry clearly recognizes he has limited resources for making this happen. It has to be something that looks like an accident, or natural. He could never shoot her, or use a knife, too messy and too many bad consequences. So he decides to put poison in her medicine; Pat suffers from ulcers and heart burn so she always has a blue bottle around. As Harry sets about the task at hand, the story takes on decidedly Hitchcockian overtones. Much like "Suspicion" and "Notorious", we know more than some of the characters and this creates an additional level of suspense. Add the tongue in cheek element, and the film becomes more like Hitchcock's "The Trouble with Harry" or "Family Plot". At one point, Harry, thinking he has made a terrible mistake, races home to prevent Pat from taking an additional dose of the poison. The film presents all of these elements well, blending them deftly and creating a nice homage to these films, and this era. Cooper is also able to portray the various emotions Harry experiences, sometimes on the turn of a dime, making his character complex and believable.

Patricia Clarkson is perhaps the perfect type to play a housewife from the late forties; she just looks like she fits into this different era and might have walked out of a Norman Rockwell painting. She is also the perfect compliment to Cooper, matching his acting style to a tee. They are both very low key, very natural, and seem to be a real couple.

It is also interesting to watch Clarkson play this character as she has to walk a fine line. One the one hand, we know she is being poisoned, know she is essentially a victim, but she maintains a sunny disposition and manages to make the character seem interesting and viable, and not the least bit pathetic. Basically, she makes a character that seems very simple, someone we have figured out, and still manages to surprise us. The fact that she knows Harry doesn't love her anymore, she states as much, and stays in the relationship, provides an example of her dedication. Too bad she isn't as aware of what her husband is up to.

Rachel McAdams has been off screen for a couple of years and her portrayal of Kay only serves to make this absence all the more noticeable. Much like Clarkson, McAdams takes a character that we probably have `figured out' from the first moment we see her, and makes us feel differently about the woman. Yes, she is an adulterer, but as we get to know her, we realize there is a lot more to her. Her character becomes flesh and blood to us and we learn she is a real human being. This is Sach's best contribution to the story and the characters; details. We learn a lot about each person through observation, comments, actions.

It becomes a little more problematic when she starts to fall for Rich. She is already an adulterer and now she is cheating on the man who is cheating on his wife. But McAdams is able to convey this conflict well, giving us real insight into her character, making us appreciate this decision as well.

It sure seems like I liked "Married Life" and I did like many things about it. Perhaps if people weren't so intent on talking about the `dark comedy' aspect of it, I would be more appreciative. It is a very good drama, but the comedy, dark or otherwise, is almost non-existent. Even the moment when Harry rushes home to prevent Pat from taking a dose of the medicine is played more for suspense - I suspect Sachs intended this to be a humorous moment. So, "Married Life" isn't funny, except for the occasional mildly amusing moment. In a black comedy, I expect some outright laughs, more amusing moments, and these don't happen.

"Married Life" is a good film, but it needs a divorce from the plugs it has been getting from the cast in recent interviews and press. Actually a divorce might just be too humiliating. These untrue rumors should probably be put to rest.

Seductive and surprising film
The film zips along with its solid script, witty and snappy dialogue and thoughtful and deliciously unpredictable moments. More than once, I was literally at the edge of my seat holding my breath. In 1949, it's a simpler time with diners, luncheons, tea, radio, and dancing on the town or to the picture show as an actual night out. There's something overall romantic about this time. The narration, which I have grown tired of as a plot device (I see it as such a short cut to the main ideas too often), actually works here in adding to the overall nostalgia and quaintness. Many scenes are like Hopper paintings come alive making Married Life a visual treat as well as a compelling film.

The cast is impressive from Pierce Brosnan (The Matador, Die Another Day) to Academy Award winner Chris Cooper (Adaptation, Breach) to indie steady Patricia Clarkson (Lars and the Real Girl). Rachel McAdams (Wedding Crashers, The Notebook) is lovely and so good in these period roles. She looks comfortable and there are layers of sweetness under that platinum hair. Clarkson possesses the right amount of mischief and devotion in her role as the dutiful, seemingly predictable wife. Brosnan is brooding and complex and yummy. I just couldn't buy the Cooper vs. Brosnan though. Hands down I would take a wolf in Brosnan's clothing instead of a sheep like Cooper's character. Cooper/McAdams give the impression of father/daughter more than older man/younger woman. But please don't let that stop you, somehow it all flows along. I suppose that in Harry, a young widow would view safe and secure instead of adventure and excitement in a guy like Rich. The entire cast is so ridiculously talented that you come to like every character in some way.

Married Life is a fantastic film that will seduce you from its first scene to its last.

Things Aren't As They Appear
Other than being super slow in parts and occasionally predictable, I truly enjoyed this movie as it was a different take on married life in the 1940s. There is mystery, intrigue, deception and infidelity, not to mention that there are a lot of different stereotypes that one normally associates with certain genders that are broken throughout the movie.

Great acting by all cast member... I enjoyed the storyline, costuming and cinematography.