Track Listing

1. Never Again
2. One Minute
3. Hole
4. Sober
5. Don't Waste Your Time
6. Judas
7. Haunted
8. Be Still
9. Maybe
10. How I Feel
11. Yeah
12. Can I Have a Kiss
13. Irvine

Product Details

• Amazon Sales Rank: #2865 in Music
• Brand: CLARKSON,KELLY
• Released on: 2007-06-26
• Number of discs: 1
• Original language: English
• Dimensions: .25 pounds

Album Description
Japanese pressing of this infamous third album from the American Idol winner comes with one hidden track: 'Chivas'. One of the most heralded voices in pop, Kelly Clarkson returns to reclaim her place at the top of the music scene with her new album My December. With every song on the record written or co-written by Kelly herself, My December is Clarkson's most personal record to date and shows tremendous growth as an artist. Going in a harder-hitting direction, the first single off the album, "Never Again," is all-attitude lyrics, edgy guitars and soaring vocals. BMG. 2007.

Amazon.com
Judging by the themes of anger and betrayal that dominate Kelly Clarkson's third disc, My December, perhaps 'Jagged Little Idol' would have been a more telling title. According to interviews, the massively successful artist wanted more creative control with her music going forward; as a result, unlike her previous CDs, Clarkson contributes as a songwriter on every track. The final product is not nearly as catchy as Breakaway, but is far more introspective and honest. My December's overall sound brings a harder musical style than fans might expect, with acerbic lyrics to match; the disc's first single "Never Again"--a dark rock song slamming her ex-boyfriend--is certainly a tip-off. The compelling chorus of "Hole" finds Clarkson singing "There's a hole/inside of me/it's so damn cold/slowly killing me" over a melody that is far more Tool than top-40. "Haunted" and "Judas" are wrought-over tracks that veer into Evanescence territory, while the wonderfully sparse "Maybe" is a highlight within which Clarkson's pleading voice is perfectly showcased. My December's final listed track, "Irvine" (prior to the hidden bluesy acoustic ballad "Chivas") sounds far more Cat Power-meets-Corinne Bailey Rae than Clarkson, but it is certainly one of the most captivating songs on the disc, and serves as yet another reminder of just how versatile her voice is. Fans of her previous radio-friendly releases may well be divided on her new direction, but it appears to be the path Clarkson is likely to continue to travel. --Denise Sheppard

More from Kelly Clarkson

Breakaway

Thankful

Since U Been Gone

Customer Reviews

Wake up!
I was never a Kelly Clarkson fan until this week. I didn't watch her on American Idol. I bought her first CD because I liked the single "A Moment Like This," but wound up disliking the rest of the CD. Sure, I found all those Top 10 hits from Breakaway catchy, but they were just so sugary. There was no real emotion in them; it was blatantly obvious that they existed solely to become hits and sell CDs. After a while, "Since U Been Gone," "Breakaway," "Behind These Hazel Eyes," and "Because of You" melted into one big, mindless pop song trying to cash in on the emo craze and simultaneously retain pop radio appeal. And while they did get stuck in my head, I refused to listen to them because they seemed so obviously manufactured.

Not so with this disc. I downloaded it when it leaked on the Internet, just to see if it was any better than Breakaway. At that time, I hadn't heard about the controversy surrounding the album, so I wasn't biased in Kelly's favor; if anything, I had exceedingly low expectations for the album. Instead, I fell in love with it at first listen.

These songs are overtly different. They're not trying to be bouncy summer radio sing-alongs. They're not trying to reel you in with catchy hooks and keep you satisfied with lightweight melodies and inconsequential lyrics. These songs are heartfelt and, at times, downright hardcore. The lyrics aren't world-changing, but they ring true, and their titles are blessedly devoid of cutesy intentional misspellings. My December may not be steak, but it's certainly more filling than Breakaway-esque cotton candy.

In fact, when I first listened to the album, it reminded me of nothing so much as Origin-era Evanescence: pre-Fallen, pre-fame, pre-studio gloss. Those songs were much less polished, and would never have survived on contemporary radio, but they were more raw, more real, and they possessed an emotional incandescence that was never matched by any of Evanescence's later material. One could conjure a mental image of the band actually writing, channeling, experiencing them. So it is with this disc.

After falling for this album, I watched Kelly's CMT special with Reba McEntire, and for the first time, I realized how immensely talented Kelly truly is. I never would have noticed had I not listened to this disc. I can now say that I am a true Kelly Clarkson fan, and I will be buying this CD on my next trip to Wal-Mart. There are very few artists whose albums I deem worthy of buying after sampling them online, but I believe that Kelly has earned my money and my support with this album, and I hope that it does extremely well for her.

Kelly's Ready!
Everyone knows by now the problems that Clarkson has had with this disc -- well, the problems the higher ups have had with letting Clarkson have her own voice on record. But this is nothing new. In the world of "if it ain't broke, don't fix it." Clarkson had the guts to tinker with what worked. A poppy, melody written style that sucked in everyone who had ears. Did the change do her good? Yes-yes-yes. Is her album perfect? No. Who has made a perfect album? Not a dang soul out there.

What makes this album work so well. Is that Clarkson is TRYING!!!! Trying so hard not to be some cookie, cutter waif, with bleach blonde hair, kohl rimmed eyes, and a snarky attitude. The woman has substance. Songs like "Sober," with it's build up to an almost necessary rant is just plain talent!!! The disc pops with tracks that show a woman in transition. The contemplative "Irvine" with its hollow melody and Patty Griffin like simplicity is marvelous and Clarkson can drudge out a sour note like no other popstar on the market.

Clive Davis offered her a truck load of money to put more "sellable" songs on the disc and she chose not too -- again, guts! Clarkson is growing as a sonwriter. And its bumpy for her. Her lyrics, at times, are too simple, but when they hit the right mark -- she tells a relatebale story. A girl/becoming a woman in a world where she's feeling a lot less secure. When Clarkson sings: "Let it go ..." on "Be Still" there is a quiet pain in what she sings, a great connection to the lyric.

Guts alone to take a chance on your own vision as an artist should merit you credit. But when you work at it and it comes out as solid as Clarkson's "My December," you want to stand and cheer for the girl. She nails it. Daivs must also be a little deaf, if "Yeah" with its shout-back chorus and "One Minute" aren't radio friendly hits -- I don't know what is.

Congrats on, so far, having the best album of the year, Ms. Clarkson!

Amazing....
This album had so much negativity surrounding it, that some people wouldn't even give it a chance. I am SO happy Kelly took a chance and put HER album out there. I am so happy she didn't record based on anything being "radio friendly," and I am even happier she didn't feel the need to release a more positive album. In my opinion, the album is not negative. It is refreshing and inspiring. It tells us that we can have the worst of times and get through it. We aren't alone. It is truly amazing.

Her vocals are amazing as always and her lyrics are beautiful. The emotion she has in her songs is remarkable.