Product Description

Here is the ultimate guide to microphone placement, applications and techniques by one of the authors of the industry bestseller Modern Recording Techniques. This book focuses intensely on microphone usage for dozens of different instruments as well as vocals, amplifiers, Leslie cabinets and more! Accompanied by an audio CD that allows you to hear the different effects of microphone placement techniques in real time for a full understanding of how to get the best recordings from any type of microphone. 136 pages, 8 1/2 inch. x 11 inch.

Product Details

• Amazon Sales Rank: #288917 in Books
• Published on: 1999-03-01
• Released on: 2002-06-15
• Original language: English
• Number of items: 2
• Binding: Paperback
• 152 pages

Features

• ISBN13: 9780872886858
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Customer Reviews

Great reference on mic techniques, as has a CD!
Who would think a book on mics would be a page-turner? But this one was. It has a clear and unaffected style. The book covers both professional and affordable (my kind) mics, describing the attributes, pros and cons of different types, and techniques of placement to get a desired effect. The CD that comes with it demonstrates different mics and mic placements on a number of different instruments. A valuable reference for anybody who records.

Professional? I expected more.
I expected more from a book titled "Professional Microphone Techiques". This book would be usefull for someone just starting to record music, but if you have even a modest level of experience with mics and mic techniques don't look here for any insights. Topics include basic mic types, 3:1 rule, prox effect, freq. response, an almost too expansive list of suggested mic positions of various insturments, eq suggestions, basic compression uses. CD included with the book is a nice touch.

Almost no valuable information
The "ultimate guide"?
Hardly.
One could summarize all the advice in this book with one sentence "put a microphone 6-8" in front of it; or perhaps further away".
No attempt is made to suggest, for example, why one might choose one offered position over another. No attempt is made to explain different techniques for different styles of music and recording. And most important, no attribution is given as to what record we might turn to for example of a particular approach. It's as if the examples given are the only options; and choosing between those options is unimportant, as no guidance is offered.
It's hard to believe anyone gains anything he didn't already know from this book.
Perhaps more than a paragraph on bass would be useful instead of endless pages of instruments ("put a microphone 6-8" in front of it") that one might encounter once every 10 years. And if I did encounter a hammered dulcimer, for example? I'd probably make a guess on my own and put a microphone 6-8" in front of it.