Product Description

Sasha Goldberg is the ultimate outsider: she’s a chubby, biracial Jewish girl from the Siberian town of Asbestos 2. Her father takes off for the United States, and leaves Sasha to navigate adolescence in a bleak apartment bloc with her overbearing mother. Sasha falls in love with an art school drop-out who lives inside a concrete pipe in the town dump. Following her heart gets her into trouble at home, so she flees Russia as a mail-order bride and lands in suburban Arizona. Sasha manages to escape her Red Lobster-loving fiancé and embarks on a misadventure-filled journey across America in search of her father.

Anya Ulinich has crafted an unforgettable story of familial fault lines, cross-cultural confusion, and the beguiling allure of new beginnings. Petropolis is a funny and poignant debut marking the arrival of a major new voice in fiction.

Product Details

• Amazon Sales Rank: #856643 in Books
• Published on: 2007-02-15
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 336 pages

From Publishers Weekly
Ulinich's debut novel traces Russian-Jewish Sasha Goldberg's screwball coming-of-age and search for her long-ago disappeared father. Sasha, living with her mother, Lubov, in the gloomy Siberian town of Asbestos 2, is a disappointment to Lubov. Not musically inclined and is too chubby for ballet, Sasha is a messy, uncoordinated child with a passion for drawing. After Sasha is accepted into a local, cash-strapped art school, she becomes pregnant and has a daughter, Nadia. Though Sasha wants to raise Nadia, Lubov forces Sasha to attend an art school in Moscow and leave Nadia behind with her. Once in Moscow, Sasha begins scheming her way to America—where she believes her father lives—and soon is on a plane to Phoenix, Ariz., as a 17-year-old mail-order bride. Sasha flees after a year to Chicago, where she works as a live-in maid for the wealthy Tarakan family, though she is little more than the family's "pet Soviet Jew." Sasha's salvation lies in Jake Tarakan, the Tarakan's wheelchair-bound 18-year-old son, who helps Sasha locate her father. Though Sasha's mental letters home and some timeline hiccups work against the momentum, cultural assimilation humor is the order of the day, and Ulinich provides it by the bucketful. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* When a coming-of-age novel is truly different, it can send shock waves through unsuspecting readers. This brave blend of satire, farce, and heart-wrenching realism delivers the necessary voltage to do just that. First-novelist Ulinich sets out as if she intends to lampoon the whole idea of coming-of-age. Teenager Sasha Goldberg, a pudgy parody of the archetypal outsider, is a mixed-race Russian Jew living with her mother in a mining camp called Asbestos 2, once a Stalinist model town but now a postglasnost embarrassment. When your entire universe, internal and external, needs escaping from, the very notion of escape becomes a bad joke. So it is for Sasha ("For a Jew, you sure look like a Negro," one of her friends tells her), whose every attempt at escape leads to an even more absurd reality than the one she left behind. A furtive romance results in pregnancy, but when her mother usurps the baby, Sasha decamps to America as a mail-order bride, landing in Arizona with an old-school husband whose Crown Victoria "is as long as Sasha Goldberg's whole life." From there it's off to Chicago, where, as the "pet Soviet Jew" of a rich Orthodox couple, Sasha trades one kind of servitude for another. One more escape lands our heroine in Brooklyn, in search of her father, who abandoned the family when she was an infant. Ulinich plays this absurdist immigrant's journey for all its black-comedic potential, but she never loses sight of Sasha's bedrock humanity. Her triumphs are attenuated at every turn by lingering levels of despair, but her ability to find a pulse of life in even the most outrageous turns of fortune lifts the novel as far beyond parody as it is beyond convention. Bill Ott
Copyright © American Library Association. All rights reserved

Review
...Anya Ulinich's novel about this not-quite-black, not-quite-Jewish, chubby misfit from Siberia is captivating. And the observations...whew. -- Jane Magazine

Petropolis turns out to be the coming-of-age story of a less-than-promising protagonist - which of course makes it all the more affecting. -- San Diego Union Tribune

Audacious, clever and lively, Petropolis abounds in precise and pointed descriptions, rapid-fire dialogue and unpredictable interactions among intriguing characters...Ulinich has written fresh and nervy social satire in the spirit...of Tom Wolfe, Aleksandar Hemon, Gish Jen, Gary Shteyngart and Lara Vapnyar. Not only does Ulinich take sharp aim at racism, she also skewers sexism, philanthropy for all the wrong reasons...and the myopia of privilege. -- Chicago Tribune

Breezily entertaining...the textured characters and heartfelt narrative will leave you pondering the unexpected connections that create a family and the faraway places that we end up calling home. -- Bust Magazine

Bursts with artful details of an immigrant's youth and quest for home-the grappling for the strong woman inside of the lost girl -- Ms. Magazine

For a girl from a bleak Siberian town, Ulinich's protagonist Sasha Goldberg has a surprisingly big heart and a hysterical view of life in America. Petropolis is a compassionate and unusual novel about motherhood, immigration, and religious fanaticism. -- Laura Dave, author of London Is The Best City In America

It's refreshing to see something like a new American dream appear in Anya Ulinich's first novel PETROPOLIS. Here, it's no longer a matter of material success or even educational opportunities, but about finding a place for one's misfit heart... Ulinich has a wry sense of the absurd that usually turns the commonplace on its head. ... At each turn, Sasha's role becomes something new: a fellow Russian, a big black girl to be feared, and first and foremost a Jew. The absurdity of these preconceptions, and the freedom to escape from them, is what shapes Ulinich's narrative and what forms its great optimism. No matter how out of place you might feel, there's surely a place for you somewhere. -- San Francisco Chronicle

This novel, as do most good ones, leaves readers feeling they've accompanied the protagonist on a rewarding journey, while still wondering what lies ahead for her. -- Bookpage

Ulinich has a knack for the tragicomic ... Petropolis is engaging, funny and genuinely moving in all the right places. It is a sparkling debut, a unique comic novel of Homo post-Sovieticus. In negotiating the territory between coming-of-age and satire, the novel risks a great deal and succeeds, thanks in no small part to Ulinich's storytelling skills and pitch-perfect sense of the bittersweet. -- Los Angeles Times

Ulinich is unflinchingly funny, sensitive, and a superb new talent. -- Akhil Sharma, author of An Obedient Father

Customer Reviews

Great page turner
This book is great! It is beautifully written and the plot moves right along, sucking you in and never letting go. While I wouldn't call Petropolis a comedy--the book is filled with serious subjects such as longing for one's parents, child, and home--it is certainly a very funny book, with many moments of side-splitting laughing-out-loud humor. And it's filled with wit and satire that is as precise and almost surgical as the rest of the book's language.

The book's plot takes you to five major cities (and a few smaller ones) on two continents while following the main character on her journey from Siberia to the United States. You would think there's too much plot to fit in one novel, yet the book doesn't feel like it's bursting at the seams. You really get to know the characters and the places, to the point where if you've never been to Russia, you really get a feeling for the place, the pace of life there, etc (and if you've never been to the US, you do for it as well.)

My letter to the author..
Anya,

I just finished Petropolis.

I think this is the first book that I've read so far that truly captures the post- soviet childhood /immigration/ Russian Jewish/ experience. I think all of us have some interesting "Russian Immigrant" stories, but this is the first work that truly describes what it was like in the end, when there was no more ideology and everything was in decay.

I think I was mostly impressed with how well you summed up perceptions --- the way philanthropic Americans see Jewish refugees, how some Russians play up to the stereotype, how the intelligentsia view themselves, the type of life that a Russian "solider" has, the family bond (or a lack-there-of), the acceptance of prejudice, the way a Russian immigrant sees an American, the hopelessness that sometimes sets in (especially due to culture shock) etc etc.

I immigrated when I was fairly young, but for some reason I perfectly remember our Kiev communal apartment, our loving yet constantly drunk neighbors, and my art class at the local Pioneers Club with all of my brutally totalitarian, yet excellent teachers.

I also remember how haggled my parents looked after the flight from Sheremetivo II to NY, how polite my dad was when a Rabbi from a local Yeshiva forced my dad to recite "Shema" in Hebrew (my dad is Orthodox Christian), and how much we all struggled with the language, mannerisms and constant American optimism (be it fake or real).

Overall Petropolis is a realistic account of what it's like....

I would love to find a Russian translation to give to my parents.

Thank you for writing this.

Natasha

"your city, Petropolis
your brother, Petropolis, is dying." Osip Mandelstam

It is more than a bit ironic that some of the best "Russian" literature created in recent years has been written in English. The Diaspora that followed the fall of the Soviet Union has borne a great deal of literary fruit produced by writers such as Gary Shteyngart (Absurdistan), Lara Vapnyar (Memoirs of a Muse), and Olga Grushin (Dream Life of Sukhanov). The original, entertaining "Petropolis" by first-time novelist Anya Ulinich is a fine addition to this body of work.

"Petropolis" (the title is taken from a poem by Osip Mandelstam) tells the story of Sasha Goldberg. An adolescent, Sasha is young, overweight, ungainly, and part-black and Jewish in a world in which just one of those attributes is enough to mark you as an outsider. We first meet Sasha in her Siberian hometown, Asbestos2. Asbestos2, as the name suggests, is a city created during Stalin's reign in power to support the mining of asbestos. The fall of the USSR and the depletion of the mine have turned Asbestos2 into a bleak, post-apocalyptic city rapidly on its way to becoming a ghost-town. Sasha's father left the family for the United States when she was an infant.

Petropolis is the story of a journey, or series of journeys, something of a later-day Russian Ulysses. It takes Sasha from Asbestos2 to Moscow, from Moscow to Phoenix (where she is to be a mail order bride), from Phoenix to Michigan, and from Michigan to Brooklyn where she finds the father who deserted her as a child. The story also takes us back to Asbestos2 where Sasha's journey finds some sense of closure and reunites her with the child she left behind (like father like daughter) along the way.

In the hands of Ulinich, Sasha's journey is more than a mere screenplay for a coming-of-age road movie. Sasha's character is very well developed. Ulinich also has a keen eye for satire and a sharp sense of the foibles one sees in people in the US and in Russia, particularly those who, like Sasha (and presumably Ulinich), have become a part of the post-Soviet Diaspora.

Petropolis is a multi-layered story that is both entertaining and thoughtful.

Highly reccomended (4.5 stars). L. Fleisig