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365 Views of Mt. Fuji: Algorithms of the Floating World

365 Views of Mt. Fuji: Algorithms of the Floating World
By Todd Shimoda

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Product Description

Curator Keizo Yukawa flees a dead-end job in Tokyo to head a new museum devoted to 365 paintings of Mt. Fuji by the genius Takenoko, who died 100 years ago. Takenoko's legacy of madness infects each member of the Ono family, who own the Views but do not get along. Yukawa's manipulation by the Onos and his fascination with an algorithmically controlled daughter lead to many strange happenings and his ultimate disintegration. Symbolizing the fragmentation of mind in modern Japan, this novel uses threadlike character "bytes" and hundreds of Hokusai-inspired illustrations to suggest the nonlinear world below the high-tech veneer.


Product Details

  • Amazon Sales Rank: #848906 in Books
  • Published on: 1998-06-01
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 360 pages

Editorial Reviews

Review
"Evocative, elegant, elusive, and ethereal." -Pat Hartman -- Pat Hartman

"Evocative, elegant, elusive, and ethereal." -Pat Hartman -- Review

As a lover of books, I sometimes curse the computer for what it has done to the written word, and occasionally to those who practice the art of novel writing most adeptly. In the name of interactivity, we can now read thinly plotted "cybernovels" on-line, or purchase CD-ROMs, mixing and matching narratives (sometimes a life's work) with a mouse click, artificially altering linear stories to suit our whims. We can participate in corporate-subsidized, hypertext serials, judged by much-praised, well-compensated novelists on holiday. Ah, progressŠ Todd Shimoda, who won the John Updike-judged Amazon.com serial competition last year, has structured his new novel by applying the mix-and-match, CD-ROM strategy to the page. Shimoda is a good writer-the main narrative piece of 365 Views of Mt. Fuji is a spare but engaging story, fraught with meditations on madness, sex, art, and spirituality. The problem here is in the constant flow of asides that fill the novel's margins-"character bytes," they're called-only occasionally supplying vital plot information or setting description, more often proving disjointed and distracting. Between the "bytes," the text, and the over 400 fine but cramped illustrations that fill nearly every page, the reader experiences a kind of constant sensory overload, detracting from the book's central focus-the story. Then again, maybe I've gotten it all wrong. Maybe the experience of shifting one's eyes from text to margin to picture is the real point of Shimoda's book, making it more of an exercise than a novel. While the sense of formal experiment is admirable, 365 Views of Mt. Fuji truly does belong in an on-line format, out on some Web site, where interactivity is a suitable substitute for pleasurable reading. -- From Independent Publisher

The layout of the book is designed to agitate, if not actually madden, the reader. Yukawa's story is paralleled, in marginal notes, by those of the other characters, forcing eye and attention into a constant, dizzying zigzag. The whole complicated tale is a metaphor for the author's view of modern Japanese society as an assemblage of incompatible elements and traditions that create psychological civil war in its citizens. If the novel's purpose is grim, its action is lively and the symbolism is provocative. -- The Atlantic Monthly, Phoebe-Lou Adams

About the Author
Todd Shimoda is associate professor of communication and information technology at Colorado State University.

L.J.C. Shimoda is an illustrator, digital artist, and designer.


Customer Reviews

Allow Yourself A Reading Experience Like No Other5
Most writers have enough trouble managing one viewpoint throughout a novel. Meet Todd Shimoda, the brilliant author who uses three intertwined narratives to tell the story of 365 Views Of Mount Fuji.

This is a story of the conflict between tradition and desire, expectations and personal freedom. Keizo Yukawa thinks he knows what he wants, but a move to a new job in a strange new environment will make him question his goals.

The story of Yukawa is the main thread of narrative. Sidebars provide insight into the strange characters that he encounters. Beautiful, traditional illustrations in the margin are a flickering glimpse of the past and the present.

Blending the ancient world with the growing techno-society produces a mesmerizing tour through the mind of modern Japan.

Excellent story accented with artwork and story "bytes".5
This book is one surprise after the other. First, the main text is a fast paced, mystery/suspense novel that would stand well on its own. However, in the margins are small sub-stories that can be read on their own but really are pertinent to the unfolding novel. In addition, every page has beautiful pen and ink drawings that are related to that particular part of the story. These drawings are a curious mixture of classical japanese art icons and ultra-modern social commentary. It is amazing how well these three elements blend to exponentially enhance the book's message. Although I was initally put off by the daunting task of assimilating all the information on each page, it was surprisingly easy and enjoyable to read. It's a book you want to read again immediatly after finishing it and one you want to set on your coffee table so you can thumb through the artwork. 5 stars.

poignant, paranoid, interesting3
From a press that specializes in the niche market of people fascinated with things Japanese. This book started as a computer CD project that fell through, becoming instead an interesting experiment in presenting multiple voices in text and pictures. The fictionalized stories of the original artist of the famous 365 views and the modern day pursuers of his work are successfully integrated into multiple narrative voices, although the illustrations rarely relate to the story, and are sometimes a distraction, such as the repeating "ink drop" patterns every few pages. This book is at its best capturing the repressed and conformist inner life of its main character, a museum curator. The story has qualities of the popular Japanese comic book novels, with sinister plots and suspected conspiracies, an intimidating industrial magnate, and occasional bouts of lust to retain our attention. The mix of voices from the past, the present, and possible cybernetic future leads the reader to poignant thoughts about the relationship of past and present, and the attactions and repulsions of modern Japanese culture.