Product Description

This masterful new verse translation of Homer's classic story of the Trojan War has been hailed by critics as "an astonishing performance" and "a remarkable tour de force." Robert Fagles, chairman of the Department of Comparative Literature at Princeton University, brings the energy of contemporary language of this 2,700-year-old epic, while maintaining the drive and metric music of Homer's poetry, as well as the impact and nuance of Homer's mesmerizing repeated phrases.

As a scholar, Fagles praises Homer's directness and simplicity, the breadth of his imagination, and the power of his song. As a translator, he brilliantly captures these very qualities—which makes this Iliad not only a superb literary work, but a tremendous listening experience.

Product Details

• Amazon Sales Rank: #148699 in Books
• Published on: 2006-08-17
• Formats: Abridged, Audiobook
• Original language: English
• Number of items: 8
• Binding: Audio CD

About the Author
Translator ROBERT FAGLE is chairman of the Department of Comparative Literature at Princeton University.

From AudioFile
Robert Fagles's vigorous, celebrated translation of THE ILIAD receives a lively and engaging reading from renowned actor Derek Jacobi in this abridged production of Homer's classic. Set near the end of the Trojan War, the story is less a battlefield drama than a grand-scale, ancient soap opera in which a trifling contest among the gods has wrought the devastating ten-year siege of Troy and stirred all of the most familiar and primal human passions--love, jealousy, hatred, honor, loyalty, betrayal--among a large and convincingly human cast. Jacobi's characterizations are superb; the main players are distinct and clearly drawn--from Achilles, in his famous snit, to diffident Paris, heroic Hector, and the meddlesome gods themselves. M.G. © AudioFile 2007, Portland, Maine-- Copyright © AudioFile, Portland, Maine

Customer Reviews

Narration before Translation
Upon reading reviews of various audiobooks, I find that most reviewers comment too much upon the translation and too little upon the narration. Translation choice is certainly important but I think you have to find a narrator who makes the story exciting. After having listened to both the narration by George Guidall of the Fitzgerald translation and Derek Jacobi's narration of Robert Fagles' translation, I would say I prefer the Jacobi recording. Although both men give good performances, I think that Derek Jacobi's reading is the better of the two because his tempo and inflection more closely mirror the pitch and pause of the narrative drama. Regardless of which translator you prefer, the narration should take precedence over the choice of translation. I actually prefer Fitzgerald to Fagles as a translator and I'm not crazy about an abridged version of The Iliad in the Derek Jacobi (Fagles) audiobook. But if you're going to listen to a few hours of Homer, you'd better like the voice in the ether. I don't think you could go wrong with either of these two narrations but I would advise you to find some audio samples to compare performances before you make your purchase.

Abridged, but Excellent - and great fun, too
The Iliad was meant to be heard rather than read. It's a cliche, but it's true. So an audio version of the Iliad can be a great thing; rather than just a secondary version of a published book, it can be in some ways a purer representation of the original work. This recording is an (abridged) reading by Derek Jacobi of Robert Fagles's best-selling 1990 translation. I'll deal with three different aspects of this product separately: the translation, the performance, and the abridgement.

THE TRANSLATION (5 stars):

Judging a translation is a hard thing to do, and a lot of it comes down to personal aesthetic preference. Remember, all translations are paraphrase, and each can capture different facets of an original but none can capture all of it. This is particularly true of poetry, where much of the artistic content of the original is not only in the meaning of the words, but the sound, shape, and rhythm of the words themselves in the original language. What many translations of the Iliad lose, regardless of their literal accuracy, is the feel of Homer's verse - its directness, the concreteness of its language, and above all the headlong momentum of the whole thing. Homer's hexameter verse is propulsive, pulling the hearer (note: not the reader) forward with an unstoppable 15,000-line drumbeat that leaves you breathless. (Well, it leaves me breathless, anyway -- your mileage may vary.) Fagles captures this feeling magnificently in direct, confident, robust English. True, Fagles is not always literally accurate in the translation of specific words or epithets, but he expertly recreates the vigor of the piece. Richmond Lattimore's excellent translation (The Iliad of Homer) is closer to Homer in capturing some of the subtleties of wording, and is rigorous in its fidelity to the text, but the Fagles translation is my favorite for sheer heart-pounding excitement. The warrior spirit of the Iliad comes crashing through this translation undiluted and without apology.

THE PERFORMANCE (4 and a half stars):

Jacobi gives a spirited performance, with a forceful, fiery delivery well-suited to the heroic bombast of the battle scenes and the emotionally-charged clash of strong personalities. Achilles's offended pride, Hector's valiant but headstrong dedication to duty, Agamemnon's arrogance, and Paris's weasly self-serving faux contrition all come through vividly. My only criticisms of Jacobi's performance are these: while well-suited to the larger-than-life elements of the story, Jacobi can occasionally be too bombastic in a few of the more intimate moments. In addition (and this is admittedly a bit of a nitpick), I feel that he disregards the meter a little too much. As I mentioned above, the drumbeat of Homer's verse is a key aspect of its artistic appeal. Fagles chooses a loosely iambic meter which is not intrusive, but imparts a definite rhythm; at times, Jacobi all but ignores this and might as well be reading prose. There's no need for a bouncy Dr. Seuss-style delivery, but a bit more recognition of the rhythmic flow of the English version would suit me better. (This is, of course, a matter of taste.) Ian McKellen's (unabridged!) reading of Fagles's Odyssey translation (The Odyssey by Homer) is a contrast here: McKellen unobtrusively finds the rhythm of each line in a powerful (and a bit more textured) performance. These criticisms are by no means severe -- Jacobi's performance is excellent.

THE ABRIDGEMENT (3 stars):

Yes, as others note, this reading is abridged (approximately half of the text is left out), and a lot is unfortunately lost. When originally released on cassette in the early 1990s, the producers were probably skeptical of the sales potential of a 13-hour recording of an ancient Greek poem, and so hedged their bets with an abridgement. But both the print and recorded versions of Fagles's Iliad were surprising bestsellers. Happily, the publishers did not make the same mistake with Fagles's Odyssey, released in 1996: Ian McKellen's reading of that poem is unabridged (and glorious).

In this recording of the Iliad, most of the key episodes are preserved - for example the initial disagreement between Achilles and Agamemnon, Hector's return to Troy, Patroclus's death, Hector's death, and the final meeting between Achilles and Priam. Others are sadly missing. Some of the excised bits are obvious choices (the catalogue of ships in Book II is mercifully skipped over), but others are harder to bear. The biggest loss for me is the funeral games for Patroclus, but most lovers of the Iliad will find some favorite moment or another gone.

But while the cuts are deep, they are fairly clean. Entire, unbroken blocks of text (ranging from dozens of lines to whole books) are removed en masse, rather than a line here and a line there; there is (thankfully) no resorting to paraphrase or condensing lines. Further, the excisions are well-marked: all words coming from Jacobi's mouth are directly from Fagles's translation; missing sections are bridged with summarizing narration read by a different narrator.

While the cuts are unfortunate, they do not generally detract from the high quality of the listening experience. For those who know the Iliad well, think of this as a terrific "greatest hits" version of the poem. Enjoy the parts that are here, and don't pine too much for the missing bits. You can always go back to the text for those.

J. Van Hoose

Sir Derek Jacobi's masterful reading is pure pleasure
I recall asking a bookseller years ago if he had the Jacobi audio narration of The Iliad in his store. His response, "We don't do audio. Bookstores are for books." Fine and dandy. But The Iliad was an oral poem to begin with, and for those who want to hear it, regardless of having read it or not, there is no better place to start. Yes, it is abridged, but the choice of abridgement seems sensible, though I would have preferred the poem in its entirety. Another reviewer refers to Jacobi, a mentor of Kenneth Branaugh, as the greatest living Shakespearean actor. Though there are many fine Shakespearean actors currently performing around the world in dozens of fascinating roles, it is easy to imagine that Jacobi is one of the finest. His reading of Homer's ILIAD is intense and riveting and a must for fans of the poem in English. PS: Check out Jacobi in his most brilliant performance as the lead in I, Claudius.

N.B. : this Robert Fagles translation/Derek Jacobi narrated audio version is also available on AUDIO CASSETTE The Iliad (Classics on Cassette)

Sir Ian McKellen's very fine narration of Fagles' translation of The Odyssey by Homer in an unabridged CD and audio cassette recordings The Odyssey (Penguin Classics)

Sir Derek Jacobi's narration of Allen Mandelbaum's translation of The Odyssey is available in abridged CD or audio cassette versions.

The brilliant actor/director/writer/narrator Simon Callow's unabridged reading of Robert Fagle's new translation of Virgil's The Aeneid is another must-have for audio classics fans.