Product Description

Product Details

• Amazon Sales Rank: #205174 in Books
• Published on: 2007-10-02
• Released on: 2007-10-02
• Original language: English
• Number of items: 1
• Binding: Paperback
• 288 pages

From Publishers Weekly
Ancient and modern horrors mingle in Vargas Llosa's somber yet oddly zestful novel, the most direct examination the Peruvian writer has made of his nation's complex political problems since The War of the End of the World and The Real Life of Alejandro Mayta. At a remote location in the Andes, Civil Guards Lituma and Carre?o investigate the disappearance of three men, two of whom were laborers on a highway project that will likely never be finished due to the region's increasing political volatility. Sendero Luminoso guerrillas have attacked several nearby towns; in a chilling early chapter, they stone to death two French tourists unwise enough to travel through the area. The Sendero Luminoso's activities?and Carre?o's casual aside acknowledging that the Civil Guard has committed atrocities in return?create an atmosphere of menace that is further compounded by the officers' inability to communicate with the sullen and hostile seruchos. These mountain people treat the easygoing Lituma "as if he came from Mars." Indeed, affluent coastal Peru might as well be Mars to the sierra's impoverished Indians, who prove less receptive to the guerrillas' Marxist sloganeering than to the blandishments of a mysterious local couple who may have instigated sinister rites with links to those involving pre-Columbian human sacrifice. If Vargas Llosa is making a point about the eternal, intractable nature of violence in Latin America, it is so buried as to be virtually invisible. No matter: his vigorous storytelling and intriguingly complex structure?past and present mingle in the intertwined narratives of various characters?offer ample satisfaction without any overt message.
Copyright 1995 Reed Business Information, Inc.

From Library Journal
People have been mysteriously disappearing in the remote mining communities of the Andes, where the inhabitants are more likely to speak the Incan language Quechua than Spanish. Some blame the heavily armed bands of teenage Sendero Luminoso guerrillas that periodically descend on the villages to conduct mock trials and execute "imperialist lackeys." Others blame the equally bloodthirsty government troops. Danish anthropologist Paul Stirmsson suspects that some of the recent victims may have been killed in ritual sacrifices to appease pre-Columbian gods and demons. A witch named Dona Adriana and her husband, Dionisio, whose drunken antics recall the Dionysian revels of Greek antiquity, are the prime suspects. The author (In Praise of the Stepmother, LJ 9/1/90) makes no attempt to assess the Senderistas in political terms. Instead, he offers a sort of Diane Arbus portrait gallery of rural Peru, set in an entertaining detective novel format. For larger fiction collections.
Edward B. St. John, Loyola Law School Lib., Los Angeles
Copyright 1996 Reed Business Information, Inc.

From Booklist
Alternating points of view give meaningful structure to a disturbing new novel by Vargas Llosa, the great Peruvian writer. Guerrillas, army officers, environmentalists, a bizarre witch and her equally strange husband, and even a couple of French tourists all have their roles to play as the author fashions a plot centering on the mysterious killing of three men in a remote village. Finding the killer is the framework upon which the author develops a pageant of contemporary Peruvian society, a violent environment where even baby vicunas are not exempt from needless slaughter. For North American readers, Vargas Llosa's novel puts faces on, supplies reasons and motives behind, and imparts a history of the terrorism that has plagued Peru in recent years--a situation most of us see only as an inconvenience to traveling there. This pungent work of fiction imparts the real picture, a moving depiction of the strengths and weaknesses in the fabric of Andean culture. Brad Hooper

Customer Reviews

Vargas Llosa really captures the spirit of modern Peru
Mario Vargas Llosa does an excellent job in capturing many of the dilemnas and controversies which face modern Peru in "Death in the Andes". He does an masterful job in presenting the military, insurgents, (Sendero Luminoso), and also the native peasants and farmers of the country. The reader really feels the emotions and experiences of the characters in the story. The violence, brutality and pain of life of many in Peru comes across clearly in this tale. Vargas Llosa weaves the narratives of three characters and also experiments with shifting between different periods of time during the course of the novel. His writing style in this work is very straightforward and clear. The book reads quite quickly and easily. If one enjoys the work of Gabriel García Márquez or a great story in general, they will enjoy "Death in the Andes".

Structurally a Mystery Story - Captivating and Memorable
Death in the Andes is a story of brutality and fear and ignorance. The language is often coarse and vulgar. The ending is especially disturbing. Were it not for the remarkable writing of Mario Vargas Llosa, I might have put this unsettling story aside. But Mario Vargas Llosa is a captivating story teller and I found myself wanting to know more and more about his characters that inhabit the harsh mountains of Peru.

The reader encounters alternating viewpoints and layered conversations that intermingle the present and the past, forcing the reader to remain alert. Death in the Andes is structurally a mystery story in which two soldiers assigned to a barren outpost investigate the disappearance of three men. The brutal Shining Path terrorists (the Senderistas) are the natural suspect, but Corporal Lituma also mistrusts both the townspeople (largely traditional Indians) and the construction work crew building a highway across the mountains. Initially, he has little patience for talk of the pishtacos, vampire-like humans that sucked the blood and ate the melted the fat of their victims.

There are stories within stories. Young French tourists are stoned to death, rather than shot, to save bullets, and to permit others to take part in the killing. In fascination we listen to a lonely young man describe his improbable love of a prostitute. We witness a village turning upon itself and selecting victims for the Senderistas. We meet an aged, repulsive woman who in her youth helped kill a pishtacos. We gain a nebulous understanding as to why Peruvians and foreigners involved in re-forestation programs and nature preserves become prime targets for assassination.

I have already begun to read Death in the Andes again and I am searching for more writings by Mario Vargas Llosa. Although I found his portrait of contemporary Peru to be unsettling, disturbing, and haunting, Death in the Andes will appeal to the reader on many levels. It is a memorable lesson in history, in cultural conflict, and in man's inhumanity.

As mysterious as the Andes themselves...
In Death in the Andes, Vargas Llosa weaves a tale that is neither simple nor pat. He reveals truths about human nature: their complexities and frailities in stressful circumstances. People alone in the mountains; people who have lost hope turn to beliefs as old as those same hills and become something horrible. They turn on their neighbors and kill them at the behest of people all too willing to use them for their own ends. The terrucos, serruchos, apus, and pishtacos which liter his story surround the reader in a vast world one cannot explain away as being the rantings of mountain people. Vargas Llosa places the reader into this mysterious world, and it is not always a comfortable one. The Shining Path scenes in this book are, in themselves, enough to make one turn away. But it is worth the read, as simply a lever to pry open that world which I can never really know, even though I've pedaled a bike in the backcountry, and had people yell that I was a "pishtaco" or one who steals the flesh from another to sell, I am not of Peru. Vargas Llosa took me as far I could ever go.