Product Description

"A frank, intriguing memoir."
--People

"Painfully shrewd, and written with real delicacy and pathos."
--The New York Times Book Review

"Home reflects the very qualities that first made the working-class English singer a star 45 years ago: intelligence, gentle humor, and a clear, sweet, surprisingly powerful voice . . . In warmly nostalgic later chapters, the book begins to glow."
--Entertainment Weekly

"A delightful remembrance of her own childhood, and an engrossing prelude to her cinematic career . . . Andrews is an accomplished writer who holds back nothing while adding a patina of poetry to the antics and anecdotes throughout this memoir of bittersweet backstage encounters and theatrical triumphs."
--Publishers Weekly (starred review)

"Frank and fascinating . . . Andrews comes across as plainspoken, guilelessly charming and resoundingly tough."
--Time

In Home: A Memoir of My Early Years, Julie Andrews takes her readers on a warm, moving, and often humorous journey from a difficult upbringing in war-torn Britain to the brink of international stardom in America.

Product Details

• Amazon Sales Rank: #5785 in Books
• Published on: 2009-04-07
• Released on: 2009-04-07
• Format: Bargain Price
• Number of items: 1
• Binding: Paperback
• 352 pages

Amazon.com Review
Syphilis, alcoholism, infidelity, and indeterminate parentage may seem improbable touchstones in the back story of one who didn't so much portray as embody the blithe Maria in The Sound of Music. But as this memoir of her formative years makes clear, there is more gravitas to Andrews than meets the eye. From her childhood in rural England and initial forays into British theater, to her first massive successes on Broadway and in the West End--notably as Eliza Doolittle in My Fair Lady--Home puts her celebrated career in context. While arguably offering more detail about the Andrews family than necessary, it nevertheless dishes wonderful anecdotes about legends and Andrews contemporaries like Noël Coward, Rex Harrison, Robert Goulet, Richard Burton, and Rodgers and Hammerstein, in prose as crisp and immaculate as the author herself. It also offers a revealing look into the intricate, exhaustive craft of performing--skills often taken for granted in tabloid times. Since the book ends just as Andrews is about to launch into the celluloid stratosphere, can Volume II be far behind? After Home, it would be most welcome. --Kim Hughes

From Publishers Weekly
Starred Review. Andrews, who has written several children's books (The Great American Mousical; Mandy), both solo and with her daughter, now dances in a different direction with this delightful remembrance of her own childhood and engrossing prelude to her cinematic career. Spanning events from her 1935 birth to the early 1960s, she covers her rise to fame and ends with Walt Disney casting her in Mary Poppins (1963). Setting the stage with a family tree backdrop, she balances the sad struggles of relatives and hard drinkers with mirthful family tales and youthful vocal lessons amid rationing and the London Blitz: My mother pulled back the blackout curtains and gasped—for there, snuggly settled in the concrete square of the courtyard, was the incendiary bomb. A BBC show led to a London musical at age 12: My song literally stopped the show. People rose to their feet and would not stop clapping. Her mother's revelation of her true father left her reeling when she was 15, but she continued touring, did weekly BBC broadcasts and was Broadway-bound by 1954 to do The Boyfriend. The heart of her book documents the rehearsals, tryouts and smash 1956 opening of My Fair Lady. Readers will rejoice, since Andrews is an accomplished writer who holds back nothing while adding a patina of poetry to the antics and anecdotes throughout this memoir of bittersweet backstage encounters and theatrical triumphs. (Apr. 1)
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From Booklist
Famous singer and actress Andrews details her turbulent and often lonely childhood, unusual upbringing, and the difficult journey to her ultimate success as a star of stage and screen. In an engaging, chatty tone, she describes her early years, from the air-raids, bombings, and rationing of World War II, to her parents’ ugly divorce and her new life in London featuring a creepy stepfather and a mother descending into alcoholism. It was actually Andrews’ new stepfather who, despite his shadiness, encouraged her to pursue singing and a life in the theater. After years of grueling singing and dancing lessons, she began performing in London dramatic productions, and by the time she was a teenager, she was financially supporting her entire family. Andrews clearly and straightforwardly details the events and sometimes ugly occurrences she encountered along the way. It was a well-regarded London performance that eventually led to her first role on Broadway in The Boyfriend, which then led to her breakout roles in My Fair Lady and, soon after, Camelot. Packed with anecdotes about other famous actors, including Rex Harrison and Richard Burton, Andrews’ book will appeal to her many fans. --Kathleen Hughes

Customer Reviews

She Has Confidence...in a Gracious, Generous Memoir of the Years Before Her International Stardom
I am convinced that any baby boomer who does not admit to having had a bit of a crush on Julie Andrews is lying. I recall even as a toddler how I begged my parents to let me see Mary Poppins and The Sound of Music multiple times only to enjoy those movies again in sing-along versions forty years later. The crispness of her vocal delivery and the angularity of her wholesome appeal just seemed right before the counter-cultural revolution took over with the escalation of the Vietnam War. However, she does not get to that career pinnacle in her memoir, as her story stops just as she flew to Los Angeles in 1963 to film Mary Poppins. It's a major credit to Andrews that she makes intriguing those early years prior to her international success with such perceptive candor and gentle humor. Perhaps because of her long-standing success as a children's book author, she displays a great deal of dexterity as a writer.

Andrews' childhood memories are full of self-effacing observations about a most unenviable home life. Belying her image of elegant breeding, she was raised in poverty by an alcoholic mother and a lecherous stepfather during the dwindling days of vaudeville in England. Already a part of her parents' music hall act by age nine, Andrews found she had an acrobatic soprano voice that so astounded the press that she performed for the Queen and became a nightly sensation at the London Palladium. She had a range of over four octaves and yet most tellingly labels her voice "freakishly high". Her talent certainly impressed others more than herself as she became the toast of Broadway and London first in Sandy Wilson's The Boy Friend and then legendarily as Eliza Doolittle and Queen Guinevere in Lerner and Lowe's My Fair Lady and Camelot, respectively. Andrews' professional recollections are full of celebrity dish but not obnoxiously so between Rex Harrison's flatulence, Richard Burton's amorous advances, Cecil Beaton's bitchiness about how she wears his clothes, and impressionable backstage visits from the likes of Laurence Olivier and Ingrid Bergman.

However, the book's most resonant passages focus on her conflicted and still painful memories of her rather dysfunctional family - her late mother, a promising classical pianist who let the bottle overcome her; a philandering grandfather whose indiscretions eventually cost the life of her grandmother; and most harrowing is her stepfather whose violent tendencies instilled an unsettling fear in the young Julie. There are some surprising revelations Andrews willingly shares in that recognizably crisp manner, and reflecting the woman herself, there is no doubt of the personal bravery it took for her to share them. With the inclusion of over fifty personal photos, the 339-page autobiography really whets the appetite for the sequel which I am hopeful is in the works since it will cover her impressive big-screen career. In the meantime, this first volume clearly reflects how she evolved into the iconic persona that is her legacy - classy, disciplined, forthcoming, amusing, a bit starchy, and truly one of the great treasures. I think I still have that crush.

Julie Andrews's Unflinching Memoir Plumbs the Depths
I came of age listening to the original cast recordings of MY FAIR LADY and CAMELOT, and my first glimpse of Julie Andrews was in snippets from the latter show on ED SULLIVAN. I fell in love with her crystalline soprano and crisp diction and have always followed her career. When I heard she was writing a memoir of her early years, I couldn't wait to read it. After the book arrived from Amazon, I devoured it in two sittings, staying up late to finish. In beautiful, unflinching prose she fills in the gaps I've wondered about over the years, giving insights into her evolution from a young English girl with a big voice to the coloratura toast of Broadway--a transition she made with grit and talent. Ms. Andrews depicts a childhood that forced her to leave school at 14 and support her family with her singing, but there's not a trace of self-pity. She also shares details about her vocal training with Lilian Stiles-Allen. If you're a Julie Andrews fan, you'll want to buy this book and immerse yourself in her memories. She's a "fair lady," all right, and still the queen of the golden age of musicals. Brava, Ms. Andrews, and many thanks! -- from Susan Dormady Eisenberg, contributing writer to Classical Singer Magazine & author of the novel, THE VOICE I JUST HEARD.

Home Sweet Home
When it was announced that Home, Julie Andrews' much anticipated memoir would only cover until she began Mary Poppins, I was initially disappointed. But as I began delving into Home, I realized the detail she was able to afford her early years by doing so allowed a story to unravel that was absolutely absorbing; something that likely been comprised had Home chronicled her entire illustrious career. I was very ignorant of Julie's early career, thinking it essentially began with My Fair Lady on Broadway. What I didn't know was the dark lonely childhood lived in poverty during the war. Unlike Elizabeth Taylor, Julia (as she was originally named) did not have the luxury of seeking refuge elsewhere, and was forced to remain in a very bleak and dark London; many nights spent huddled in one of the city's Underground stations with her mother and her new stepfather who she despised. Weekends spent with her father in the countryside provided fleeting moments of happiness for the young girl.

As she grew a little older, her stepfather discovered that she had an extremely powerful singing voice, and she was quickly enrolled in lessons. In no time she was shoved onstage to entertain crowds alongside her parents in dusty old music halls across England. Julie, known as the "pigtail prodigy," became the centerpiece of the act, much to the frustration of her jealous stepfather, who was an alcoholic. In Home, Julie intimately remembers her early days spent touring around England during the dying days of vaudeville. As interest in the family act begins to dissipate, Julie appears in Christmas pantomimes and on the radio, and catches the eye of producers who are mounting the Broadway production of The Boy Friend, a recent musical hit there on the West End. By the end of Home, Julie is the toast of Broadway, originating the lead roles in My Fair Lady and Camelot, and is to begin work on the film that made her an icon, Mary Poppins.

In Home, the story of Julie Andrews' early career tumbles out a rapid pace, all the while displaying grace, wit, humour, and surprising honesty. It was quite clear to me just how meticulously researched Home actually was. As this book took ten years to complete, I doubt we'll see another so soon--although I pray I'm wrong. I'd love a follow-up just to know what happened in the lives of Dad, Mum, Pop, Aunt Joan, etc. after the book's completion. The characters are that endearing. Home is one of the greatest memoirs I have ever had the pleasure of reading. It's not hard to know why Julie Andrews and her films have become such an important part of our lives. Bravo, Julie. Bravo.