Product Description

Sometimes I feel like I have walked into the middle of a movie. Maybe I can make my own movie. The film will be the story of my life. No, not my life, but of this experience. I'll call it what the lady who is the prosecutor called me. MONSTER.

FADE IN: INTERIOR COURT. A guard sits at a desk behind Steve. Kathy O'Brien, Steve's lawyer, is all business as she talks to Steve.

O'BRIEN
Let me make sure you understand what's going on. Both you and this king character are on trial for felony murder. Felony Murder is as serious as it gets. . . . When you're in court, you sit there and pay attetion. You let the jury know that you think the case is a serious as they do. . . .

STEVE
You think we're going to win ?

O'BRIEN (seriously)
It probably depends on what you mean by "win."

Sixteen-year-old Steve Harmon is on trial for murder. A Harlem drugstore owner was shot and killed in his store, and the word is that Steve served as the lookout.

Guilty or innocent, Steve becomes a pawn in the hands of "the system," cluttered with cynical authority figures and unscrupulous inmates, who will turn in anyone to shorten their own sentences. For the first time, Steve is forced to think about who he is as he faces prison, where he may spend all the tomorrows of his life.

As a way of coping with the horrific events that entangle him, Steve, an amateur filmmaker, decides to transcribe his trial into a script, just like in the movies. He writes it all down, scene by scene, the story of how his whole life was turned around in an instant. But despite his efforts, reality is blurred and his vision obscured until he can no longer tell who he is or what is the truth. This compelling novel is Walter Dean Myers's writing at its best.

2000 Coretta Scott King Honor Book, 2000 Michael L. Printz Award, 1999 National Book Award Finalist, 01 Heartland Award for Excellence in YA Lit Finalist, 00-01 Tayshas High School Reading List, and 00-01 Black-Eyed Susan Award Masterlist

2000 Best Books for Young Adults (ALA), Hornbook Fanfare 2000, Michael L. Printz Award 2000, 2000 Coretta Scott King Award Author Honor Book, 2000 Quick Picks for Young Adults (Recomm. Books for Reluctant Young Readers), and 2000 Best Books for Young Adults (ALA)

Product Details

• Amazon Sales Rank: #27264 in Books
• Published on: 2001-05-01
• Released on: 2001-05-08
• Original language: English
• Number of items: 1
• Binding: Paperback
• 281 pages

Features

• ISBN13: 9780064407311
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
"Monster" is what the prosecutor called 16-year-old Steve Harmon for his supposed role in the fatal shooting of a convenience-store owner. But was Steve really the lookout who gave the "all clear" to the murderer, or was he just in the wrong place at the wrong time? In this innovative novel by Walter Dean Myers, the reader becomes both juror and witness during the trial of Steve's life. To calm his nerves as he sits in the courtroom, aspiring filmmaker Steve chronicles the proceedings in movie script format. Interspersed throughout his screenplay are journal writings that provide insight into Steve's life before the murder and his feelings about being held in prison during the trial. "They take away your shoelaces and your belt so you can't kill yourself no matter how bad it is. I guess making you live is part of the punishment."

Myers, known for the inner-city classic Motown and Didi (first published in 1984), proves with Monster that he has kept up with both the struggles and the lingo of today's teens. Steve is an adolescent caught up in the violent circumstances of an adult world--a situation most teens can relate to on some level. Readers will no doubt be attracted to the novel's handwriting-style typeface, emphasis on dialogue, and fast-paced courtroom action. By weaving together Steve's journal entries and his script, Myers has given the first-person voice a new twist and added yet another worthy volume to his already admirable body of work. (Ages 12 and older) --Jennifer Hubert

From School Library Journal
Grade 7 Up-Steve Harmon, 16, is accused of serving as a lookout for a robbery of a Harlem drugstore. The owner was shot and killed, and now Steve is in prison awaiting trial for murder. From there, he tells about his case and his incarceration. Many elements of this story are familiar, but Myers keeps it fresh and alive by telling it from an unusual perspective. Steve, an amateur filmmaker, recounts his experiences in the form of a movie screenplay. His striking scene-by-scene narrative of how his life has dramatically changed is riveting. Interspersed within the script are diary entries in which the teen vividly describes the nightmarish conditions of his confinement. Myers expertly presents the many facets of his protagonist's character and readers will find themselves feeling both sympathy and repugnance for him. Steve searches deep within his soul to prove to himself that he is not the "monster" the prosecutor presented him as to the jury. Ultimately, he reconnects with his humanity and regains a moral awareness that he had lost. Christopher Myers's superfluous black-and-white drawings are less successful. Their grainy, unfocused look complements the cinematic quality of the text, but they do little to enhance the story. Monster will challenge readers with difficult questions, to which there are no definitive answers. In some respects, the novel is reminiscent of Virginia Walter's Making Up Megaboy (DK Ink, 1998), another book enriched by its ambiguity. Like it, Monster lends itself well to classroom or group discussion. It's an emotionally charged story that readers will find compelling and disturbing.
Edward Sullivan, New York Public Library
Copyright 1999 Reed Business Information, Inc.

From Booklist
Myers combines an innovative format, complex moral issues, and an intriguingly sympathetic but flawed protagonist in this cautionary tale of a 16-year-old on trial for felony murder. Steve Harmon is accused of acting as lookout for a robbery that left a victim dead; if convicted, Steve could serve 25 years to life. Although it is clear that Steve did participate in the robbery, his level of involvement is questionable, leaving protagonist and reader to grapple with the question of his guilt. An amateur filmmaker, Steve tells his story in a combination of film script and journal. The "handwritten" font of the journal entries effectively uses boldface and different sizes of type to emphasize particular passages. The film script contains minimal jargon, explaining camera angles (CU, POV, etc.) when each term first appears. Myers' son Christopher provides the black-and-white photos, often cropped and digitally altered, that complement the text. Script and journal together create a fascinating portrait of a terrified young man wrestling with his conscience. The tense drama of the courtroom scenes will enthrall readers, but it is the thorny moral questions raised in Steve's journal that will endure in readers' memories. Although descriptions of the robbery and prison life are realistic and not overly graphic, the subject matter is more appropriate for high-school-age than younger readers. Debbie Carton

Customer Reviews

A thoughtful, emotional novel about a Black teen on trial
Steven Harmon was only a lookout in the four-person holdup of a drugstore, but during the robbery attempt the store owner was killed. Steven wasn't even IN the store at the time of the murder. How guilty does that make Steven? Does his participation make him a MONSTER? That is the question left up to the jury in this courtroom trial. While the book in made up entirely of the trial, Myers uses mixed modes to depict the case. Steven, an aspiring filmmaker, records the trial's events as a screenplay, complete with close ups, reaction shots, and voice overs. Between scenes, we read Steven's handwritten journal about the case and see his fears of prison life and apprehensions about the proceedings in court. Mixed in are photographs of "Steven" in anguish. I found the telling of the story to be riveting and I feel it would provide terrific discussion in a classroom, perhaps 9th grade. Not only must we judge Steven's guilt, we also judge others involved and learn about the justice system in all its glory. By the time the novel ends, we feel as if we've been with Steven the whole time, and know we would never want to experience these events. It makes us consider peer pressure, the choices we make, the integrity of people, and different degrees of guilt. I enjoyed MONSTER very much and highly recommend it for personal use or with a class.

Crying at night
My parents courted by playing the "first line" game. One person says the first line of a favorite book of theirs and the other person guesses the piece of literature quoted. "Monster"'s first line is a doozy, and I doubt anyone, once hearing it, could do anything but guess its title correctly.

"The best time to cry is at night, when the lights are out and someone is screaming for help".

So writes Steve Harmon, the sixteen year-old accused felon and hero of this story. Myers adeptly creates a new form of fiction in this Printz winner of a book. Finding jail too painful to endure, Steve recounts his life and court appearances by styling his journal in the form of a movie. The title of this movie "Monster" refers to a statement made by the leading prosecutor about Steve, the defendant. Falsely accused of aiding and abetting a robbery and consequent murder of a local drugstore and its manager, Steve recounts his current status, his past hopes and dreams, and the pain he must endure day to day. Kids reading this book might have some difficulty grasping exactly how this book's protagonist is connected to the murder. Certainly there isn't a detailed description of the extent to which Steve was connected to the killers in the neighborhood. But Myers gives his readers a lot of credit, believing they'll figure out what's going on, on their own. Steve's experiences in jail are a pared down version of the t.v. show "Oz". There are several references to sexual assault, in addition to violence and some mild language. I wouldn't be handing this book to your five-year-old but for any kid that's curious about jail or being "tough", this book can do you no wrong.

Scary, realistic, and compelling
This novel really makes one think about society's view of young black men, and about young black male's preception of themselves. Why do good kids get into trouble? And why did Steve Harmon? What happens to good kids when they do get put into jail and they have to be with harden criminals-who do they become? MONSTER, brings these questions to light and there are no answers. But as a young hispanic female, recommending this book to a young african-american male is hard. One teen looked at me and looked at the cover and asked me if i thought he was a monster. Of course I do not. But I wish more than anything this young man would have picked up this book because I think that it would have helped him at looking at himself with the question Steve Harmon asks himself WHO AM I?.

I truly believe anyone who picks up this book will also ask themselves the same question WHO AM I? I know I did.