Product Description

This compelling account of a wronged woman in Renaissance Florence, first published in 1986, is a fascinating view of Florentine society and its attitudes on love, marriage, class, and gender. Lusanna was a beautiful woman from a middle-class background who, in 1455, brought suit against Giovanni, her aristocratic lover, when she learned he had contracted to marry a woman of his own class. Blending scholarship with insightful narrative, the book portrays an extraordinary woman who challenged the unwritten codes and barriers of the social hierarchy and dared to seek a measure of personal independence in a male-dominated world.

Product Details

• Amazon Sales Rank: #244510 in Books
• Published on: 2004-12-14
• Original language: English
• Number of items: 1
• Binding: Paperback
• 154 pages

From Library Journal
In 1455, Lusanna, the beautiful widow of an artisan, brought an ultimately un successful suit against Giovanni, an aristocrat, seeking legal recognition of their clandestine marriage. The author skillfully reconstructs the story of these former lovers. Their dispute, and affair, is amply documented in the sometimes seamy witness testimony contained in Florentine court records. While this case is a highly atypical example of one woman's determined challenge to the social norm, the resultant court battle sheds additional light on Renaissance Florence's class system as well as con temporary legal, moral, and sexual con ventions. This work is a fine example of microhistory, which emphasizes the story of specific events or ordinary peo ple hitherto ignored. Recommended particularly for academic history and women's studies collections. William F. Young, SUNY at Albany Lib.
Copyright 1986 Reed Business Information, Inc.

Review
"Set against the grindstone of social class, this story of Lusanna versus Giovanni, gleaned from the archives of Renaissance Florence, throws a floodlight on relations between the sexes. Gene Brucker's wonderful account has remarkable resonance." - Lauro Martines, author of April Blood "In the years since it first appeared, Gene Brucker's Giovanni and Lusanna has attracted a large and loyal readership. There is no better introduction to the complex realities of life (and love) in Florence during the Renaissance." - William J. Connell, Professor of History and La Motta Chair in Italian Studies, Seton Hall University"

From the Inside Flap
"Set against the grindstone of social class, this story of Lusanna versus Giovanni, gleaned from the archives of Renaissance Florence, throws a floodlight on relations between the sexes. Gene Brucker's wonderful account has remarkable resonance."--Lauro Martines, author of April Blood

"In the years since it first appeared, Gene Brucker's Giovanni and Lusanna has attracted a large and loyal readership. There is no better introduction to the complex realities of life (and love) in Florence during the Renaissance."--William J. Connell, Professor of History and La Motta Chair in Italian Studies, Seton Hall University

PRAISE FOR THE PREVIOUS EDITION:

"At its core, this splendid study is about stubborn love and the forms of law, and the impossibility of each to accommodate the ultimate claims of the other."--New York Times Book Review

Customer Reviews

A rare look into Renaissance Florence
For anyone who enjoys history, and especially Italian Renaissance history, this is a gem! This book is an examination of marriage as a legal institution and the prescribed roles of both men and women in it. By examining two actual persons involved in a legal case about the validity of their marriage, Lusanna and Giovanni, Brucker allows the reader a rare glimpse into a more personal type of history- a microhistory, that tries to show the greater mores and norms of Renaissance Florence through the interpretation of a legal case. Although not an easy read, and why should it be, this is an excellent introduction to anyone interested in more detailed historical analysis of law and social institutions in the Renissance.

Introduction
Giovanni and Lusanna: Love and Marriage in Renaissance Florence is an account of lovers maintaining social status despite going against certain social expectations. It is a historically significant tale because of the exceptionally detailed documents pertaining to their troubles; these documents describe the norms of the Florentine society throughout the renaissance and show in what ways Giovanni and Lusanna are rebels in their time. Giovanni courted Lusanna whilst she was wed to another, and when she became widowed Giovanni supposedly married her in a small ceremony but later denied the rite, resulting in a legal battle. By providing an exception to the social mores the testimonies of witnesses, along with official documents of a case where Lusanna protested the marriage of her alleged husband to a second woman provide the basis for studying the societal norms of renaissance Florence. Since "the relationship between Giovanni and Lusanna bridged two different milieux; its denouement in the archiepiscopal court provides a rare and revealing glimpse of social structures and values in Medicean Florence."(94) The in-depth witness testimonies not only tell the stories of this particular relationship but also reveal how society functioned then.

Love and . . . Marriage?
In 1455, in Florence, Lusanna di Benedetto, a widow of the artisanal class, brought suit against the noble, Giovanni della Casa, attempting to prove that he had secretly married her, and that, therefore, his publicly celebrated marriage to another was bigamous.

Professor Brucker has taken the simple records of this lawsuit and has used them as the framework for a short, but information-packed, account of Florentine society in the 14th-century. This story of a woman who challenged class and hierarchy in order to protect her reputation and prove the legitimacy of her marriage has a great deal to teach us about the legal process of the time, the interplay and tension between civil and church authority, the relationship between social classes, gender norms, and, of course, marriage laws and customs. This book shows Brucker as not only a scholar, but a story-teller, one who can turn the dry papers of the law courts into a fascinating human narrative. In particular, he brings Lusanna and Giovanni to life. We can almost feel what they felt, and understand how their upbringing, social positions and expectations brought them, first, together, and then into conflict. I was, frankly, surprised to find how much I had learned from a book of slightly over 100 pages!

As one who believes that one of the great disadvantages of closed stacks and internet search engines is the minimized opportunity for digression and serendipitous finds, I was delighted to read that this book was the result of Professor Brucker's fascination with a story that he came across while doing research into another matter at the Florentine State Archives. Indeed, he temporarily abandoned that research to concentrate on this story. A man after my own heart!