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The Fervent Years: The Group Theatre And The Thirties (Da Capo Paperback)

The Fervent Years: The Group Theatre And The Thirties (Da Capo Paperback)
By Harold Clurman

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Product Description

The Group Theatre was perhaps the most significant experiment in the history of American theater. Producing plays that reflected topical issues of the decade and giving a creative chance to actors, directors, and playwrights who were either fed up with or shut out of commercial theater, the ”Group” remains a permanent influence on American drama despite its brief ten-year life. It was here that method acting, native realism, and political language had their tryouts in front of audiences who anticipated—indeed demanded—a departure from the Broadway ”show-biz” tradition. In this now classic account, Harold Clurman, founder of the Group Theatre and a dynamic force as producer-director-critic for fifty years, here re-creates history he helped make with Lee Strasberg, Elia Kazan, Irwin Shaw, Clifford Odets, Cheryl Crawford, Morris Carnovsky, and William Saroyan. Stella Adler contributed a new introduction to this edition which remembers Clurman, the thirties, and the heady atmosphere of a tumultuous decade.

Product Details

  • Amazon Sales Rank: #315724 in Books
  • Published on: 1983-03-21
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 352 pages

Editorial Reviews

About the Author
The lateHarold Clurman was the author of Lies Like Truth, The Naked Image, On Directing, The Divine Pastime, and All People Are Famous, and was the editor of numerous theater anthologies.

Customer Reviews

the little theatre group that changed everything.. 5
A fascinating look at the birth and eventual fall of the Group Theatre through the eyes of Harold Clurman, who was the heart and soul of this theatre troupe. The Group Theatre would eventually change the course of American acting through their embrace of the Stanislavsky method of acting. Anyone with a love of theatre and it's rich history would love this book. Any actor should read it. The names that came out of the Group Theatre are like the 'Gods' of American acting and teaching "the Method". Stella Adler, Bobby Lewis, Stanford Meisner, Lee Strasberg, Clifford Odets.

A Wonderful History of what a Theatre should be4
What a wonderful book. I've always loved reading history and books of all topics and times of history dominate my shelf. However there is a void that is now apparent of books of the theatre and of the artists working within it. This has been a wonderful introduction to how much can really be said about the formation of a theatre and the ups and downs of its life.

Certainly anyone aspiring to be an actor or anyone in the business looking to see what finding the art in your work is all about, this is a must read. Clurman has an amazing memory, vividly retells all that took place during those turbulent years, and does so with a powerful, strong refreshingly opinionated point of view.

All in all, really a wonderful book in both story telling and lessons that I would love to revisit soon.

Required Reading for any theatre enthusiast4
As an actor this book filled me with a rediscovery of why my work matters and it inspired me to continue in an industry where success is so dificult. Though I am not a method actor i respect the accomplishments of the group theatre immensely and to hear harold clurman tell it is to hear it thorugh the glue of it all. Read this if you love theatre.