Product Description

Starring Reese Witherspoon (LEGALLY BLONDE), Colin Firth (BRIDGET JONES'S DIARY), and Rupert Everett (MY BEST FRIEND'S WEDDING), here is the hilarious adventure of two dashing young bachelors and the outrageous deceptions they find themselves in over love! Whenever Worthing (Firth) wants to leave his dull country life behind, he makes visits to the city posing as his fictitious "brother" Ernest. There, he becomes smitten with the ravishing Gwendolen (Frances O'Connor, A.I.). But when Worthing is in town, his playboy pal Algy (Everett) is in the country and falling for Worthing's young and beautiful ward, Cecily (Witherspoon) -- while also impersonating Ernest! Pandemonium ensues when these two would-be Ernests find themselves face-to-face and in the predicament of explaining who they really are!

Product Details

• Amazon Sales Rank: #2610 in DVD
• Brand: Disney
• Released on: 2002-11-12
• Rating: PG (Parental Guidance Suggested)
• Aspect ratio: 2.35:1
• Formats: Anamorphic, Closed-captioned, Color, Dolby, DVD, Widescreen, NTSC
• Original language: English, French
• Number of discs: 1
• Running time: 97 minutes

Amazon.com
Splendidly adapted from the wittiest play in the English language, The Importance of Being Earnest stars Colin Firth as an English gentleman who pretends to be his own brother, named Ernest, so he can enjoy himself in the city without besmirching his reputation at his country estate. Unfortunately, he's just fallen in love with a young woman (Frances O'Connor) who insists that she can only marry a man named Ernest--and when Firth's best friend (Rupert Everett) goes to Firth's country estate pretending to be this same brother Ernest, he falls in love with Firth's ward (Reese Witherspoon), who similarly feels that Ernest is the perfect name for a husband... The absurdity of the plot is matched by the exquisite cleverness of the dialogue, and the performances--particularly Dame Judi Dench as Everett's fearsome aunt--are excellent. --Bret Fetzer

From The New Yorker
An impish, sunny, and perfectly unnecessary production of the Wilde classic, directed by Oliver Parker. The Anthony Asquith version, from 1952, was stagey and artificial, which felt right for Wilde's confection. This movie is set in a counterfeit London of top hats, naughty music-hall girls, and primitive automobiles. Frances O'Connor, as Gwendolen Fairfax, is sexually very knowing, and gets the name Ernest tattooed on her rump. Colin Firth is a good Jack Worthing, but Rupert Everett's limited comic resources are exposed in the role of Algernon-he's arch rather than funny. Judi Dench makes the odd mistake of playing Lady Bracknell as if she were a real person, rather than the most entertaining caricature in the history of the theatre. With Edward Fox, who mumbles superbly as Algie's rarely paid manservant. -David Denby
Copyright © 2006 The New Yorker