Product Description

On an autumn day in 1769, a Hungarian nobleman named Wolfgang von Kempelen attended a conjuring show at the court of Maria Theresa, empress of Austria-Hungary. So unimpressed was Kempelen by the performance that he declared he could do better himself. Maria Theresa held him to his word and gave him six months to prepare a show of his own. Kempelen did not disappoint; he returned to the court the following spring with a mechanical man, fashioned from wood, powered by clockwork, dressed in a stylish Turkish costume-and capable of playing chess.

The Turk, as this contraption became known, was an instant success, and Tom Standage's book chronicles its illustrious career in Europe and America over the next eighty five years. Associated over time with a host of historical figures, including Benjamin Franklin, Catherine the Great, Napoleon Bonaparte, Charles Babbage, and Edgar Allan Poe, Kempelen's creation unwittingly also helped to inspire the development of the power loom, the computer, and the detective story. Everywhere it went, the Turk baffled spectators and provoked frenzied speculation about whether a machine could really think. Many rival theories were published, but they served only to undermine each other.

Part historical detective story, part biography, The Turk relates the saga of the machine's remarkable and checkered career against the backdrop of the industrial revolution, as mechanical technology opened up dramatic new possibilities and the relationship between people and machines was being redefined. Today, in the midst of the computer age, it has assumed a new significance, as scientists and philosophers continue to debate the possibility of machine intelligence. To modern eyes, the Turk now seems to have been a surprisingly farsighted invention, and its saga is a colorful and important part of the history of technology.

Product Details

• Amazon Sales Rank: #469399 in Books
• Published on: 2002-04-01
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 224 pages

From Library Journal
The Turk was the name given to a chess-playing automaton created by Wolfgang von Kempelen in order to impress the Empress Maria Theresa of Austria-Hungary. In 1770, von Kempelen demonstrated the Turk and so began a series of performances that would continue for 85 years, throughout Europe and eventually in the United States. Technology correspondent for the Economist and author of The Victorian Internet, Standage details the appearance and seeming construction of the automaton, following its existence and influence up through its destruction in a fire. He also provides a fine description of the fascination with automata and magic that was so prevalent in the late 18th and early 19th centuries. At the time, no one was able to determine how the Turk performed such feats; a fully operational replica was finally built by a Hollywood stage designer in 1971. Standage concludes this intriguing work by comparing the Turk with developments in computer chess playing in the latter half of the 20th century and also relates it to the broad artificial intelligence field. This book should appeal to a wide range of readers. Hilary Burton, Lawrence Livermore National Lab, Livermore, CA
Copyright 2002 Cahners Business Information, Inc.

From Booklist
*Starred Review* It's a shame that most people these days have never heard of Wolfgang von Kempelen's magnificent machine called the Turk, because it really was a marvelous creation. In the middle of the eighteenth century, automatons were all the rage: mechanical ducks and elephants; pictures with moving parts; even human simulacrums that could write, draw, and play musical instruments. And then there was the Turk, an automaton that could, it appeared, play chess--not just move pieces around a board, but also plan and execute strategies and outwit some of Europe's finest chess players. The Turk had a career that lasted more than eight decades: Benjamin Franklin played a match against it; Edgar Allan Poe wrote about it; Charles Babbage, the great-grandfather of the computer, was fascinated by it. But was it a genuine automaton? Or was it, as the Turk's many critics claimed, a hoax, a simple trick dressed up as a scientific wonder? Standage, who is also the author of the delightful Victorian Internet (1998), chronicles the life and times of the Turk, charting its ups and downs, showing the machine's impact on the world (the Turk was, in a way, the inspiration both for the computer and the modern detective story). Saving the best--the truth about the Turk--for last, he keeps us on the edge of our seats, wondering about the secret to this magical device. History as seen from an unusual angle; thrilling stuff. David Pitt
Copyright © American Library Association. All rights reserved

Review
an absorbing historical yarn... -- Christian Science Monitor

Customer Reviews

Hoax or Not?
I forget when or where but, many years ago, I first learned about a chess-playing automaton in the 19th century. In Standage's just published book, I have just learned "the rest of the story." The automaton (named "The Turk") attracted a great deal of attention and generated a great deal of controversy. Benjamin Franklin apparently played a game or two against it. In fact, "The Turk" is reputed to have defeated most of Europe's chess masters during a period which extends from 1770 until 1855. It attracted the attention of countless celebrities (e.g. Napoleon Bonaparte, Edgar Allan Poe, Catherine the Great, and Charles Babbage) and indeed, "The Turk" itself became a celebrity as did its inventor, Wolfgang von Kempelen. Was it truly a technological marvel, not only able to to move chess pieces but to formulate and then follow strategies which prevailed against most of the most skilled players? Or was it a hoax? It would be a disservice both to Standage and to his reader to say much more about this book, except that it is exceptionally well-written and combines the best features of a crackerjack detective story with the skills required of a world-class cultural anthropologist. Standage is a master storyteller; he tells the story of "The Turk" within the context of the Age of Victoria when the Industrial Revolution was well-underway and indeed thriving. Great stuff!

From Maria Theresa to Kasparov, by fermed
This is a delightful book that takes one cultural artifact (a mechanical chess playing machine that looks like a human being and is dressed in oriental opulence, "The Turk") and follows its entire life, from its conceptualization and manufacture to its final demise in a fire in Philadelphia. The period of the Turk's life lasted 85 years, and the people who somehow met and interacted with it were such luminaries Napoleon, and Charles Babbage (inventor of the first computer, sort of), and P. T. Barnum. Edgar Allan Poe started an entire genre (the short detective story) by writing "The Murders in the Rue Morgue," in part inspired by the mental exercise of trying to figure out how The Turk worked. Silas Wier Mitchell, the famous American Civil War physician and neurologist, actually owned The Turk before donating it to the Chinese museum in which it finally perished. Literally hundreds of Europe's intellectuals, and crowned heads, and glitterati of one sort or another played chess against the famous automaton, and usually (but not always) lost the game. And nobody except the operators knew the secret of the machine.

The Turk was the work of Wolfgang Kempelen, an engineer and an aid to the Austro-Hungarian Empress Maria Theresa, who called him to court so that he could explain to her the magic and the related magnetic games that were being demonstrated by a Frenchman by the name of Pelletier in the various courts of Europe. Maria Theresa, being of a scientific mind herself, wanted a respected official to uncover the trickery (if any) involved in Pelletier's performance. Mr. Kempelen explained each act as it was being performed, and was so unimpressed by the whole show that he boasted that if he had six months of free time he would be able to construct a really impressive automaton that would outclass anything then being shown in Europe. Maria Therese took him up on the challenge, and ordered him to go home, build his marvel in six months, and forget his duties to the state during that period.

Six months passed and in the Spring of 1770 Mr. Kempelen arrived in court with the Turk in tow. It was a life-size wood carving of a man wearing Turkish garb, seated at a table, with only one movable arm (the left)with dexterous fingers, and with a fixed gaze that stared down at a chess board. On the night of the first demonstration, Kempelen wheeled the figure before the audience, opened the various doors of the table, showing an impressive set of elaborate and mysterious clockwork and allowing the audience to look through the various openings, shining a candle for behind, so that they would see they were either empty or full of wheels and cogs, but free of any human being. When he convinced everyone that there was nothing hiding inside the machine, Kempelen invited one of the courtiers to sit at the table and play against the Turk. He used a large key to wind it up, and when he released a lever the Turk moved his head as if scanning the board, and suddenly reached out his arm and moved a piece. The game had began! Every ten moves or so, Kempelen would wind up the mechanism again, giving it the additional energy to proceed with the game. The Turk, of course, won the match that launched his famous career.

The author follows this career carefully and only after the Turk's life was ended does he reveal the method used by Kempelen (and others that owned the automaton). That is fair enough, giving the book the measure of suspense it should have in order to keep the reader excited and able to create his or her theory about how the machine operated and hold it until the end of the book.

The book does not end with the demise of the Turk, but it extends into the realm of the Kasparov - Deep Blue matches of 1996 (Kasparov won) and 1997 (D B won). It is a thoroughly delightful book to get into, and a hard one to put down. Even after the secrets of the machine are revealed, one is left in utter amazement about the Turk and its rambunctious life.

An unsung gem
Although a familiarity with chess will help, you don't need to be an enthusiast to enjoy this excellent book. Lovers of magic, mysteries, showmanship, mechanical engineering, computers, game theory, psychology, math and history will all find this a fascinating and engrossing story, as will anyone with a smattering of intellectual curiosity. Standege has created a faithful history that is also a page turner. The tale of The Turk is amazing; for its celebrated encounters with formidable intellects ranging from Napolean to Edgar Allan Poe; for its effect on the fortunes and misfortunes of its inventor and promoters; for its role as an inspirer of modern computing; and also for the sad fact that few people today have heard of the automaton that once enthralled and baffled people in dozens of countries through two centuries. Even more compelling is the book's subtext about credulity and the public's ready willingness to believe what what their eyes show them, even when their brains know that it is not possible.