Product Description

Winner of the National Book Award

After almost fifty years as a wife and mother, Enid Lambert is ready to have some fun. Unfortunately, her husband, Alfred, is losing his sanity to Parkinson's disease, and their children have long since flown the family nest to the catastrophes of their own lives. The oldest, Gary, a once-stable portfolio manager and family man, is trying to convince his wife and himself, despite clear signs to the contrary, that he is not clinically depressed. The middle child, Chip, has lost his seemingly secure academic job and is failing spectacularly at his new line of work. And Denise, the youngest, has escaped a disastrous marriage only to pour her youth and beauty down the drain of an affair with a married man-or so her mother fears. Desperate for some pleasure to look forward to, Enid has set her heart on an elusive goal: bringing her family together for one last Christmas at home.

---

Product Details

• Amazon Sales Rank: #12862 in Books
• Published on: 2002-09-01
• Released on: 2002-08-27
• Original language: English
• Number of items: 1
• Binding: Paperback
• 576 pages

Amazon.com Review
Jonathan Franzen's exhilarating novel The Corrections tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler's, only bitter. Franzen's great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.

All five members of the Lambert family get their due, as everybody's lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip's sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen's satirical eye:

Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts.... Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.

Franzen is funny and on the money. This book puts him on the literary map. --Tim Appelo

From Publishers Weekly
If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson's-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer's writer and his previous novels have earned critical admiration, but his sales haven't yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG's publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
As her husband's health deteriorates, Enid faces the disappointments in her life including her three grown children.

Copyright 2001 Cahners Business Information, Inc.

---

Customer Reviews

Read It; Don't Be Put Off By The Hype
"The Corrections" has been delivered with a blizzard of media hype than can be off-putting to the very readers the publishers want to reach (people starved for serious, readable, intelligent fiction.) But you really should get ahold of this excellent novel. I devoured it in one night's frenzied reading. Yes indeed, Franzen has taken the somewhat inaccessible avant-garde concerns of writers like Don DeLillo or the David Foster Wallace of "Infinite Jest" and placed them in the context of a mainstream novel about *family* and how it prepares you to function (or not) in the larger world. Franzen manages to create a little universe that mirrors our own crazy world, yet makes the madness more comprehensible. He is devilishly funny, in a laugh-out-loud sort of way, yet his message is ultimately one of forgiveness and reconciliation. The Lamberts, the screwed-up family at the heart of the story, have the feeling of real people you know. That are unique, unforgettable individuals, but you may squirm when the self-destructive ways of Gary, Chip or Denise remind you of the stupid mistakes you have made in your own life. Alfred and Enid, the mom and dad, will make you shake your head; when did Franzen meet *my* parents? The book becomes genuinely suspenseful as Enid struggles to get her wayward children home for "one last Christmas" before Alfred's decline becomes irrevocable. And don't let Franzen's bad-mouthing of Oprah deter you from reading this. Ironically, his comments are just the sort of thing one of the Lambert kids would say in order to sabotage themselves. It just proves Franzen really does know what he's talking about.

You Will Love This Book . . . Or Hate It!
Caution: This book is filled with vulgar and coarse words. If such offend you, avoid this book.

The Corrections is either a five star, or a one star book for most people. . . depending on your perspective. I graded the book a three, because I had quite a lot of both reactions that I share below. In deciding whether or not you should read this book, ignore the book's award and the book's controversy, but do pay attention to the next two paragraphs.

Here's who will hate it: Anyone who dislikes reading about unending emotional turmoil, depression, dementia, people messing up their lives, ugly family scenes, emotionally cold families, and the views of the well-educated, self-satisfied towards everyone else. Further groups who will be offended will include those who dislike extreme writing styles, slowly developing stories, and a strong sense of irony. Also, anyone from Lithuania or of Lithuanian ancestry will probably feel offended.

Here's who will love it: Anyone who liked John Cheever's Wapshot Chronicle and Wapshot Scandal, but would also like to see more of the interaction among the family members; those who enjoy writing that takes characters to the edge and tests them thoroughly with temptation and challenge in order to let their actions describe their personalities; those who enjoy satirical treatment of foibles of the Greatest Generation and the Baby Boom; and those who would like to read about a family with more problems than their own has. The writing itself will interest people who like to see new forms of narration, and appreciate an ability to switch smoothly between stream of consciousness and straight narration.

If you are in the latter category, read on.

I found the book noteworthy for capturing the politics and manipulation within families in an extremely convincing and revealing way. This subject is normally a taboo in our society.

The theme of corrections (whether in financial markets, in dealing with misbehavior, adjusting to new circumstances, or choosing the right path) is a good one for a novel about families, and I thought the theme was most imaginative and extremely well developed. If you are like me, be aware that the theme's full relevance will not start to hit you until the last 100 pages or so.

The book's focus, to me, was on the limits of our self-perceptions. We have a self-image and a way of internalizing the world. Often, the self-image and way of internalizing the world poorly capture what is really going on. As a result, we can misunderstand our circumstances, what others think of us, what is being communicated to us, and even ourselves. Getting past any self-delusion is important to freely finding and taking the right choices for ourselves. As you laugh while you read this book, I suggest that you laugh a little at yourself . . . and learn in the process.

The book's two best scenes are when Alfred comes home from an 11 hour day and runs into a little turbulence over dinner, and the scene in the ship's cabin when Alfred cannot wake Enid up. I wished that more of the writing had been this good. I look forward to reading more novels by Mr. Franzen in the future.

Where should you be more open to alternatives? What are others trying to tell you?

"A Tragedy Rewritten as a Farce"
Jonathan Franzen has written an ambitious, hugely human novel about a middle class family suffering from too many expectations. In chapters that are closer to novellas in length, THE CORRECTIONS manages to evoke the deeply seated emotions of its characters without taking itself too seriously. Alfred suffers from Parkinson's disease and possibly Alzheimer's, while his wife Enid believes that his failing is not what he has, but who he is. Oldest son Gary is a control freak who is losing control of his marriage, while middle child Chip is an unemployed Ph.D. whose hopes hinge on selling a hopelessly bad script. The youngest, Denise, is the hard-working chef of an acclaimed Philadelphia restaurant whose choices in love are almost always disastrous. While their problems weigh each down, the details of their lives are often wryly humorous. That Chip really believes a screenplay that begins with a six page lecture on sexual imagery in Tudor drama can be a blockbuster, and that Enid falls in love with the lion-y (and illegal) yellow capsules of a mood enhancer called Aslan despite her rigid ethics, balance the downward spiral of their lives. As a former Lithuanian U.N. ambassador says as he and Chip are chased through a country in political crisis, "[. . . ] it's mostly posturing. A tragedy rewritten as a farce." No other sentence more aptly describes this novel's distinctive flair.

Franzen's writing can be pretentious and off-putting at times, with obscure words mixed liberally with vulgarities. Occasionally, a dialogue passage goes on for too long, or a descriptive paragraph fails. However, these lapses are rare. On the whole, this novel is tightly written with a keen eye to the larger significance of petty moments. With THE CORRECTIONS, Franzen has proven himself an astute and witty observer of human nature.

Readers who prefer commercial novels may find the novel's multiple plots too slow-moving. Its strength definitely lies in its characterization and social observations, not in its story. Readers of literary fiction should find it immensely satisfying. Highly recommended.