Product Description

Victor Mancini, a medical-school dropout, is an antihero for our deranged times. Needing to pay elder care for his mother, Victor has devised an ingenious scam: he pretends to choke on pieces of food while dining in upscale restaurants. He then allows himself to be “saved” by fellow patrons who, feeling responsible for Victor’s life, go on to send checks to support him. When he’s not pulling this stunt, Victor cruises sexual addiction recovery workshops for action, visits his addled mom, and spends his days working at a colonial theme park. His creator, Chuck Palahniuk, is the visionary we need and the satirist we deserve.

Product Details

• Amazon Sales Rank: #53713 in Books
• Published on: 2002-06-11
• Released on: 2002-06-11
• Original language: English
• Number of items: 1
• Binding: Paperback
• 304 pages

Features

• ISBN13: 9780385720922
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
Victor Mancini is a ruthless con artist. Victor Mancini is a med-school dropout who's taken a job playing an Irish indentured servant in a colonial-era theme park in order to help care for his Alzheimer's-afflicted mother. Victor Mancini is a sex addict. Victor Mancini is a direct descendant of Jesus Christ. All of these statements about the protagonist of Choke are more or less true. Welcome, once again, to the world of Chuck Palahniuk.

"Art never comes from happiness." So says Mancini's mother only a few pages into the novel. Given her own dicey and melodramatic style of parenting, you would think that her son's life would be chock-full of nothing but art. Alas, that's not the case. In the fine tradition of Oedipus, Stephen Dedalus, and Anthony Soprano, Victor hasn't quite reconciled his issues with his mother. Instead, he's trawling sexual-addiction recovery meetings for dates and purposely choking in restaurants for a few moments of attention. Longing for a hug, in other words, he's settling for the Heimlich.

Thematically, this is pretty familiar Palahniuk territory. It would be a pity to disclose the surprises of the plot, but suffice it to say that what we have here is a little bit of Tom Robbins's Another Roadside Attraction, a little bit of Don DeLillo's The Day Room, and, well, a little bit of Fight Club. Just as with Fight Club and the other two novels under Palahniuk's belt, we get a smattering of gloriously unflinching sound bites, including this skeptical bit on prayer chains: "A spiritual pyramid scheme. As if you can gang up on God. Bully him around."

Whether this is the novel that will break Palahniuk into the mainstream is hard to say. For a fourth book, in fact, the ratio of iffy, "dude"-intensive dialogue to interesting and insightful passages is a little higher than we might wish. In the end, though, the author's nerve and daring pull the whole thing off--just barely. And what's next for Victor Mancini's creator? Leave the last word to him, declaring as he does in the final pages: "Maybe it's our job to invent something better.... What it's going to be, I don't know." --Bob Michaels

From Publishers Weekly
Palahniuk (Fight Club; Invisible Monsters) once again demonstrates his faith in the credo that before things get better, they must get much, much worse. Like previous Palahniuk protagonists, Victor Mancini is young and prematurely cynical, a med school dropout whose eerily detached narration of the banal horrors of everyday existence gives way to a numbed account of nihilistic carnage. Cruising sex-addict meetings for action, Victor enjoys bathroom trysts with nymphomaniacs on short prison furloughs, focused on maximizing his sexual highs. During the working day, he is trapped in a 1734 colonial theme park, where the entire self-medicated staff blearily endures abusive school tours while hiding out from the world. Victor supports his mother, who is in the hospital, stricken with Alzheimer's; she is wasting away, and despite the misery she put him through in childhood (revealed in an increasingly horrific series of flashbacks), he wants to be a good boy and take care of her. This becomes challenging when Victor is seduced by a strange hospital worker calling herself Dr. Marshall, who shows him his mother's diary; it describes her self-impregnation by a holy relic she believes to be the foreskin of Jesus. This has a profound effect on Victor, who is stunned by the possibility that there may be some good in him after all. Victor is even more pathetic than Palahniuk's previous antiheroes, in that the world he creates for himself (a carnivalesque m‚lange of theme park, geriatric ward and asylum) is actually more horrific than the one he seeks to escape. Still, the novel showcases the author's powers of description, character development and attention-getting dialogue handily enough to give this dark meditation on addiction a distinctive and humorous twist. Author tour.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
In the course of his three novels (e.g., Fight Club), Palahniuk has become a master of depicting the dark and depraved underbelly of our society through the voices of mordantly existential protagonists. Choke is no exception. This time around, readers are ushered into a world of sexaholics, historical theme parks, and other bizarre matters by Victor Mancini, a medical school dropout who has resorted to fake choking in restaurants in order to pay the hospital expenses for his elderly mother, Ida. Ida also happens to be an anarchist whose social terror campaigns made Victor's childhood less than stable. Such is the universe of Palahniuk, who calls the norms of our society into question by presenting us with a parallel world where most of what we hold to be true is exposed as hallow or insane. His writing is as good and as funny as ever, and like many other Palahniuk characters, Victor is quite memorable. Some readers may be shocked and even repulsed by much of the subject matter here. Still, it is recommended for most public and academic libraries.
- Heath Madom, "Library Journal"
Copyright 2001 Reed Business Information, Inc.

Customer Reviews

"Bizarre" isn't the Right Word....
...but it's the first word that comes to mind.

Before we get this review started, a word of warning: THIS IS NOT FOR LITTLE KIDS. THIS IS NOT FOR PEOPLE WITH WEAK STOMACHS OR ARE EXTREMELY SENSITIVE.

Okay, with that said, I found Chuck Palahniuk's "Choke" to be a very strange, perverted, dark, and bizarre novel....but it's supposed to be. And, it's a very creative novel, despite if you love the novel or hate it.

I had read "Fight Club" after seeing the movie, and I found the novel to be just as entertaining and creative, if not more. So, I wanted to read another novel by him, so I picked this up. Wow....nothing could've EVER prepared me for this.

"Choke's" main character is Victor; a compulsive sex addict who creates heroes by purposely choking at restaurants and allowing himself to be saved. He does this to feel better about himself, and to help pay for his very sick and dying mother's medical care. And as the story and novel goes on and on, the more twisted and darker it becomes, adding up to one hell of a shocking climax.

The novel is told by the narrator, just like in"Fight Club." He still uses the same sense of thinking, the same amount of sarcasam, and the same dark humor found in "Fight Club." And yet, it's still just as refreshing. I never thought of novels told by the narrator to be all that great, until I read his work.

Again, this is not for kids, and this is not for those who get offended easily. It is a VERY sexually explict novel; I don't think I have ever read anything so sexually graphic! It's going to be one of those books where you're going to be embarrassed to read in public, fearing that somebody just might snatch it out of your hand and start reading it aloud. As intense as the sexual content is, it fits the story.

I found "Choke" to be a really entertaining and thought-provoking novel. Palahniuk has a way of words, and knows how to create a very dark world that none of us have ever seen. Again, this novel is not for the weak and sensitive. If you liked "Fight Club," or any of the other novels by Palahniuk, chances are you will enjoy this one as well. While it may not be one I'm going to read over and over again, it is one I am glad that I took the time to read.

Sorry that this review is so short, and believe me, I'd LOVE to tell you more. However, this is a book in which you must be careful how you describe it. If you give too much away, then you just might ruin it for the reader. I feel I have given the right amount of information that you need to know. The great thing about this novel is even after reading the back of the cover, you still don't know where this story is going to go, until it sucks you right in, whether you're ready or not.

"End" isn't the right word, but it's the first word that comes to mind.

Brilliant isn't the right word...
...but it's the first that comes to mind.

The problem with Chuck Palahniuk novels is that they do not lend themselves well to reviews. Reveal too much information, and the fragile twists and turns of the plot are destroyed, robbing the reader of the thrill one receives upon discovering these intricacies for themselves the first time. Reveal too little, and a coherent review is almost impossible, leaving the reader with a false impression of complexities and tangles which are insurmountable.

Choke is the fourth novel written by Palahniuk, a master at angry, adult male angst. Our narrator is one Mr. Victor Mancini, a med-school drop out with a mother suffering from Alzheimer's disease, and an addiction to sex. Like other novels such as Fight Club and Survivor, we are exposed to the dirty underbelly of a society we don't want to acknowledge exists - from prisoners who go to sexaholic meetings for sex and kinky masturbation tips to the problems bending over in the stocks of a colonial theme park creates.

However, unlike the dry sarcasm of Fight Club or the biting satire of Survivor, Choke returns to the humorous yet heart-felt writing of Invisible Monsters, and exposes us to a more humorous side of Palahniuk's nature. From Tanya and her string of plastic balls to Gwen, who insists Victor wouldn't know how to rape a woman if he tried, Palahniuk presents us with incredibly memorable characters and scenes that will have you laughing long after you've closed the book.

" `Why do I do this? Why do I always pick the guy who wants to be nice and conventional? The next thing you'll want to do is marry me.' She says, `Just one time, I'd like to have an abusive relationship. Just once!' " (Page 175)

Humor is not the only factor in the story of a man who is led to believe his origin is divine. Victor is most likely one of Palahniuk's most complex characters today, a man who is trying to be anything he is not, who is rebelling against a psychotic mother's abuse while he drops out of law school and takes a job at a Colonial Williamsburg-like village in order to pay for the necessary care and treatment of his ailing mother. A man who believes strangers saving him from choking in a restaurant is not only a financial resource but an expression of love and sainthood, Victor is wonderfully human and am incredibly sympathetic character. While we may not be able to validated all of his choices, his is a character we can understand and perhaps even respect.

Palahniuk manages to dazzle and amaze with his ability to turn pithy little quotes into personal mantras and catch phrases, which once read, cannot be burned, pushed, hammered, or flooded out of one's short term memory banks. The same way you will always remember that the first rule of fight club is you do not talk about fight club, you will remember that "this" or "that" isn't the right word, but it's the first word that comes to mind.

The martyrdom of Saint Me.

What would Jesus not do?

However, Palahniuk's novels are about more than catch phrases and plot twists that would impress Rod Serling and Alfred Hitchcock. Choke is a very funny, very sad tale of a man who professes to love the wrong choices, while exposing to the reader the very humane side that even he cannot see.

Imagine your friend is beating his sexual addiction by collecting rocks, with which he builds a castle. Imagine being a sex addict and unable to have sex with the one woman who desperately wants to have sex with you. Imagine discovering the complexity of the Mile High Club, and what it means to "ride the circuit." Imagine telling school children about the black plague while giving tours of colonial buildings in clothing so authentic, you can smell the dirt on them.

Imagine yourself in the life of Victor Mancini, and you'll never see life the same way.

"Because nothing is as perfect as you imagine it,"
"We spend our lives letting the world tell us who we are. Sane or Insane. Saints or sex addicts. Heros or victims. Letting history tell us how good or bad we are. Letting our past decide our future. Or we can decide for ourselves. And maybe its our job to invent something better." Palahniuk never ceases to inspire. Behind all the satire. Behind his often hillirous look at life and the little things that make us human, or at least the views that he portrays in his unforgetable characters, Palahniuk, never stops to apologize, and there no reason to because he writes the truth in it most crulest of ways. "People sit home and watch Friends, because they have no Friends." I dare you to read any Palahniuk book, be it, Fight Club, Survivior, IM, or Choke, and not be inspired to do something better with yourself. Improve yourself. Create something. Destroy something. Do Something with yourself other than sit in front of a mind-numbing television set, and dream about the life you could have, get off your "" and do something! At least that's what I get out of Palahniuk work. Since the first time I picked up Fight Club, I was hooked, his words are like heroin to me. I've lost track how many times I've read that book, and Survivor. IM about four times. There are many messages in Chuck's work, some hidden, some in your face, some crammed down your throat, and forced into the pit of your stomach. The most important message, in seemingly all his works, is do something with yourself other than waste away precious brain cells in this repetitive world as we know it, we all have a talent for something, find yours, and make it happen, for yourself, and nobody else. I predict that Chuck will be a household name after his next book Lullabye comes out, and after the movie adaptation of Survivor comes out, and possibly an Invisible Monsters movie. Everybody will know who Chuck is, good or bad, that I don't know. Loved or hated, probably both, but do yourself a favor and read his works now while he's got his little cult following, this way a few years down the road, when everybodies on the literary band wagon, you can laugh and tell everyone, "I TOLD YOU SO." Buy this book, read it more than once. Save yourself, and find your place. "Because nothing is as perfect as you imagine it," I'll shut up now.