Product Description

In an astonishing feat of empathy and narrative invention, our most ambitious novelist imagines an alternate version of American history.
In 1940 Charles A. Lindbergh, heroic aviator and rabid isolationist, is elected President. Shortly thereafter, he negotiates a cordial “understanding” with Adolf Hitler, while the new government embarks on a program of folksy anti-Semitism.

For one boy growing up in Newark, Lindbergh’s election is the first in a series of ruptures that threaten to destroy his small, safe corner of America–and with it, his mother, his father, and his older brother.

Product Details

• Amazon Sales Rank: #23357 in Books
• Published on: 2005-09-27
• Released on: 2005-09-27
• Original language: English
• Number of items: 1
• Binding: Paperback
• 391 pages

Features

• ISBN13: 9781400079490
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.

Amazon.com Review
"What if" scenarios are often suspect. They are sometimes thinly veiled tales of the gospel according to the author, taking on the claustrophobic air of a personal fantasia that can't be shared. Such is not the case with Philip Roth's tour de force, The Plot Against America. It is a credible, fully-realized picture of what could happen anywhere, at any time, if the right people and circumstances come together.

The Plot Against America explores a wholly imagined thesis and sees it through to the end: Charles A. Lindbergh defeats FDR for the Presidency in 1940. Lindbergh, the "Lone Eagle," captured the country's imagination by his solo Atlantic crossing in 1927 in the monoplane, Spirit of St. Louis, then had the country's sympathy upon the kidnapping and murder of his young son. He was a true American hero: brave, modest, handsome, a patriot. According to some reliable sources, he was also a rabid isolationist, Nazi sympathizer, and a crypto-fascist. It is these latter attributes of Lindbergh that inform the novel.

The story is framed in Roth's own family history: the family flat in Weequahic, the neighbors, his parents, Bess and Herman, his brother, Sandy and seven-year-old Philip. Jewishness is always the scrim through which Roth examines American contemporary culture. His detractors say that he sees persecution everywhere, that he is vigilant in "Keeping faith with the certainty of Jewish travail"; his less severe critics might cavil about his portrayal of Jewish mothers and his sexual obsession, but generally give him good marks, and his fans read every word he writes and heap honors upon him. This novel will engage and satisfy every camp.

"Fear presides over these memories, a perpetual fear. Of course, no childhood is without its terrors, yet I wonder if I would have been a less frightened boy if Lindbergh hadn't been president or if I hadn't been the offspring of Jews." This is the opening paragraph of the book, which sets the stage and tone for all that follows. Fear is palpable throughout; fear of things both real and imagined. A central event of the novel is the relocation effort made through the Office of American Absorption, a government program whereby Jews would be placed, family by family, across the nation, thereby breaking up their neighborhoods--ghettos--and removing them from each other and from any kind of ethnic solidarity. The impact this edict has on Philip and all around him is horrific and life-changing. Throughout the novel, Roth interweaves historical names such as Walter Winchell, who tries to run against Lindbergh. The twist at the end is more than surprising--it is positively ingenious.

Roth has written a magnificent novel, arguably his best work in a long time. It is tempting to equate his scenario with current events, but resist, resist. Of course it is a cautionary tale, but, beyond that, it is a contribution to American letters by a man working at the top of his powers. --Valerie Ryan

From Publishers Weekly
During his long career, Roth has shown himself a master at creating fictional doppelgängers. In this stunning novel, he creates a mesmerizing alternate world as well, in which Charles A. Lindbergh defeats FDR in the 1940 presidential election, and Philip, his parents and his brother weather the storm in Newark, N.J. Incorporating Lindbergh's actual radio address in which he accused the British and the Jews of trying to force America into a foreign war, Roth builds an eerily logical narrative that shows how isolationists in and out of government, emboldened by Lindbergh's blatant anti-Semitism (he invites von Ribbentrop to the White House, etc.), enact new laws and create an atmosphere of religious hatred that culminates in nationwide pogroms.Historical figures such as Walter Winchell, Fiorello La Guardia and Henry Ford inhabit this chillingly plausible fiction, which is as suspenseful as the best thrillers and illustrates how easily people can be persuaded by self-interest to abandon morality. The novel is, in addition, a moving family drama, in which Philip's fiercely ethical father, Herman, finds himself unable to protect his loved ones, and a family schism develops between those who understand the eventual outcome of Lindbergh's policies and those who are co-opted into abetting their own potential destruction. Many episodes are touching and hilarious: young Philip experiences the usual fears and misapprehensions of a pre-adolescent; locks himself into a neighbor's bathroom; gets into dangerous mischief with a friend; watches his cousin masturbating with no comprehension of the act. In the balance of personal, domestic and national events, the novel is one of Roth's most deft creations, and if the lollapalooza of an ending is bizarre with its revisionist theory about the motives behind Lindbergh's anti-Semitism, it's the subtext about what can happen when government limits religious liberties in the name of the national interest that gives the novel moral authority. Roth's writing has never been so direct and accessible while retaining its stylistic precision and acute insights into human foibles and follies.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Adult/High School–When Charles Lindbergh, Republican candidate in the 1940 presidential race, defeats popular FDR in a landslide, pollsters scramble for explanations–among them that, to a country weary of crisis and fearful of becoming involved in another European war, the aviator represents "normalcy raised to heroic proportions." For the Roth family, however, the situation is anything but normal, and heroism has a different meaning. As the anti-Semitic new president cozies up to the Third Reich, right-wing activists throughout the nation seize the moment. Most citizens, enamored of isolationism and lost in hero worship, see no evil–but in the Roths' once secure and stable Jewish neighborhood in New Jersey, the world is descending into a nightmare of confusion, fear, and unpredictability. The young narrator, Phil, views the developing crisis through the lens of his family life and his own boyish concerns. His father, clinging tenaciously to his trust in America, loses his confidence painfully and incrementally. His mother tries to shield the children from her own growing fear. An aunt, brother, and cousin respond in different ways, and the family is divided. But though the situation is grim, this is not a despairing tale; suspenseful, poignant, and often humorous, it engages readers in many ways. It prompts them to consider the nature of history, present times, and possible futures, and can lead to good discussions among thoughtful readers and teachers. Bibliographic sources, notes on historical figures, and documentation are included.–Christine C. Menefee, Fairfax County Public Library, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Customer Reviews

Roth's 1940's America: A Short Step from Fascism and Despair
It is an oft-stated cliché that many families are but one or two paychecks away from poverty. Philip Roth's "The Plot Against America" suggests that perhaps U.S. society was, in 1940, one election surprise away from fascism. The Plot Against America also suggests that many families are but one step away from falling into dysfunctionality and despair. Although such a topic is susceptible of trite, formulaic prose, in the hands of Philip Roth it works remarkably well.

The story line is rather simple. Taking on the genre of alternate history (with which he shares with no small amount of irony at least some creative DNA with Newt Gingrich), Roth imagines a United States in which Charles Lindbergh storms the deadlocked 1940 Republican Convention, upsets Wendell Wilkie for the nomination, then barnstorms the nation in a novel election campaign that ousts FDR from the White House. Vote for Lindbergh or Vote for War serves as the victorious campaign slogan. Slowly, but inexorably, U.S. isolationist policy grows stronger after it signs a non aggression pact with Germany and Japan. Britain grows weaker, and Lindbergh's cabinet and the Republican congress enact a series of laws that cause no small bit of consternation in America's Jewish community.

So far, there is nothing about the story line that is at all unusual in the alternate history genre. However, Roth writes his story through the eyes of one Phil Roth, youngest child of the Roth family of the Wequahic section of Newark. This alone sets The Plot apart from what is typically found in this genre. Roth's examination of the lives of big events through the eyes of a `little' man creates a subcontext that is rife with meaning for anyone who has experienced the joys and despairs of a family in crisis.

The Roth family, generally enjoying the rising working class/middle class fruits of life in mid-20th century America suddenly sees its internal world ripped asunder by these big events. The Roth family is, as is most of their Jewish neighbors, horrified at Lindbergh's election and justifiably fearful of what lies ahead. Unfortunately, their fears are well founded. Roth's Plot is as much, if not more, the story of the reaction of one family to this alternate history as the story of a nation at war with itself.

If Roth can be faulted for painting his alternate history with a broad and perhaps overly simpistic brush he cannot be faulted for the depth and insight into the life of a family tempest-tossed by a society gone mad. It is nuanced and meaningful. Roth's writing can be, and often is, stunning. As has always been his habit when he is on form, Roth is capable of crafting beautiful sentences and paragraphs. By looking at world-shattering events through the prism of a young man's eyes those events take on additional meaning because they can be understood on a familial rather than on a societal level.

Roth does have some fun with the historical figures that appear throughout the book. Walter Winchell, once the country's most famous radio reporters (and also the voice over narrator of the old Untouchables television series) leads the post-election campaign against Lindbergh and his cronies, most notably the viciously anti-Semitic Henry Ford. FDR and Fiorello LaGuardia also play important roles in Roth's alternate universe.

There are, no doubt, many readers that will resent what seems to be an attack on a person with the heroic stature of Lindbergh. That may be so, yet Roth does not go over the top in my opinion and by book's end does evoke more than a bit of sympathy for Lucky Lindy. Similarly, many have asserted that Roth's approach to the 1940 election, and the quasi-fascist oppression that followed, contains a rather blunt allegory to the 2004 election campaign. To that extent, no one should doubt Roth's probably political point of view. Again, that may be so. However, as if clear from the book's ultimate resolution (which should be left undisclosed in a review) that this society can sustain and repel challenges to the type of authoritarian regime imposed in Roth's alternate history is a far more optimistic world view than some of Roth's critics may credit him with.

Possible allegories aside, this is one of Roth's best efforts in recent years and I think that there is much to be gained by reading the book, no matter where ones current political sensibilities find their home. His prose is more concise than it has been for some time. For the first time in a long time, Roth seems more interested in telling a story in comprehensible declarative sentences than in creating sentences that do little more than establish his credentials as a `serious' writer. The Plot Against America can be enjoyed on any number of levels. It is not simply a parable of contemporary society and can be enjoyed simply for the quality of the writing.

A political potboiler and surprisingly poignant family drama
"The Plot Against America" is a remarkable and unexpected change for Philip Roth in two ways. The first difference is getting all the attention from the critics: he has written a political potboiler in an entirely different genre, a fable that recalls Margaret Atwood's "The Handmaid's Tale," Octavia Butler's "Kindred," and (of course) Sinclair Lewis's "It Can't Happen Here."

But, second, this latest work is his most accessible and thickly plotted novel to date, and--in spite of the forceful political theme--it is also perhaps his mellowest work of fiction. Although the prose is identifiably Roth's, the narrative is a real page-turner merged with a loving family portrait.

Thanks to the media hoopla, the novel's storyline is already well-known: the book posits a United States where, in 1940, Charles Lindbergh becomes president. Roth scores a subtle political and historical point here: the reader soon realizes that President Lindbergh himself never expresses overtly anti-Semitic remarks or actions. Instead, the true threats to American democracy are the men Lindbergh chooses for his bipartisan government, including Democrat Burton Wheeler (as Vice President) and the virulently anti-Semitic Henry Ford (as Secretary of the Interior). Furthermore, remaining true to a policy of "American First" isolation (a view Lindbergh steadfastly supported in real life), the new administration negotiates a nonaggression pact with the German Nazi government, develops faith-based programs to "integrate" Jewish residents into American society (with the ostensibly secondary goal of separating them from each other), and maintains an aura of serenity and acquiescence in the face of a rising tide of domestic anti-Semitism. (The volume includes a 30-page appendix with true-life biographical summaries of the historical figures, as well as the complete text of Lindbergh's infamous 1941 speech accusing the British and Jews of conspiring to lead the United States into war.)

Yet that's only half the story. Roth's cautionary tale swings between the "alternate history" of the United States and the domestic drama of his own family. Told from the point of view of a seven-year-old Philip Roth, the novel is a riveting yet loving portrait of an average American family who fight and bicker about the most mundane matters in spite of the gathering storm. The most immediate concerns, from the perspective of the young narrator, are the condition of his beloved stamp collection, the hovering presence of the nerdy kid living in the apartment downstairs, the ghosts in the cellar, the grotesqueness of his good-for-nothing cousin's amputated leg, and (above all) the division among members of his household that result when his older brother, his aunt, and a local rabbi passionately support the goals of Lindbergh administration.

Although Roth's trademark wit and humor are always present (and there are some superbly hilarious one-liners and slapstick episodes), many of the elements one usually associates with his novels--graphic sex, profane language, belligerent characters, and odious behavior--are entirely subdued or missing. You won't find a protagonist like Mickey Sabbath in "The Plot Against America." Instead, the book's true heroes in the midst of this upheaval are Philip's parents, who struggle to save their extended family from their own despair and from outside danger. And the most poignant and memorable passage in the novel is when young Philip's idea of his mother undergoes a "startling change": that she is "a fellow creature," and he is "shocked by the revelation, and too young to comprehend that there was the strongest attachment of all."

Some will be disappointed...
My entire family read "The Plot Against America" for a family book club and discussed it over the holidays. Our collective ranking was about 3 stars (six people giving it everything from two to three and a half stars). I suspect, given the nearly unanimous praise given the book in reviews I've read, that some readers might find themselves as disappointed as we were.

A shared complaint among us was that the structure - switching back and forth from pseudo historical detail to character scenes - was choppy. Character development was abandoned for long stretches that read more like newspaper reportage than fiction. Some felt the final twists, involving Lindberg's motivation in siding with the Nazis, were implausible. For some, the book was a bit of a chore to get through. Few of us plan to read Roth again anytime soon.

A warning to those who have heard nothing but good things -- some will be disappointed by "The Plot Against America."