Product Description

A FELLOWSHIP OF THREE

To stand against the F'dor-- an ancient, vile being intent on destroying the world-- a fellowship has been forged: Rhapsody, a Singer of great talent and beauty; Achmed, an assassin with unearthly talents; and Grunthor, a giant of jolly disposition and lethal skill with weapons.

Driven by prophetic visions, the three know that time is running short, know that they must find their elusive enemy before his darkness consumes them all. But after their final, brutal confrontation with the F'dor, their world crosses the threshold of disaster and faces utter oblivion. The action reaches a fevered pitch, achieving a crescendo of tragedy, love, and triumph of human spirit over world-shattering cataclysm.

With death at hand and the world crumbling at their feet, these three will finally discover their true ...

DESTINY

Product Details

• Amazon Sales Rank: #140120 in Books
• Published on: 2002-05-19
• Original language: English
• Number of items: 1
• Binding: Mass Market Paperback
• 864 pages

Features

• ISBN13: 9780812570830
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
In a book world awash in sword-slinging fantasy novels, each trying to out-Jordan the other, the arrival of yet another big new series on the scene is... no big deal. But much to the delight of readers bored to tears by doorstopper clones, Elizabeth Haydon's three-part tale is unique, thrilling, and utterly romantic from start to finish. The story of a magical singer of extraordinary power and her battle with a blood-soaked demon began in Rhapsody: Child of Blood and continued in Prophecy: Child of Earth. The trilogy's final volume, Destiny: Child of the Sky offers fantasy fans something they crave, but don't often see--a great ending.

When last we saw our lovely heroine Rhapsody and her two best friends Achmed and Grunthor, they had just rescued the Sleeping Child from the evil tendrils of the F'dor. But as they found out through the tragic loss of their young friend Jo, the three must follow the demon's trail of violence and blood, finding the children it has spawned across the land in order to track it down and destroy it once and for all. As in the previous two books, Rhapsody's love of her friends and desire to save children in danger drive her most reckless actions.

Elizabeth Haydon delivers us from the fantasy traps of never-ending plots, wooden characters, and yawn-inducing battles. She takes much of her style from romance and suspense novels, rather than historical fiction, giving her books real depth of emotion and humanity. It's true that there are spots of sentimentality that may leave some hardened adventure fans groaning, but that very thing may help explain why Haydon's books have succeeded with crossover romance readers so admirably. We can only hope she'll set her sights on another swoony adventure as soon as possible. --Therese Littleton

From Publishers Weekly
Following Rhapsody: Child of Blood (2001) and Prophecy: Child of Earth (2000), Haydon concludes her high fantasy trilogy featuring the beautiful skysinger Rhapsody, who generates magic from music, with a dark, cataclysmic book filled with almost constant action. With the evil Rakshas destroyed in volume two, Rhapsody and her two shady half-breed sidekicks, clairvoyant assassin Achmed and the jolly green giant Grunthor, undertake a quest for the blood of the Rakshas' children, which they hope will help them solve the mystery of the hidden demon F'dor, the creator of the murderous Rakshas. Wielding her fire sword, Rhapsody summons starfire and metaphysical music for her final confrontation with the demonic force intent on world destruction. Though obviously inspired by music theory, Norse and Celtic folklore, and seemingly by such authors as Tolkien, C.S. Lewis, Patricia A. McKillip, Anne McCaffrey and Palmer Brown (Cheerful), the author uses a fluid writing style to build a world uniquely and compellingly her own. In this shimmering symphony of exhaustive (though not exhausting) detail, epic myths, music and magic intertwine in a resounding fugal crescendo. Haydon fans sorry to see the end of the trilogy can take heart in knowing that the Rhapsody saga's vast historical timeline contains plenty of unexplored epochs and eras ripe for future book treatment. (Sept. 1) Elizabeth Glaser Pediatric AIDS Foundation in perpetuity.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
Called across time to fulfill her destiny, the harpist Rhapsody joins with the Firbolg king Achmed and his giant companion Grunthor to attempt to fight the powerful and elusive F'dor, a demon-born danger that threatens the fabric of existence. As the three champions' path grows more perilous, they learn to use the special gifts alluded to in ancient prophecies. Haydon's conclusion to her "Rhapsody" trilogy (Rhapsody, Prophecy) blends Celtic lore with Asian myth to produce a world both strange and hauntingly familiar. A good choice for fantasy collections.
Copyright 2001 Reed Business Information, Inc.

Customer Reviews

An absolutely AMAZING end to an astounding trilogy
This may be a first: a big epic fantasy series that has a trilogy conclude in a highly satisfying way, while leaving more of the history to be explored. I am a longtime fantasy junkie, and have watched in dismay as Robert Jordan wanders aimlessly in directions that do not seem as if they will intersect in his lifetime; George Martin is taking forever to write a 3, er 4, er 6 book saga, and Terry Goodkind is making no longer making sense.

Here, however, is a conclusion to Haydon's wonderful trilogy begun two years ago with RHAPSODY, improved upon in PROPHECY, and brought to a brilliant conclusion with DESTINY. This volume is much more gripping than the first two, with multiple plotlines converging into some wonderful scenes. It is also the least predictable fantasy I have ever read. The plot breaks from where you think it is going at a 90 degree angle, fast enough to give you whiplash.

I was completely enthralled with the mystery aspect of this trilofy as well. I am going back through the first two books now, picking up the clues to the F'dor's identity, surely one of the most anticipated revelations in recent fantasy.

All I can say is if you do not check out this trilogy you are missing something extraordinary--not the least aspect of which is that the author knows when to bring the story line to a riveting stop. I can only hope that she will go on and write more in this fantastic series, either with the surviving characters or some of the historical ones we've heard about under her masterful storytelling.

Truly deserving of the rating
I admit it, I am a tough grader [college English professor] and I don't think I've ever written a review and given a 5 before, not even on Rhapsody and Prophecy. I thought those were two of the best books in the fantasy genre I had read in a decade or more, but still couldn't bear to break a 4. But with Destiny, this book really deserves it. I wholeheartedly assign it a 5 and urge anyone who loves mystery, riddles, suspense, action and the poignancy and nobility of spirit to lose yourself in this book.

It has been a joy watching the characters of the Three evolve. Perhaps that should be two of the Three--Grunthor, the beloved Sergeant Major/cannibal, remains his lovable stalwart self. Rhapsody has grown from a clueless girl into a strong and capable woman, and Achmed had learned that there are things that matter in the world, something he didn't know when the trilogy began.

The Meridion tie-in is perhaps the most amazing aspect of the book. Incredibly well written.

Finally, let me say that Haydon is an evil genius. She has a penchant for tweaking the nose of the genre, by putting it through twists and turns and flipping it upside down, resulting in a completely fresh angle. She rehabilitates one character, moves that character along, and sets it up for what you know surely is death, then snatches the scene away to another character It's master-level work, worthy of Martin or Tolkien wrapped up with Agatha Christie.

Simply put, do yourself a favor: read this series, because it ends with a BANG!

Fantasy as Harlequin Romance - 3-1/2 Stars. . .
I found myself torn on how many stars I wanted to give this series. I felt that the plot and characters (with some trepidation, which I will explain later,) deserved at least four. And, with one exception, the writing was solid. That exception was that there were entirely too many words. That fact also brings me to my biggest gripe of how those words were used - to turn what could have been a modern fantasy classic into a Harlequin Romance. That really turned me off. For that, I wanted to go no more than 2 stars. I wish I could have given out 3-1/2 stars to rate the book as above average, but since I'm a nice guy (even though I'm not a fan of romance novels) I compromised at 4 instead of 3.

What I'm trying to say is that I really enjoyed these books ("Rhapsody", "Prophecy" and "Destiny") but feel that there were potentially fatal flaws that I hope Elizabeth Haydon can remedy before she writes any more fantasy novels. Or, if that's not her nature, perhaps she can turn to romance novels exclusively - I'm sure she'll do it well.

Ostensibly, this series was concerned with three characters - Achmed, Grunthor, and Rhapsody - and, at the beginning, it seemed that each would get equal billing. After all, the first book was alternately titled "Child of Blood" (i. e., Achmed) and the second "Child of Earth" (i., e., Grunthor). Then, while reading the second book, I realized that the "Child of the Sky", i.e., Rhapsody, was getting all the press. This was also when the series turned from pure fantasy to fantasy adulterated with romance and gratuitous sex. By way of explanation, I do not consider myself a prude - my favorite series' these days are George R. R. Martin's "Song of Ice and Fire" and Jack Whyte's "Camulod Chronicles". Anyone who's read those books or the reviews on Amazon knows that fantasy can be brutal, backstabbing, adult-themed, and good. It seemed to me that half of the second book of this series ("Prophecy") was dedicated to play-by-play accounts of Rhapsody and Ashe's trysts at Elysian and elsewhere. Was the writing titillating? Yes. Was it necessary to advance the plot? To a degree, yes. Was it incredibly overdone? YES. In book two, entire pages were spend describing the colors of Rhapsody and Ashe's eyes. In book three, Rhapsody and Achmed went from finding two of the F'dor-spawn to nine in the space of one sentence. Am I the only one that finds this extreme??

It's fairly obvious that Rhapsody and Ashe were Elizabeth Haydon's favorite characters and she lost all semblance of reality and practicality in making them larger than life itself as the story went on. Rhapsody was a truly amazing woman, but she lost all credibility when I realized that every decision she made was to ease more and more of the pain and suffering of the rest of the world and took it on herself. Nobody is that altruistic, plain and simple. Add to the fact that she was expert in everything she did and was skilled in every form of magic known in the world. Same with Ashe, though to a lesser degree. Give me a break. . .
I found myself reminded of Ayla in Jean Auel's "Earth Children" series. You remember Ayla, don't you? She invented fire, the wheel, mathematics, the sling as a hunting weapon, the domestication of animals, and nuclear fission - all before breakfast. This was the way Elizabeth Haydon painted Rhapsody. And, the sad thing is, I don't think it was intentional, but a labor of misguided love.

OK, so Elizabeth Haydon is not the only one who uses too many words - I'm almost done. This truly is a good series, all in all. The intrigue involved with Achmed setting himself up as king of the Firbolg and the machinations of a certain holy man who's name I won't reveal for the sake of those who haven't read the last two books yet were very well done. The histories the Ms. Haydon created of the old world and the new were works of creative genius. I'm glad I read these books and will recommend them to anyone (with caveats, of course.) I feel that they could have been even better and the same story told in 1/3 to 1/2 of the pages. I apologize to any romance readers I might have offended and invite them to point me to any other romantic fantasy that they feel I should try. But, unless Elizabeth Haydon focuses more on the fantasy than on the romance, her books will not be filling my shelves.