Product Description

Twenty years ago Natalie Goldberg's classic, Writing Down the Bones, broke new ground in its approach to writing as a practice. Now, Old Friend from Far Away -- her first book since Writing Down the Bones to focus solely on writing -- reaffirms Goldberg's status as a foremost teacher of writing, and completely transforms the practice of writing memoir.

To write memoir, we must first know how to remember. Through timed, associative, and meditative exercises, Old Friend from Far Away guides you to the attentive state of thought in which you discover and open forgotten doors of memory. At once a beautifully written celebration of the memoir form, an innovative course full of practical teachings, and a deeply affecting meditation on consciousness, love, life, and death, Old Friend welcomes aspiring writers of all levels and encourages them to find their unique voice to tell their stories.

Goldberg's enormously popular workshops have given countless students the ability to heed the call to write. Old Friend from Far Away recreates her trademark workshop style with its terse, demanding writing "sprints" that train the hand and mind to quicken their pace and give up conscious control. These exercises divert the eye from the obvious and redirect it to the tactile details we miss, the embarrassments we pass over, and the complications we overlook in the blur of everyday living. Goldberg writes, "No one says it, but writing induces the state of love." Old Friend from Far Away guides us into that state of love, where heightened attention and a rhythm of focus allow the patterns and details of the past to emerge on the page.

Millions of Americans want to write about their lives. With Old Friend as the road map for getting started and following through, writers and readers will gain a deeper understanding of their own minds, learn to connect with their senses in order to find the detail and truth that give their written words power and authenticity, and unfold the natural structure of the stories they carry within. An absolute joy to read, it is a profound affirmation of the capacity of the written word to remember the past, free us from it, and forever transform theway we think about ourselves and our lives. Like Writing Down the Bones, it will become an old friend to which readers return again and again.

Product Details

• Amazon Sales Rank: #15038 in Books
• Published on: 2009-03-10
• Original language: English
• Number of items: 1
• Binding: Paperback
• 336 pages

Features

• ISBN13: 9781416535034
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Review
"A richly abundant how-to book full of deep personal insight and practical go-get-'em. Memoir writers, buy this book, put it on your personal altar, or carry it with you as you traverse the deep ruts of your old road. Really, this book could save your life." -- Tom Spanbauer, author of The Man Who Fell in Love with the Moon

Review
"A celebration of the memoir form...an impassioned call to write, delivered by an author who knows how to zero in on the truth, and lead others there as well. If you're serious about finding that voice inside yourself, Natalie Goldberg is a teacher you have to meet."-- Steve Almond, author of Candyfreak and (Not That You Asked)

"A writer -- both energized and enlightened."-- Julia Cameron, author of The Artist's Way

"An invaluable addition to any writer's (or reader's) bookshelf. Each new chapter is another gift, unlocking the mystery of the story of the human heart. There isn't a better approach to memoir. Beautifully written, this book is for everyone."-- Robert Wilder, author of Daddy Needs a Drink and Tales from the Teachers' Lounge

"The brilliance of this book is that it immediately gets you writing your story. It opens the inner treasure and the inner zoo, makes you wriggle and weep, pawn the family jewels, laugh out loud, tear down memory lane, and reawaken to the mystery of your own life."-- Jack Kornfield, author of A Path with Heart

"Natalie Goldberg doesn't fool around. The moment I started reading her new book, I found myself compelled to follow her lead. She's a master and this book is a must-read for anyone who even thinks about putting pen to page."-- Cheryl Richardson, author of The Unmistakable Touch of Grace and Take Time for Your Life

"A richly abundant how-to book full of deep personal insight and practical go-get-'em. Memoir writers, buy this book, put it on your personal altar, or carry it with you as you traverse the deep ruts of your old road. Really, this book could save your life."-- Tom Spanbauer, author of The Man Who Fell in Love with the Moon

About the Author
Natalie Goldberg is a poet, teacher, and the author of eleven books, including her classic, Writing Down the Bones: Freeing the Writer Within--which has sold more than a million and a half copies and has been translated into fourteen languages--Wild Mind, Long Quiet Highway, Living Color, and The Great Failure.  She has taught seminars for thirty years to people from around the world, and lives in northern New Mexico.

Customer Reviews

An ache, a longing
What I love about Natalie Goldberg's latest is how the book grows, how it swells, how it starts with small, private memories and joins these to the larger world. "The reason we want to write memoir," she says, "is an ache, a longing, a passing of time that we feel all too strongly." The longing calls up stories, calls up details, which are the anchor of any memoir. The details are vital, "but detail devoid of feeling is a marble rolling across a hard wood floor."

Memoir, says Goldberg, "is taking personal experience and turning it inside out. We surrender our most precious understanding, so others can feel what we felt and be enlarged." Our feelings connect us not just to the past, but to the rest of the sentient world, even the political world. We may lead a lucky life compared to others around the globe. We may write about a red wagon or "the slow spring we remember in Ohio, while at the same time atrocities, torture, genocide are happening. It's not wrong that our life has been graced, but it's important to acknowledge that while a rose blooms a bomb is being dropped."

Much of Goldberg's advice on writing we have read before, in her earlier books. But her suggestions here for putting the mind and heart in gear, as we put pen to paper, are perfectly fresh. More and more of us want to uncover and write down our own stories, and Old Friend from Far Away will be welcomed by anyone struggling to set down the sweet or painful pressure of her life, the past as it flows into the present. The book is filled with inventive observations, and with Natalie Goldberg's infectious belief in writing practice. "Stay connected to the power," she says, "the pleasure of writing. Come back to that over and over."
A lovely and trenchant book.

A Juicy Treat
In Natalie Goldberg's new book, Old Friend from Far Away, the theme is in its subtitle: The Practice of Writing Memoir. Best known for her seminal book, Writing Down the Bones, Goldberg once again preaches the dogma of PRACTICE... Ten minutes of freehand writing on any topic. Just get it down.

This is not a book about how to put together a memoir, what topics to write about, or how to publish. Plenty of other memoir-writing books cover those topics. Goldberg is 100% cheerleader--reminding us over and over to "Shut Up and Write" because what we have to say is fleeting and so important. There are no great answers for who we are; don't wait for them. Pick up the pen and right now, in ten furious minutes, tell the story of your life. I'm not kidding. Ten minutes of continuous writing is much more expedient than ten years of musing and getting nowhere.

Natalie Goldberg is first and foremost a poet, so you can expect the pages to drip with delicious imagery. She is particularly adept at food analogies:

"Memoir gives you the ability to plop down like the puddle that forms and spreads from the shattering of a glass of milk on the kitchen floor."

"You crack open sentences, like egg shells letting the bright yellow, the clear white, in all its unorderliness, fall out."

The author advises us to jump in wherever we like; this is not a book to be read from front to back. In fact, she wants us to WRITE our way through the pages in whatever order we desire. And because life is not linear, you want to approach writing memoir sideways, using the deepest kind of thinking to sort through the layers. You want reflection to discover what the real connections are.

If you want to dive in and find exactly the inspiration you need, she provides advice in an index of phrases--a great place to start.

"Go for the jugular."
"Don't try to make it pretty."
"Trust your insides to lead you."

If you want to read some great memoirs, Goldberg provides a list of her favorites (and some of mine), including: Anne Lamott, Mary Karr, Maxine Hong Kingston. She features an eclectic mix of memoirists within her text from James Baldwin and Zora Neale Hurston to Bob Dylan and Allen Ginsburg.

If you are already an old friend of Goldberg, you will find comfort in her newest tome. If you are new to her work, you are in for a juicy treat.

by Karen Ryan
for Story Circle Book Reviews
reviewing books by, for, and about women

Feels like meeting an old friend from far away
Old Friend from Far Away is supposed to be about writing a memoir. It's really a set of exercises to help readers begin writing about themselves and their memories, interspersed with tantalizing glimpses of the author's own life.

On the positive side: The topics for the ten-minute timed writings (Goldberg's significant contribution to the world of writing) seem like fun. She teaches us to see details, not get derailed into abstraction. Her own writing demonstrates these principles. The author's own memories -- all too brief -- are the best part of the book. I loved her stories of studying with Alan Ginsberg and finding an unusual coffee shop for writing. As always, her writing elevates mundane events and gives them meaning.

But I was disappointed to see so many pages with just a sentence or two of writing exercises. Is she just tired of writing, I wondered, forcing herself to finish her book to meet the demands of her publisher? We don't get the kind of background Goldberg shares in earlier books, especially Thunder and Lightning. We get snapshots when it would be nice to have a movie. We don't get new exercises. And I'm not sure we get helpful insights into memoir as a genre.

For publication (or a good review, if you self-publish), memoirs need to make meaning of a life. The strongest memoirs carry a theme of struggle and redemption. We read about someone's life and something resonates with our own. Or we see this story a part of a bigger theme, giving us new insights and ideas. Weak memoirs leave the "so what" question unanswered.

Maybe that comes later...after you've written dozens and dozens of timed writings. Maybe it's not possible till you realize you've got to face down the truths that Natalie Goldberg urges us to expose in writing.

Or maybe I just feel frustrated because I know a few people who ought to be writing their memoirs. This book won't help them.

The last part of the book includes a list of published memoirs, a curious selection. Although Goldberg has made a recording with Julia Cameron, and Cameron's blurb appears here, there is no mention of Cameron's own memoir. There's an obvious allusion to the James Frey story (although no names are mentioned) and the author briefly describes some memoirs she likes.

Ultimately, the title describes the way many readers relate to the author herself. Those who like Natalie Goldberg will pick up this book to visit with an old friend. What's new in her life? Will we get an update of what happened since she wrote about the monk and the bartender?

Alas, our visit will be more like a fast encounter at an airport, catching up between changing planes, than a long satisfying conversation in one of those coffee shops where Natalie Goldberg used to sit and write. She really is an old friend from far away, and she's not getting any closer.