Product Description

The Blind Assassin opens with these simple, resonant words: "Ten days after the war ended, my sister Laura drove a car off a bridge." They are spoken by Iris, whose terse account of her sister's death in 1945 is followed by an inquest report proclaiming the death accidental. But just as the reader expects to settle into Laura's story, Atwood introduces a novel-within-a-novel. Entitled The Blind Assassin, it is a science fiction story told by two unnamed lovers who meet in dingy backstreet rooms. When we return to Iris, it is through a 1947 newspaper article announcing the discovery of a sailboat carrying the dead body of her husband, a distinguished industrialist. Brilliantly weaving together such seemingly disparate elements, Atwood creates a world of astonishing vision and unforgettable impact.

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Product Details

• Amazon Sales Rank: #6751 in Books
• Published on: 2001-08-28
• Released on: 2001-08-28
• Original language: English
• Number of items: 1
• Binding: Paperback
• 521 pages

Features

• ISBN13: 9780385720953
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
The Blind Assassin is a tale of two sisters, one of whom dies under ambiguous circumstances in the opening pages. The survivor, Iris Chase Griffen, initially seems a little cold-blooded about this death in the family. But as Margaret Atwood's most ambitious work unfolds--a tricky process, in fact, with several nested narratives and even an entire novel-within-a-novel--we're reminded of just how complicated the familial game of hide-and-seek can be:

What had she been thinking of as the car sailed off the bridge, then hung suspended in the afternoon sunlight, glinting like a dragonfly, for that one instant of held breath before the plummet? Of Alex, of Richard, of bad faith, of our father and his wreckage; of God, perhaps, and her fatal, triangular bargain.

Meanwhile, Atwood immediately launches into an excerpt from Laura Chase's novel, The Blind Assassin, posthumously published in 1947. In this double-decker concoction, a wealthy woman dabbles in blue-collar passion, even as her lover regales her with a series of science-fictional parables. Complicated? You bet. But the author puts all this variegation to good use, taking expert measure of our capacity for self-delusion and complicity, not to mention desolation. Almost everybody in her sprawling narrative manages to--or prefers to--overlook what's in plain sight. And memory isn't much of a salve either, as Iris points out: "Nothing is more difficult than to understand the dead, I've found; but nothing is more dangerous than to ignore them." Yet Atwood never succumbs to postmodern cynicism, or modish contempt for her characters. On the contrary, she's capable of great tenderness, and as we immerse ourselves in Iris's spliced-in memoir, it's clear that this buttoned-up socialite has been anything but blind to the chaos surrounding her. --Darya Silver

From Publishers Weekly
Family secrets, sibling rivalry, political chicanery and social unrest, promises and betrayals, "loss and regret and memory and yearning" are the themes of Atwood's brilliant new novel, whose subtitle might read: The Fall of the House of Chase. Justly praised for her ability to suggest the complexity of individual lives against the backdrop of Canadian history, Atwood here plays out a spellbinding family saga intimately affected by WWI, the Depression and Communist witch-hunts, but the final tragedy is equally the result of human frailty, greed and passion. Octogenarian narrator Iris Chase Griffen is moribund from a heart ailment as she reflects on the events following the suicide in 1945 of her fey, unworldly 25-year-old sister, Laura, and of the posthumous publication of Laura's novel, called "The Blind Assassin." Iris's voiceDacerbic, irreverent, witty and cynicalDis mesmerizingly immediate. When her narration gives way to conversations between two people collaborating on a science fiction novel, we assume that we are reading the genesis of Laura's tale. The voices are those of an unidentified young woman from a wealthy family and her lover, a hack writer and socialist agitator on the run from the law; the lurid fantasy they concoct between bouts of lovemaking constitutes a novel-within-a-novel. Issues of sexual obsession, political tyranny, social justice and class disparity are addressed within the potboiler SF, which features gruesome sacrifices, mutilated body parts and corrupt, barbaric leaders. Despite subtle clues, the reader is more than halfway through Atwood's tour de force before it becomes clear that things are not what they seem. Meanwhile, flashbacks illuminate the Chase family history. In addition to being psychically burdened at age nine by her mother's deathbed adjuration to take care of her younger sibling, na ve Iris at age 18 is literally sold into marriage to a ruthless 35-year-old industrialist by her father, a woolly-minded idealist who thinks more about saving the family name and protecting the workers in his button factories than his daughter's happiness. Atwood's pungent social commentary rings chords on the ways women are used by men, and how the power that wealth confers can be used as a deadly weapon. Her microscopic observation transforms details into arresting metaphors, often infused with wry, pithy humor. As she adroitly juggles three plot lines, Atwood's inventiveness achieves a tensile energy. The alternating stories never slacken the pace; on the contrary, one reads each segment breathlessly, eager to get back to the other. In sheer storytelling bravado, Atwood here surpasses even The Handmaid's Tale and Alias Grace. BOMC main selection; author tour.
Copyright 2000 Reed Business Information, Inc.

From Library Journal
Atwood does not mess around in her riveting new tale: by the end of the first sentence, we know that the narrator's sister is dead, and after just 18 pages we learn that the narrator's husband died on a boat, that her daughter died in a fall, and that her dead husband's sister raised her granddaughter. Dying octogenarian Iris Chasen's narration of the past carefully unravels a haunting story of tragedy, corruption, and cruel manipulation. Iris and her younger sister, Laura, are born into the privileged Canadian world of Port Ticonderoga in the early part of the 20th century. At 18, Iris is the marital pawn in a business deal between her financially desperate father and the ruthless, much-older industrialist Richard Griffen. When the father dies, the rebellious Laura is forced to move into Richard's controlling household, accelerating the tangled mess of relentless tragedy. At this point, Atwood brilliantly overlays a second story, an sf novel-within-a-novel, credited to Laura Chasen, that features nameless lovers trysting in squalor. Some readers may figure out Atwood's wrap-up before book's end. Worry notDnothing will dampen the pleasure of getting there. Highly recommended.
-DBeth E. Andersen, Ann Arbor Dist. Lib., MI
Copyright 2000 Reed Business Information, Inc.

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Customer Reviews

Atwood's Booker is no 'blind attempt'!
Not having read the other nominees, I can't compare, but the announcement that "The Blind Assassin" by Margaret Atwood has won this year's Booker Prize, I am not surprised. Atwood, having already written over a dozen novels, poetry, children's books, and some non-ficition, comes through with her latest in grand manner. A prolific writer she is indeed. That said, "The Blind Assassin" is an adventure--not to mention quite an ambitious undertaking--to read. Included in her convoluted plot line is a "novel within a novel" (see Reginald Hill's "Arms and the Women"!)--so be prepared to pay attention. Atwood's style of writing, however, is anything but convoluted; it is straight forward, but complicated, with expertly created characters.

The book is told by Iris who recounts her sister's death in Toronto in 1945, when she drives her car off a bridge. The inquest indicates that the death is accidental. Then Atwood introduces us to her "novel within a novel" entitled "The Blind Assassin." Told by a pair of anonymous lovers, the book stretches into science fiction--absorbing on its own as an intriguing story! What seems amazing about this work is the expert craftsmanship that Atwood possesses (and presemts), although, given her reputation, that is not surprising. She also captures the 1930s-40s atmosphere quite well, too! The novel is tiered, and the author explores each level, one by one, until the final pages.

With her themes of greed, love, and (inevitably) revenge, the story is right out of the Greek tragedies (well, actually, not, as "tragic" is not really exploited!). Be prepared to spend some time with this work--but it will be time well spent. What an intriguing novel! (Billyjhobbs@tyler.net)

Bleakly Beautiful
I admit to being an Atwoodaholic--I wrote my master's thesis on Surfacing and paid double the price to have Alias Grace shipped to me from Canada in advance of its US publication date. As such, I devoured her newest novel in two sittings, despite its 500+ page length. It has left me feeling bleak and, in the words of the book's narrator "scraped clean inside." This is a beautifully structured book, involving three (perhaps even four) narrative layers that play off of each other to build a terrifying commentary on love, passion, sisterhood (both the biological and, by extension, emotional kinds), and betrayal. The book contains the closest thing to a love story Atwood has ever written, and it's a harrowing one that will sneak up on you and devastate you in the end. With the primary action being set between WW I and WWII, the novel also offers a final comment on the twentieth century: humanity's culpability in creating, destroying, and creating again, and on the quiet moments of beauty that are possible (temporarily) among the rubble.

This is a great book, a worthy successor to the wonderful Alias Grace. Read it at your own emotional risk, but READ IT.

If this book doesn't win the Booker Prize....
If this book doesn't win the Booker Prize, then Margaret Atwood will never get to give Thomas Mallon his much-deserved comeuppance for the snide review he wrote of it for the New York Times Book Review. Because I respect Mallon and have enjoyed more than one of his books, I took this review to heart (fool that I am), wasting several weeks before discovering for myself how much fun I've been missing out on! Perhaps, however, Mallon was just playing the role of "The Blind Assassin" when he wrote it.

Because of the number of excellent plot summaries already posted here, I'll save the space and not repeat them. Atwood's female characters here are as complex and intriguing as they are in Cat's Eye. Her descriptions are so specific that every aspect of the setting comes vibrantly to life, and it is easy to imagine every detail (yes, even the much maligned simile of a loaf of bread as bland-tasting "as an angel's buttock").

The plot evolves on three distinct, but parallel, plains, giving a triple whammy to Atwood's themes, while several different time frames keep the story full of mystery and excitement. Best of all, Atwood brings all the threads of the story together for a truly thrilling, rock 'em, sock 'em grand finale. If you've been wondering why the odds are so good that Atwood will win the Booker, read the book. This will certainly NOT be a consolation prize! Mary Whipple