Doctor X (1931)
The Mask of Fu Manchu (1932)
Mad Love (1935)
Mark of the Vampire (1935)
The Devil-Doll (1936)
The Return of Doctor X (1939)

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Product Description

Doctor X/The Return of Dr. X Mark of the Vampire/The Mask of Fu Manchu Mad Love/The Devil Doll

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Product Details

• Amazon Sales Rank: #17381 in DVD
• Brand: Warner Brothers
• Released on: 2006-10-10
• Rating: Unrated
• Aspect ratio: 1.33:1
• Formats: Box set, Black & White, Closed-captioned, Color, DVD, NTSC
• Original language: Czech, English
• Subtitled in: English, Spanish, French
• Number of discs: 3
• Dimensions: .55 pounds
• Running time: 412 minutes

Features

• Doctor X/The Return of Dr. X Mark of the Vampire/The Mask of Fu Manchu Mad Love/The Devil Doll Format: DVD MOVIE Genre: HORROR Rating: NR Age: 012569792876 UPC: 012569792876 Manufacturer No: 79287

Amazon.com
Universal ruled the monster movie in the 1930s, but this hugely enjoyable DVD set offers a counter-argument from MGM and Warners. Its half-dozen horror titles run the gamut from classic vampirism to baroque romanticism, and gather horror luminaries such as Boris Karloff, Bela Lugosi, and Peter Lorre.

The greatest film of the bunch is Mad Love (1935), a rich and oft-imitated bit of perversity with a deeply romantic streak. Concert pianist Colin Clive (from Frankenstein) has his hands wrecked, and his actress wife (Frances Drake) turns to the obsessive Dr. Gogol (Lorre), who has long worshipped her. But the doctor replaces the pianist's hands with those of a murderous circus knife-thrower! Superbly directed by Karl Freund (The Mummy), this eerie film is shaped by Lorre's subtle, uncannily sympathetic performance.

Karloff reigns in The Mask of Fu Manchu (1932), which offers more minute-for-minute lurid action than any other movie in this set. Connoisseurs of horror will be well pleased by the roster: a crocodile pit, deadly snakes and spiders, poisons, various forms of torture including a man strapped beneath a giant reverberating bell, and Fu Manchu's sexy daughter (Myrna Loy). MGM designer Cedric Gibbons runs wild with a wonderfully daffy Deco-meets-Orientalism scheme. There are some undeniably racist epithets thrown in the direction of the evil Dr. Fu Manchu, but he gives as good as he gets, and the character is ultimately as irresistible as any evil mastermind. Karloff gives one of his juiciest performances ever.

Doctor X (1932) is presented in a recently-restored 2-strip Technicolor process (a lot of throbbing greens and oranges), which gives the movie an antique appeal. Doctor Xavier (Lionel Atwill) brings his colleagues together to figure out which of them might be the Full Moon Killer; daughter Fay Wray and reporter Lee Tracy (a typical fast-talking role for this fun actor) tag along. Michael Curtiz directed; he also did the similar Mystery of the Wax Museum, again with Atwill (available on the House of Wax disc). The Return of Doctor X (1939) is more of a curio than a full-fledged horror movie, as it has Humphrey Bogart, resplendent in a Bride of Frankenstein hair streak, in a rare supernatural outing.

The other two films are directed by Tod Browning. Mark of the Vampire (1935) is a clear example of MGM trying to ride the Dracula gravy train, with plenty of smoky graveyards, scuttling possums, and Lugosi in a tuxedo striding through giant spider webs. Lugosi is peripheral here, as Lionel Barrymore hunts down the blood-suckers. It's slow going, but the touches are wonderful and there's a spooky vampiress. Browning makes The Devil-Doll (1936) a memorably oddball thriller, with Barrymore a wronged man seeking revenge--and exploiting a device that allows people to be miniaturized. All the films have lively commentary tracks, except Devil-Doll. Overall this is a very neat package; even the inclusion of Return of Doctor X makes sense as a pairing with its original. MGM and Warners seemed embarrassed by the horror genre in the thirties, but these examples prove they could rise to Universal's game. --Robert Horton

From the back cover
Mark of the Vampire: Are the bloodsuckers back? Bela Lugosi dons the dark cape, and Tod Browning (Dracula) directs with great style. The Mask of Fu Manchu: Beware the death ray of evil Fu Manchu (Boris Karloff) and don't trust his temptress daughter (Myrna Loy)! Doctor X: Science or madness? Lionel Atwill has a method for catching a killer. With scream queen Fay Wray and in rare two-strip Technicolor. The Return of Doctor X: Bogie needs blood! In his most famously atypical role, Humphrey Bogart is a once-dead fiend brought back to life. Mad Love: Play murder for me! Surgeon Peter Lorre replaces a famed pianist's hands with the hands of a killer. Directed by Karl Freund (The Mummy). The Devil-Doll: Meet the living terrors of Lionel Barrymore's toyshop. Tod Browning (Freaks) directs. Maureen O'Sullivan co-stars.

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Customer Reviews

The Forgotten 30's Horrors of MGM and Warners
This is a wonderful collection of horror pictures made by MGM and Warner Brothers during the Thirties. Neither studio was noted for horror pictures, but the ones they did make are unforgettable to fans of the genre as well as late night movie addicts. Following is a synopsis of the films contained in the collection:

THE MASK OF FU MANCHU (MGM, 1932) - Boris Karloff is wonderfully creepy as Sax Rohmer's evil genius, Dr. Fu Manchu. It would not be the last time Karloff played a Chinese, as he later starred as Mr. Wong in Monogram's low budget detective series later in the decade. The plot concerns a race between good guy Lewis Stone and Fu Manchu to find the tomb of Ghengis Khan. If Fu Manchu gets there first he will possess the magical relics placed there which, in turn, will allow him to enslave the world. Look for a young Myrna Loy in a delightful turn as Fu's diabolical, and scantily-clad, daughter.

DOCTOR X (WB, 1932) - A good early effort by Michael Curtiz concerning the "Moon Killer" murders in which the victims are strangled, cannibalized and surgically dissected under the light of the full moon. Wise-cracking reporter Lee Tracy traces the clues to a spooky seaside mansion, where Dr. Xavier (Lionel Atwill) and his colleagues are conducting strange experiments. Made in early two-strip Technicolor, the film is wonderfully atmospheric, and the sets themselves will linger in your mind. Aside from the irritating Lee Tracy as reporter Lee Taylor, the acting is crisp and to the point. Atwill in particular is eerie. Fay Wray is good as Xavier's daughter. I won't give any more of the plot away, but just remember the phrase "synthetic flash." Once heard, it will linger in the mind always.

MARK OF THE VAMPIRE (MGM, 1935) - Tod Browning's remake of his "London After Midnight" with Bela Lugosi as the vampire, Count Mora, and Lionel Atwill as Inspector Newman. In the original, both roles were played by Lon Chaney. The plot concerns the death of Sir Karell Borotyn, who appears to have been killed by vampire Count Mora. Fearing that the vampire's next victim will be Borotyn's daughter, Irena (Elizabeth Allan), vampire expert Professor Zelen (Lionel Barrymore) is called I to protect her and shed some light on the goings-on. Look for Carroll Borland as the Count's daughter (a role played by Edna Tichenor in the original).

MAD LOVE (MGM, 1935) - One of the great plots in horror film history, and one that has been repeated many times. Colin Clive plays the brilliant concert pianist Stephen Orlac, whose hands are crushed in a train accident. His wife, Yvonne, is a noted stage actress whose ardent admirer is Dr. Gogol (Peter Lorre). Although she rejected Gogol previously, she is forced to seek his help in restoring her husband's hands. Gogol replaces Orlac's hands with those of executed knife thrower Rollo, and the fun begins. Clive is his usual tortured, neurotic self and Lorre is brilliant as the oily monomaniacal Gogol. Pauline Keal, in her book on Citizen Kane, stated that Welles copied Lorre's look for the older Kane.

THE DEVIL DOLL (MGM, 1936) - Tod Browning's last great film is about as respected Parisian banker (Lionel Barrymore), who is framed for robbery and murder and sent to Devil's Island. Years later he escapes in the company of a scientist who has discovered a way to shrink living things to one-sixth their original size. Barrymore finds a new use for the scientist's discovery as a means of revenge on those who had framed him.

THE RETURN OF DOCTOR X (WB, 1939) - The famous Humphrey Bogart punishment picture! After years of complaining about his one-dimensional gangster roles, it was said that Jack Warner decided to teach Bogie a lesson and put him in the role of a vampiric lab assistant who needs freshly drained blood in order to stay alive. Bogart is a hoot in pasty-faced white makeup and a grey streak through his hair. Wayne Morris play the wise-cracking reporter who exposes Bogie as the killer. (Tough job considering the makeup). Look for Olin Howard (Jensen the drunk in Them! and the Blob's first victim) as the undertaker. This film has never before been released on either VHS or DVD, so it is a welcome find for horror fans and Bogart fans as well

HOLLYWOOD LEGENDS: LUGOSI! KARLOFF! LORRE! BARRYMORE!
Classic horror fans should grab Warner Bros up-coming "Hollywood Legends of Horror" collection, featuring 6 classics "new to dvd," including my personal favorite, "Mark of the Vampire" coming October 10, 2006! Titles include:

"The Devil Doll" (1936): Paul Lavond (Lionel Barrymore) was a respected banker in Paris when he was framed for robbery and murder by crooked associates and sent to Devil's Island. Years later, he escapes with a friend, a scientist who was working on a method to reduce humans to a height of mere inches (all for the good of humanity, of course). Lavond however is consumed with hatred for the men who betrayed him, and takes the scientist's methods back to Paris to exact painful revenge.

"Dr. X" (1932): A monster lurks as New York newspaperman Lee Taylor (Lee Tracy) investigates one of the "Moon Killer" murders, in which the victims are strangled, cannibalized and surgically incised under the light of the full moon. The trail leads to the cliff side mansion of Dr. Xavier (Lionel Atwill), where the doctor and his colleagues conduct a strange experiment. Fay Wray of "King Kong" fame plays the good doctor's daughter, Joan Xavier.

"The Return of Dr. X" (1939): New York newspaper reporter Walter Barnett (Wayne Morris) finds himself out of a job after he claims to have found actress Angela Merrova (Lya Lys) dead in her apartment - only the next day she showed up alive and threatened to sue the paper. Determined to investigate he discovers her involvement with a strange doctor (Humphrey Bogart) who is an expert on human blood. Barnett then finds a connection to a series of gruesome murders where the victims were all found drained of blood.
"Mark of the Vampire" (1935): Sir Karell Borotyn (Holmes Herbert) appears to have been killed by Count Mora Bela Lugosi), a vampire believed to haunt the local village. Now his daughter Irena (Elizabeth Allan) is the Count's next target. Enter Professor Zelen (Lionel Barrymore), an expert on vampires who is sent to prevent her death. At the same time, secrets are revealed surrounding the circumstances of Sir Karell's death.

"Mad Love" (1935): In Paris, the great surgeon Dr. Gogol (Peter Lorre) falls madly in love with stage actress Yvonne Orlac (Frances Drake), and his ardor disturbs her quite a bit when he discovers to his horror that she is married to concert pianist Stephen Orlac (Colin Clive). Shortly thereafter, Stephen's hands are badly crushed in a train accident- beyond the power of standard medicine. Knowing that his hands are his life, Yvonne overcomes her fear and goes to Dr. Gogol, to beg him to help. Gogol decides to surgically graft the hands of executed murderer Rollo onto Stephen Orlac, the surgery is successful but has terrible side-effects...

"The Mask of Fu Manchu" (1932): Englishmen race to find the tomb of Ghengis Khan. They have to get there fast, as the evil genius Dr. Fu Manchu (Boris Karloff) is also searching, and if he gets the mysteriously powerful relics, he and his diabolical daughter, Fah Lo See (Myrna Loy)will enslave the world!

Also of interest is Universal Studios September 19, 2006 release of "The Boris Karloff Collection," featuring 5 Karloff classics, "Night Key," "The Black Castle" "The Climax," "The Strange Door," and "Tower of London." With Warner Bros and Universal Studios releasing these classic collections, the production values should be very high and the dvd transfers should be at their best! These films could never hold up against today's CGI and computer generated fair for "special effects." However, the acting talent and the incredible "atmosphere" of these films, as well as those released in the wonderful "Val Lewton Horror Collection," and the Universal Studios' "Legendary Monster" collections are far superior to today's artificial talents.

Many of these "boxed sets" contain films that have been long overdue for a dvd release. It's nice to see them finally making it to dvd! Now if only we could have the 1960 b&w jungle voodoo classic "The Leech Woman,"(1960) and a "Hammer Horror Collection Volume 2" featuring more great Hammer Studio classics, including the ultra-creepy "The Gorgon," my expectations in classic horror will be somewhat met.

Great set of horror from Hollywood's golden age
The cover art to Warners' Hollywood's Legends of Horror Collection features images of horror legends Bela Lugosi, Boris Karloff, Peter Lorre and Humphrey Bogart. Humphrey Bogart ... what the heck? Yes, although Bogart was about as much a legend of horror as John Wayne was a musical comedy star, he did appear in one horror film ("The Return of Dr. X") included in this collection. Maybe it is a little erroneous and misleading to describe Bogie as a legend of horror but thankfully Warners' has included his one and only rarely shown thriller. The other films included in this collection feature Hollywood's true horror legends in an array of interesting roles.

"The Mask of Fu Manchu" (1932) may not be a real horror film but it does have the incomparable Boris Karloff in fine form as the demoniacal Fu Manchu. This engaging pre-code film features some delightfully racy scenes and insinuations. A young Myrna Loy as Fu Manchu's lascivious daughter is especially entertaining. Her very obvious goal of making the young male lead her own personal sex slave would surely have been censored from the script just a few years later.

MGM reunited Bela Lugosi and his "Dracula" director, Tod Browning, for 1935s "The Mark of the Vampire." This film was a remake of Browning's own silent classic "London after Midnight" which had starred Lon Chaney (and has been lost for 40 years). The image of the vampire had solidified in the public consciousness in the form of Lugosi's Dracula. MGM, obviously hoping to profit from the Dracula image, hired Lugosi to play the lead vampire character in a departure from the horrific and creepy, shark toothed vampire Chaney played in the original film. The final result is a well-mounted and moody horror offering with all the eerie trappings you'd expect from a 30s thriller including lots of fog, cobwebs, shadows and screams.

Maybe the best 30s horror flick included on this set is MGM's "Mad Love" from 1935. This film features a very young (and very creepy) Peter Lorre as a demented surgeon who torments a highly-strung concert pianist played by Colin Clive. Clive seems even more neurotic here than in his role as Henry Frankenstein in Universal's first two Frankenstein films. Lorre has been lusting after Colin's wife and uses a horrible accident as a means to destroy Clive's life and steal his bride. This is a first class horror film from MGM that rivals Universal's best horror classics.

The two Warner "Doctor X" films have no connection other than a similarity in title. The first film is a pretty slow-moving and dated 1932 thriller. "Doctor X" was filmed in an early two-strip Technicolor process, just like 1933's "The Mystery of the Wax Museum," and is presented here in a restored color version. Even if it is a bit creaky, "Doctor X" is an interesting Hollywood artifact and worth at least one viewing. 1939's "The Return of Doctor X" is the one with Bogie. It's more of a B-movie but very fun to watch with Bogart as the villain of the title.

Rounding out this collection is Tod Browning's 1936 "Devil Doll" from MGM. This one features Lionel Barrymore as a vengeful soul who miniaturizes humans to do his bidding. It's an interesting addition to the set but by no means the primary reason to purchase the collection.

As you would expect from Warners' all the films are high quality transfers from the best available material. There are some trailers and film commentaries (not for all films though) including one with the late film director Vincent Sherman. Overall this set is highly recommended to fans who wish to add to their film libraries of horror films from Hollywood's golden age.

Side note: Some other reviewers have commented on the absence of the Warners' Karloff film "The Walking Dead" (1936). I too was mystified until I realized that this may have been done deliberately. Perhaps Warners has the future intention of offering their own collection of Karloff films. Since both Universal and Columbia released Karloff sets this fall I would guess Warners would have held back. If they choose to release their own set they would only need to take "The Walking Dead" and add "West of Shanghai" (Warners 1937), "The Invisible Menace" (Warners 1938), "British Intelligence" (Warners 1940), "Devil's Island" (Warners 1940), and maybe even "You'll Find Out" (RKO 1940). Let's hope Warners does put out a nice salute to Boris.