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Mirrors of the Unseen: Journeys in Iran

Mirrors of the Unseen: Journeys in Iran
By Jason Elliot

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Filling a long-neglected gap in the travel writing of the region, Mirrors of the Unseen is a rare and timely portrait of the nation descended from the world's earliest superpower: Iran. Animated by the same spirit of exploration as its acclaimed predecessor, An Unexpected Light, and drawing on several years of independent travel and research, this thought-provoking work weaves together observations of life in contemporary Iran with history, politics, and a penetrating enquiry into the secrets of Islamic art. Generously illustrated with the author's own sketches and photographs, Mirrors of the Unseen is a rich, sensitive, and vivid account of a country and its culture.
Jason Elliot lives in London. His first book, An Unexpected Light: Travels in Afghanistan, was a New York Times bestseller.
In our current climate of war and suspicion, Iran is depicted as a "rogue" nation, defined by the radical pronouncements of its leaders. But such rhetoric obscures the real Iran: an ancient culture, both sophisticated and isolated, which acknowledges "an invisible world, from which the soul receives a more rarefied nourishment."
 
Jason Elliot has spent the past three years traveling in Iran, and in this book he reveals the many sides of this misunderstood country. In Mirrors of the Unseen, we are introduced to the urban contradictions of the capital, Tehran, and invited to ponder the sublime architecture of Isfahan; we travel with Elliot on horseback through the forests of the north, across the bleak landscapes of Kurdistan, and retrace Byron's steps to such fables monuments are the tower of Qabus, the palace of Firuzabad, and Persepolis. Mirrors of the Unseen is travel writing that includes history, anecdote, and provocative analysis, as well as the author's own photographs.
"Elliot reports on the 'double life' of the Persians he meets, who unanimously denounce the ruling mullahs. One insists that you're nobody in Iran if you haven't been imprisoned; another rolls his eyes at the author's obsessive trawling of mosques, protesting, 'People will think I'm with a fanatic.' The book is replete with historical arcana . . . ruminations on the 'turbulent calligraphies' of Islamic architecture, and labyrinthine footnotes . . . Elliot is a travel writer of the old school: untethered to an itinerary, eager to be led astray, and as ardent an observer of the experience of traveling as of his destination."—The New Yorker
"In this penetrating account of a series of journeys to Iran, Elliot reports on the 'double life' of the Persians he meets, who unanimously denounce the ruling mullahs. One insists that you're nobody in Iran if you haven't been imprisoned; another rolls his eyes at the author's obsessive trawling of mosques, protesting, 'People will think I'm with a fanatic.' The book is replete with historical arcana (such as the second-century Parthian tactic of catapulting jars of bloodsucking flies at enemies), ruminations on the 'turbulent calligraphies' of Islamic architecture, and labyrinthine footnotes that threaten to leap off into tomes of their own. Elliot is a travel writer of the old school: untethered to an itinerary, eager to be led astray, and as ardent an observer of the experience of traveling as of his destination."—The New Yorker
 
“Around his account of many months of travel, and sustained by extensive reading in libraries, [Elliot] aims to build nothing less than a cohesive idea of Iran’s artistic development . . . Elliot’s roving gaze holds an advantage for the reader. By consulting this single volume, one can learn about Cyrus the Great’s Achaemenid Empire—and Herodotus’s Hellenic-centered account of it—and about the consequences of the Arab conquest of the seventh century, which turned Iran . . . from a Zoroastrian into a Mulsim nation.  [He] describes the later Mongol devastations and gives much attention to the Safavid Empire that flowered after 1600, when Shiism, Islam’s main minority sect, came to occupy the position of political and cultural dominance in Persia.”—Christopher de Bellaigue, The New York Times Book Review
 
"Though fascinated by the past, the author has a knack for meeting characters, often eccentric, who tell just the right stories: an American expatriate quietly breeding miniature horses thought extinct; a brilliant conversationalist recalling the day an Iraqi missile crashed through the roof of her Tehran kitchen; assorted taxi drivers, hoteliers and intellectuals revealing essential aspects of the national character. What the reader learns of Iran is mostly positive, but by no means sugar-coated; some of the adventures presented here are for the stout-hearted only. A tempering treatise, one hopes, for those rushing to make war on Iran—and an education for those trying to stop them."—Kirkus Reviews
 
"Briton Elliot is the author of the beautifully written An Unexpected Light: Travels in Afghanistan, in which his trips to that war-torn country were relived with graphic detail and trenchant understanding. His new book, equally stylish and meaty and compassionate, documents his journeys around another uneasy country. Elliot went to Iran for the purpose of writing another travel book, his desire to witness contemporary Iranian society in light of the shadow but also inspiration cast over it by the wealth of ancient Persian culture. No year in Provence, this author's traveling experiences will make armchair travelers gulp at the lack of creature comforts; on the other hand, splendid visual evidence of political and religious pasts will perhaps stir that very armchair traveler into ticket-holding action. Elliot visited the major cities as well as the smaller ones; his journeys took him over hill and dale. He knows Iranian history and culture, obviously, and equally obvious is his good sense, in composing travel literature, to smoothly integrate factual background into swiftly moving narrative foreground."—Brad Hooper, Booklist
 
"Elliot offers distinctive portraits of Iranians living in complex political times. Recommended."—Library Journal
 
"Elliot traveled to Iran and returned with this finely detailed, timely portrait of a country and culture precariously balanced between East and West, dark and light, integration and Armageddon. Whether careening around the smog and traffic clogged capital city of Tehran in a battered cab or crawling through the rubble-strewn ruins of Persepolis, capital of the ancient Persian kings, Elliot's keen eye, supple mind and compelling way with words captures the rich, complex, contradictory essence of Iran, its history and people. Everywhere he travels, Elliot explores a central question—will Iran, a country with a deep and abiding history of scientific innovation, fine art, high culture and beauty, step into modernity or will the revolutionary mullahs, the guardians and promoters of Islamic fundamentalism, take the country further down the road of isolation. In the cities, a culture of duality exists—behind closed doors, liquor flows freely, music is enjoyed and women are free to express themselves fully. On the streets, however, religious extremism rules, manifested by squads of bearded enforcers looking out for infractions of their version of Islamic law. With Iran so central in the news, this is a good read for the armchair traveler and amateur geo-p

Product Details

  • Amazon Sales Rank: #150610 in Books
  • Published on: 2007-10-02
  • Released on: 2007-10-02
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 448 pages

Features

Editorial Reviews

From Publishers Weekly
Starred Review. Elliot (An Unexpected Light) traveled to Iran and returned with this finely detailed, timely portrait of a country and culture precariously balanced between East and West, dark and light, integration and Armageddon. Whether careening around the smog and traffic clogged capital city of Tehran in a battered cab or crawling through the rubble-strewn ruins of Persepolis, capital of the ancient Persian kings, Elliot's keen eye, supple mind and compelling way with words captures the rich, complex, contradictory essence of Iran, its history and people. Everywhere he travels, Elliot explores a central question—will Iran, a country with a deep and abiding history of scientific innovation, fine art, high culture and beauty, step into modernity or will the revolutionary mullahs, the guardians and promoters of Islamic fundamentalism, take the country further down the road of isolation. In the cities, a culture of duality exists—behind closed doors, liquor flows freely, music is enjoyed and women are free to express themselves fully. On the streets, however, religious extremism rules, manifested by squads of bearded enforcers looking out for infractions of their version of Islamic law. With Iran so central in the news, this is a good read for the armchair traveler and amateur geo-political strategist alike. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
In this penetrating account of a series of journeys to Iran, Elliot reports on the "double life" of the Persians he meets, who unanimously denounce the ruling mullahs. One insists that you’re nobody in Iran if you haven’t been imprisoned; another rolls his eyes at the author’s obsessive trawling of mosques, protesting, "People will think I’m with a fanatic." The book is replete with historical arcana (such as the second-century Parthian tactic of catapulting jars of bloodsucking flies at enemies), ruminations on the "turbulent calligraphies" of Islamic architecture, and labyrinthine footnotes that threaten to leap off into tomes of their own. Elliot is a travel writer of the old school: untethered to an itinerary, eager to be led astray, and as ardent an observer of the experience of travelling as of his destination.
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From Booklist
Briton Elliot is the author of the beautifully written An Unexpected Light: Travels in Afghanistan (2001), in which his trips to that war-torn country were relived with graphic detail and trenchant understanding. His new book, equally stylish and meaty and compassionate, documents his journeys around another uneasy country. Elliot went to Iran for the purpose of writing another travel book, his desire to witness contemporary Iranian society in light of the shadow but also inspiration cast over it by the wealth of ancient Persian culture. No year in Provence, this author's traveling experiences will make armchair travelers gulp at the lack of creature comforts; on the other hand, splendid visual evidence of political and religious pasts will perhaps stir that very armchair traveler into ticket-holding action. Elliot visited the major cities as well as the smaller ones; his journeys took him over hill and dale. He knows Iranian history and culture, obviously, and equally obvious is his good sense, in composing travel literature, to smoothly integrate factual background into swiftly moving narrative foreground. Brad Hooper
Copyright © American Library Association. All rights reserved

Customer Reviews

good, not great4
I loved Jason Elliots first book about Afghanistan, and expected to be engaged with this one. For the most part, I was - the rich culture, history and art of Iran, as well as the local customs and modern problems were brought out by his anecdotes. And tho I struggled with some of his musings about Persian architecture, its a topic I have an interest in. However, his verboise descriptions of poetry and poets, and of name after name of historic references, lost me several times, and so I skimmed a bit. Still - he is a wonderful writer, and I'd read more by him. Just wish I had more background to understand some of his narrative.

An outsider's deep exploration of Iran5
Mirrors of the Unseen offers an informed Englishman's perspective of Iran, pictured in the passages of experience of the author's seemingly random travels over three years, augmented by larger readings of history -- tempered by an apparent knowledge of the importance of mysticism in the Iranian worldview. Most media reviews of the book have been highly laudatory. One by an Iranian of dubious extraction, Amir Taheri, indicated some vitriolic distaste for the book's origin and message, raising my interest further. The latter review dwelt mainly on the missed opportunities of Elliot's visits, which merely confirms Elliot's own view that the culture of Iran is immense when viewed historically, and could not possibly be adequately seen in three years. Likewise, a cursory reading of Elliot's book would inevitably miss many of its deeper points, as did Taheri's. Elliot makes every effort to emphasize the importance of historical art as the purveyor of messages sent over the course of thousands of years -- messages not out of date, but bearing lasting practical value. As such, his book has worth both as a tale of travel by a modern Westerner looking, full of humor and humility, to understand another country, and as an entryway for journeys into philosophy and the meaning of art and science taken at a higher level.

A Deeper Understanding of Iran5
When I picked up Mirrors of the Unseen, I was very excited since I had so enjoyed Jason Elliot's An Unexpected Light. At first, I was disappointed. In An Unexpected Light, Elliot concentrates on the people he met and the social structures he encountered. This was essential for understanding Afghanistan. Mirrors of Light is Elliot's impression of Iran. He sees the key to understanding Iran in the history of its people, as shown through the people themselves, the geography, and the art and architecture. Each of these provides important keys to understanding the Iranian psyche. In Elliot's view, these are much more important than the current fundamentalist regime. Once I grasped this emphasis, the book was much more interesting as well as enlightening.

Elliot sees the ancient Persian history, dating back three millennia, as the key to modern Iran. The deep understanding of faith, the past glories of Persia, and the representations of these glories in art and architecture are all interrelated. In Elliot's view, the current hot button of fundamentalist faith has only minimal effect on the values and lives of average people, much as many Americans and v ery spiritual, faithful people even if they don't buy into the fundamentalism that is espoused by many in the government.

Unfortunately the fundamentalism on both sides of the American - Iranian divide is what is reported in the press. Elliot gives us a view of Iran that can hopefully lead to peace rather than war.

By the way, IMHO I highly recommend that you IGNORE Elliot's Caveat Lector on page 319 and continue reading. If you skip these pages, you may miss the key to the entire book.