Slaughterhouse-Five
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Average customer review:Product Description
Slaughterhouse-Five is one of the world's great anti-war books. Centering on the infamous fire-bombing of Dresden, Billy Pilgrim's odyssey through time reflects the mythic journey of our own fractured lives as we search for meaning in what we are afraid to know.
Product Details
- Amazon Sales Rank: #705 in Books
- Published on: 1999-01-12
- Released on: 1999-01-12
- Original language: English
- Number of items: 1
- Binding: Paperback
- 288 pages
Editorial Reviews
Amazon.com Review
Kurt Vonnegut's absurdist classic Slaughterhouse-Five introduces us to Billy Pilgrim, a man who becomes unstuck in time after he is abducted by aliens from the planet Tralfamadore. In a plot-scrambling display of virtuosity, we follow Pilgrim simultaneously through all phases of his life, concentrating on his (and Vonnegut's) shattering experience as an American prisoner of war who witnesses the firebombing of Dresden.
Don't let the ease of reading fool you--Vonnegut's isn't a conventional, or simple, novel. He writes, "There are almost no characters in this story, and almost no dramatic confrontations, because most of the people in it are so sick, and so much the listless playthings of enormous forces. One of the main effects of war, after all, is that people are discouraged from being characters..." Slaughterhouse-Five (taken from the name of the building where the POWs were held) is not only Vonnegut's most powerful book, it is as important as any written since 1945. Like Catch- 22, it fashions the author's experiences in the Second World War into an eloquent and deeply funny plea against butchery in the service of authority. Slaughterhouse-Five boasts the same imagination, humanity, and gleeful appreciation of the absurd found in Vonnegut's other works, but the book's basis in rock-hard, tragic fact gives it a unique poignancy--and humor.
From Publishers Weekly
"Listen: Billy Pilgrim has become unstuck in time." So begins Vonnegut's absurdist 1969 classic. Hawke rises to the occasion of performing this sliced-and-diced narrative, which is part sci-fi and partially based on Vonnegut's experience as a American prisoner of war in Dresden, Germany during the firebombing of 1945 that killed thousands of civilians. Billy travels in time and space, stopping here and there throughout his life, including his long visit to the planet Tralfamador, where he is mated with a porn star. Hawke adopts a confidential, whisper-like tone for his reading. Listening to him is like listening to someone tell you a story in the back of a bus—the perfect pitch for this book. After the novel ends, Vonnegut himself speaks for a short while about his survival of the Dresden firestorm and describes and names the man who inspired this story. Tacked on to the very end of this audio smorgasbord is music, a dance single that uses a vintage recording of Vonnegut reading from the book. Though Hawke's reading is excellent, one cannot help but wish Vonnegut himself had read the entire text.
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From AudioFile
Here it is in all its glory: the book that has baffled high schoolers for two generations. From Dresden to Tralfamadore and all the places in between, Vonnegut tells a story that's impossible to put down. To make matters even better, the book gets star treatment from narrator Ethan Hawke, who immerses us in the author's words. Hawke almost whispers his way through the text as if letting us in on a big secret, and he is marvelously effective. He uses impeccable diction and effective pauses to create an atmospheric world that gives the book an authentic otherworldly feel. By the end, Hawke has taken us on a journey that both illuminates the author's words and reflects our understanding of them. R.I.G. © AudioFile 2004, Portland, Maine-- Copyright © AudioFile, Portland, Maine
Customer Reviews
So it goes.
In my opinion, the greatest novel ever written. Slaughterhouse-Five examines war, free will, and time. Vonnegut had the ability to send chills down your spine. R.I.P. (So it goes.)
a short book about slaughter
This is a book I'd always put off reading because of the title. I couldn't figure out what it meant, and it sounded too weird for me. In fact it is more literal than I imagined: it refers to five army personnel who survive the bombing of Dresden by taking shelter in a slaughterhouse.
It must have seemed a very clever book back when it was written, some 40 years ago now, but all the time-travel and general avant-garde story-telling is so mainstream today that it hardly registers.
In other words, the impact has lessened, and it's probably even dated a little. I don't want to be too harsh, though. This is a very powerful work, and once you know for sure that the author's own experiences were the catalyst, you can't fail to be moved as the novel moves towards its astonishing climax. It's also very witty and laugh-out-loud funny in many places.
"So it goes....."
Slaughterhouse Five is the sad tale of Allied firebombing of Dresden, Germany during the Second World War. The Dresden bombing caused nearly the same number of deaths as the atomic bomb that was dropped on Hiroshima.
This novel is based on Kurt Vonnegut's own war experience and took him over two decades to finish it. Vonnegut is actually present as one of the characters; he was the constant cynical narrator who makes all deaths equivalent with his comment:" so it goes".
Interestingly, the novel was published during the Vietnam War, a war where technology was again used against nonmilitary targets in an unjust war.
Through the protagonist Billy Pilgrim, we are taken on a sad journey through the scarring traumatic horrors that war inflicts on both sides for generations to follow.
Sarcastically, Vonnegut used the Tralfamadorians, who are aliens shaped as toilet plungers, to demonstrate the linear progression of time as opposed to all moments existing simultaneously. Through the Tralfamadorians, free will is also presented as the ultimate illusion; Beginning with Billy's childhood, free will is a repeated theme throughout the novel.
Slaughterhouse-five, a remarkable novel that condemns war along with any bureaucratic attitudes that attempt to glorify war and its heroes, while ignoring its destructiveness and horrors.




